The Artist and The Triumph Of His Art

Assume your fidelity to what is gained through inspiration when you only see yourself accentuated by the feeling of sublime and the rest is no longer seen.

Things had gone mad, they went completely mad as if in a bold painting of an incomprehensible artist that began with a few inspirational splashes. I wanted to capture them in a certain order, in a one second image to modify their parameters before creating too much variation between external determinations, but I didn't manage to get to the end line of normality.

Because I myself, caught in the whirlwind of wandering, in front of the most fantastic theorems of chemistry, which I am not usually sure I would be able to endure, I was the one who painted the world as he wished, limited by the opportunity to meditate on his own survival. Here is an interesting line from a novel written by John Fowles: "When the narrative is based on missed opportunities, you can be sure a bad script will come out."

Constrained by unfavorable circumstances, I began to use my imagination in terms of its connection with objective reality, just as the artist forgets to look elsewhere than in the eyes of the model he draws, immediately capturing the line of a secondary topside that forms to the right of a "multi_match" query to explore other searches similar to an "output" of a reference model.

The need to find a common pattern between reality and the appearance of things difficult to accept, from where the splendor of an art that deserves a thorough knowledge, the configuration induced by an expressive culture, compelled me to draw an analogy between seemingly irrelevant events and assumptions whose achievements did not seem impossible. In order to succeed a tormented victory over science that studies the laws of artistic creation I had to go, in many ways, against individual searches.

Leadership: Do you transform your capabilities and evolving conditions into the premises of an art that gradually departs from the purpose of its creator?

The status you fill when serving as a symbol of the being that aspires to overcome the condition of seeing the world in a certain way, confronting the challenge called "Stay In The Unique Work of Art", is sometimes a deformation of the image of the world you have in your consciousness. Of course, you can refer to art as a game of survival in the face of things that make you pay attention to another dimension of reality, one based on the convention of narration addressed to someone other than the creator himself, and that’s because everything you say and think about yourself is the means of delimiting yourself from the routine manifestations of life.

Having access to the values that guide you in life, such as faith, individual freedom or the courage to act, means to sometimes resort to excessive accentuation of features that either slip into the sublime or reflect with a changed sign – into the ridiculous. The art to which you must relate, in terms of freedom to think in images, in terms of story and narrator, remaining true to the ambition to perform in writing, tends to emphasize the sublime of a confession that truly communicates the substance of one’s own beings.

Does your perception of reality extend to the depths of your being?

You can, for example, take into account the high-definition image of the "go forward" type that you are making haste on at the very first moment of the reception to identify it as representative. Here, the features of the image indicate an open color, the inner part of the person, such as consciousness, compromise, and knowledge. Or, on the contrary, you get to consider a blurred image that is pronounced for some features with maximum psychological expressiveness, such as introversion, depression, hostility.

When you are an artist you are confronted not only with the easel and emotions, but with the story of a dreamer who only by imagining the worst possible world will be able to turn it into a better one.

In his works, Rembrandt did not describe nature, but the inner world of man. He psychologized the pattern, discovering in the traits of his face the depth in which he alone ventured to look. Here’s what it means to fix your attention in a mirror of your own image as an alternate universe, and to measure your identity according to what the face wants and what only the face knows, everything starting from both an instinctual and intuitive act.

To transform your capabilities and evolving conditions into the premises of an art that gradually departs from the purpose of its creator is to use your imagination only in terms of the connection with the objective reality and to lose sight of that reflection of the mirror that you are, along with your character and features.

The best artists consider themselves to be the projection of a mirror image: first they are impressed by what they see, invaded by a whole sense of uniqueness, and then they feel they have to keep a moment of solemnity. Throughout this time, a form of personal power becomes real in their minds that becomes real as the relationship with themselves becomes more prominent.

Leadership is the unique value of the “authentic” work of art that is based on locating the essence of man in the conditions of using an alternative rendering of reality, as a continuity of the experience of being someone else, in the form of an author who continues to intrigue his readers.

The Artist and the Triumph of His Art are two sides of a mirror that makes you dizzy.

In leadership you have the obligation to be more than what you think you are. It means to assume your fidelity to what is gained by inspiration when you only see yourself accentuated by the sublime feeling and the rest is no longer seen.