Neculai Fantanaru

Everything Depends On The Leader


On December 09, 2017
, in
Leadership Z3-Extended by Neculai Fantanaru

Silence is the echo of the word our soul must fill with.

I found myself unable to begin or to end a dialogue with myself blocked by the presence of a semi-imaginary sentimental intrigue loaded with prejudices, that I wanted to get tired of fairly quickly. But such an operation involves first and foremost the ability to select a valid message of the type "How fragile I a" from a whole string of abandonment possibilities in the face of nothingness.

Vulnerable in the face of things unwanted, unexpected, and undeserved, I was projected into the reality of a loneliness that unbalances, debilitates and discourages any attempt to overcome the novelty of a kind of imaginary analysis that requires not a random approach, but rather a persistent one. "Something in my mind will always stay: the reason of a previous effect, as its final cause."

This passive acceptance of a response from my much too complicated sensitivity, the pain of knowing myself neglected by the divine will, the pendulum between temporal and eternal, between disguise and faith, where compromise becomes something common, an effort to create the illusion of an individuality looking for the same original logos.

Missing was only the triggering occasion to produce an accident at any moment, an approach to the vanity of this world, contrasting with the deepest aspirations of a wanderer in the desert born beneath an angry star.

Perhaps this final act was meant to clinch a lifetime’s argument. It was rather a juxtaposition of monologues, always a way for creativity, but not for pragmatism. A practice of research of superior knowledge through experimental examination, the art of creating a world out of nothing, a form of communication in short, because it means finding the respite and the need of a deepening in the pain of the inner truths, being inseparable from the perseverance in experiencing the tragedy of artistic consistency.

Leadership: Do you treat knowledge in a personal and mutual relationship of the two dominions: the manifestation of wise thoughts and the form of artistic expression?

To experience new forms of artistic expression is to give words strength, color, substance, weight, which few can manage to do. Carefully choose the representation you want to give to the words you use in the context of fusion with God, the experience of reciprocity through which You and the transcendent Being interact with each other.

I thought everything in me was the reverse of clear writing, proof of sensitivity to the novelty of a seeming desert rich in significance, always a spark of life. Accepting a moment of "now", preserving the solemnity of a moment that revealed my superior knowledge in a completely different form than was expected. I was like a writer resigned to the observer posture, to whom only the cult of everyday detail and hypertrophy of descriptions remain.

But always from the impenetrable hidden of the mind can spring the immortality of the sublime moment, a striking illustration of the mentality that has its replica in the literary imagination, an advantage of introducing into what is done in the reality of a meeting with God whose force of perpetuation of creation, of reinventing matter, goes beyond the theoretical framework of the present lines. This absolute intelligence creates the logical space of conceptual elements that do not degenerate into the marks of absolute nonsense because it embodies productive imagination.

At least, looing inside the writing that makes the abundance of fugitive thoughts a way of focusing on what I did not know, from the wide opening of the sensitive eye and the analytical mind, I counted my self fulfilled by applying experiences accumulated in the subconscious mind that emerged as intuition of the universe in the individual.

Leadership: Does your position on the decision to fix a reference point towards another way of mental stimulation belong to an "instance of guilt" type of role?

Intuition that established at the same time the structure of the plastic-narrative language, the non-traditional ways of expression, the underlying principles, compared to the verbal language. My position on assuming a role of the "instance of guilt" type being that of a doer of the Great Work which attempts to unify the world of the written word with the plans and thinking of God.

I still feel guilty, not for what I know, but for what is revealed to me from the experiences of mystical experience, from understanding the self in the light of the relationship with God in accordance with His will and not with the values of the world.

Thus, I feel guilty by letting people discover the truth of a pure faith, being the matter of the idea or the representation of fantasy in relation to perceptual activity. Like I was locked in a semi-dark cocoon that offers protection but does not feed.

Diligently, flaunting my ability to analyze a complex set of elements, relationships or principles to extract similarities and differences between what is seen and what is hidden, between external reality and imagination too active that blocks any initiative. I am too lenient to the meaning that the words of silence challenge, mix, erase, or throw them into my head.

The fragile thread that connects me with the Divinity has as its principal reason the realization of a most faithful portrait of the one who manages to open a door to the wide space of knowledge unfolding between perception and imagination, while maintaining that silence that seeks a question, seeks an answer, that actually says a thousand things.

"Silence is the echo of the word our soul must fill with." (St. Ignazio di Antochia)

Fragile is the state of the man experiencing at the same time the dense dimension of creation and the mysterious language of wisdom. Art and deep thinking. Dialogue between you and God, meaning that He engages in dialogue through silence in felt joy.

* Note: Sting - Fragile

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