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A Man Who Seeks Himself

On October 21, 2015, in Leadership GT-Accent, by Neculai Fantanaru

Evaluate your worldview, experience and science, raising them to highs that you accumulate within you at all times.

Eisenstein looks upon his work and at the same time meditates upon it. But I have reasons to believe that he also looks for himself in his work. He makes, for example, during this period, such a statement: "… and that is why in the genesis of the work, as so often happens, not only facts are reflects, but also the dynamic of the process of creation."

He now thinks more about death. And immortality. He searches for traces of the theme of death in his own work. And he thinks that perhaps, the blind implacability, which fatally moves forward in all of his works, always under a different guise, has now entered his life as well. The heart attack, with the same blind, implacable fatality, besieged him so many times, and now struck him seriously and moves forward, moves forward to mortally strike who knows how soon.

In these moments, Eisenstein tries to retain every detail that "leaves". He has the sense of time that gets lost, that got lost slipping into the past. He remembers the assertion of an Anglo-Saxon who said he are living as if we have a million years ahead of us. You can live while accumulating time within you, or by spending it rationally, or irrationally, or, in the end, losing it. It is the very feeling he is experiencing. He experiences his drama with intensity. *

Leadership: Can you build a broad culture on the work that your life accomplishes for all your achievements, without getting stuck in trying to retain every detail that “goes away”?

The manifestation of the feeling of communion with broadening the horizons vis-à-vis certain projects and their impact, with a temporal basis, with destructive or constructive states of the self that emanate from the source of creation, often find their echo in slipping towards the depths of the depressing. Or towards the extreme of a high that disqualifies that "to be able to" of the obligation of bearing the weights, presenting itself afterwards under a form of completely unexpected life lessons.

The fact that feelings, erupted from the fire of ambitions and search for new ways of creation, take place between contrasts such as: gravity and cheerfulness, the pleasure of discovering and the displeasure of making your way through the tiresome effects of thinking, can be recognized as one of the primordial characteristics of navigating towards the madness of a game of life. Towards the end of a game dominated from one end to the other by fears and doubts, reflections and meditations.

The work that fulfills the life of an artist is the very theme of a philosophy whose diversity attests and expresses the consciousness of a final purpose that adds value to a thought of the type: “All I wanted was to show what I am.”

Leadership, according to the principle "you are what you experience in the game of your own mind", captures the intense sensation you are trying – as an author of a model-work, when you accumulate time within you, spending it rationally, or irrationally, or, in the end, losing it. That is, the sensation of emptiness or fullness that you experience in the journey of meditating in every moment of life.

This model-work doesn’t represent, at a stable equilibrium of its composing elements, only the indissoluble synthesis of the idea with form, not so much the image of a remarkable achievement, but rather an absolutely necessary requirement of assessing the vision of life, experience and science according to an accumulation of excesses and errors.

Leadership is the vision that your model experience gives you in terms of determination, discipline, strength and the endurance given to you by the work called “self-observation” in n overproduction signed “Live as if you had a million years.”

A Man Who Seeks Himself seeks time and work at the same time, he meditates upon them, in order to surround himself, at a moral and spiritual level, with a protective barrier when he feels invaded by the negative projections of his efforts of completing artistic compositions.

Do not forget that in the genesis of the work, as so often happens, are reflected not only facts, but also the dynamic of the process of creation. To try and create a work, which afterwards can lead you to the brink of madness, is a risky way of understanding your purpose, of constructing and modeling, of evolving and defining yourself according to the details of determining order that "leave."

You can leave behind the excesses and errors, but their consequences remain as a sort of witness of the evolution towards a broader self-knowledge.

* Note: Ion Barna - Eisenstein, Youth Publishing House, 1966.


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