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The Background Of A Long Repeated Artistic Experience

On November 06, 2019, in Leadership Impact, by Neculai Fantanaru

It is an artistic quality to be able to recognize a red color addition in an image with a glossy background in the hues of a pronounced attachment to the divine Self.

I have always imagined that I am more than an invention of the universe, a proof of the continuity of living in a space delimited by aesthetics and composition, discreet and obedient, like a rose personified as an artist whose presence in the world enchants by the suggestion to give in to the desires and instincts of belonging to the unusual relationship between a star and a titan of the Renaissance.

It is no coincidence when the art meets the spirit of observation of a lover of nature, in a unique and exclusivist concept, of the type “similarity through simplicity”. The rose is like a candle to me, like a sun illuminating the heavy path of creation, when I try to restore my connection with providence.

Each of us, as we have been conceived by the supreme artist of the unlimited universe, as two drops of patience in the immense ocean of humanity, have at our disposal the endless enigma of the great science to rediscover our roots and to embark on a start-up of the idea of ​​shaking the heart in the face of the wonders of nature. Fire colors, hues, contour points, are used to obtain a 2-in-1 image, through a mastery of realism that ensures that the aspirations of convergence to One, natural perfection, a single Whole, whose elements are from This.

For everything that resembles us, in adding a dash of light that enriches the brilliance and beauty of both of us, is more than an image game in which we try to demonstrate the belonging of a work to symbolism. It is a gift of the spirit of order in the landscape of thought thirsty for the emotional depths that the mystical union between Christ and soul crosses.

Leadership: Can you create an expressive image of nature, characteristic of the perception of a living being, related to the impression of a correspondence between the Divine Logos and the Artistic Logos?

Investigating the results obtained by diversifying the modeling techniques of a creator with mystical powers is done with the specific means of artistic language (contrast, proportion, symmetry), ideas, moods and affective dispositions of the characters represented as ambiguous figures, but in reality, being eyes of the heavens, stewards for the mysteries of eternity.

There is a big difference between piously contemplating a delightful work of art or a magnificent landscape, and contemplating the blessing cross of a God-Man, experienced as an obligation, not as a choice, between yellow-reddish inflorescences that open gradually, only in the presence of the sun.

The rose hides not only the artist’s enthusiasm for a sacred image, admirable through the boldness of the approached symbolism and the mastery with which the glorification of eternal life is worked. It also hides the ability to capture and produce aesthetic emotions through pure thinking that teaches you to convey first-class values ​​in science (such as original intellectual creation) through simple, direct and expressive writing.

The logo of an artist is the symbol of a banal man who feels the impulse for a new spiritualization, the initiation to the highest degrees that the revelation of “the Double of One” implies.

- You got me into this story, now you have to support me, I confessed one day to my rose, trying to immortalize it on a linen cloth. In a way, this was the attempt to reconstruct an enigmatic life, such as that of Miranda Gray in John Fowles’ novel, which had the same sense of seriousness at the serious thought that by an attitude of acceptance launched by visual artists, in a single moment of escape could have ruined everything he had built before:

“If you are a true artist, you give yourself to art with the entirety of your being. If you keep a small part of yourself, then you are not an artist. You are not what G.P. called a craftsman. You’re not invading the world. You don’t have to have little ready-made drawings or preconceived ideas to turn on people in order to impress them. Sense and patience due art have to be present, first of all, as you are.”

Leadership: Can you attribute to your creation that sensation of “delicate like a touch”, by conquering the perfection caused by a certain accumulation of feeling effects?

What for a writer is the feeling of the call to an eternal beginning, the great secret that nature whispers, for a rose is the mirage of a rescue from the wreck of oblivion, the expression of a twilight nostalgia, so rarely pronounced.

Looking me in the eye for a second and then suddenly looking away, as if afraid to acknowledge a great guilt, the rose responded to me with that intensity, warmth and affection, with which the painter used to color the deepest feelings, the emotion and the dream, using without passion only shades of red and yellow:

- I confess my guilt for being a tool in the hands of the Lord, a plea for true friendship, through the authenticity and the high craftsmanship with which they manage to convey spiritual feeling and artistic image, with great power of evocation. All hope I put in a kind of forgiveness that starts from the sincere desire, full of regrets for something difficult to achieve, through the eyes of a lot of states that test my friendship: jealousy, rivalry, possessiveness, unspoken envy, guilt not to rise, somehow, to the level of His expectations.

I wanted to become a great leader, someone whom the world would reward through a higher admiration, and God prepared me to be a great artist, His equal.

Leadership: Can you control, through your creation, the suggestion of a permanent need for renewal in the aesthetic plane, without eroding the image with artistic load released by a Creator of order?

And forget how it is interposed between the two of us, between a rose and a receptacle for emotions, the message of a titan of expression through metaphors, by the name of Victor Hugo, which seems to willfully watch us from a 19th century drawing, from a self-portrait of personal knowledge, sketched in real time, in a symbolic framework, by drawing subtle and stylish contrasts:

“An ordinary man will be able to do regular work at any time, but only the high spirits know how to order a composition. Regularity is a material and purely human combination. Order is, so to speak, divine. The Creator, who sees from above, orders. The imitator, who views things from up close, adjusts. The former proceeds according to the law of their nature, the latter following the rules of their school. For one, art is inspiration, for the other it is only science. In two words, regularity is the taste of mediocrity, order is the taste of genius.”

It is an artistic quality to be able to recognize a red addition in an image with a glossy background in the hues of a pronounced attachment to the divine Self.

Leadership is the high craftsmanship with which you manage to convey a spiritual feeling, with great power of evoking a unique visual identity, through the voice so powerful of the consciousness that draws your attention: “Do not try to create something extraordinary just to impress the world !”

The Background Of A Long Repeated Artistic Experience is captured by the awareness of a closeness to things holy, through a resemblance to the soul of nature, with the splendor of the image of another reality, transfigured, an image of the Kingdom of Heaven, transformed into a flower decorated with a red cross charm.

 


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