The Fluid Principle Of Concealed Science

You cannot steer an entire world in a new direction if you do not change the major coordinates of science on which you place your personal image.

I have always been preoccupied with the deep meanings of things, their most surprising properties, trying to put them in a wider perspective to prove my expressive autonomy in unrivaled art. Like the great chemists, I have found a formula of integration into the configuration of a boundless world, a mysterious territory that radically changes the concept of identity, a high place where you exist only through erudition, clairvoyance, interpretative competence, inscrutable spirit, profundity and refinement.

The invisible matter, fermented in the conditions given by the active complex of epistemological elements, the controlled dynamics of a reflexivity that demands the need for intellectual rigor and emotional coherence, which is meant to be constructive by mixing divine things with natural things, sacred with what is profane, all of these are the "red activity" of completing an artistic search.

Do you have the ability to lucidly shape what you experience, filtering contrasting ideas to maintain the relevance of your vision in a prolonged exposition of personal meaning?

Of course, you will ask me if I have drawn lessons from the examples of others in the sense of devoting myself to untiring and all-encompassing supervision of the sources of other thoughts, or how I have managed to preserve my ability to look at everything through the glasses of subjectivity despite the color of time, the feeling of the existence of a great absence or of passing pleasures.

I can tell you that the influence of the surrounding world, the pressure of social constraints in the so-called moral consciousness, manifests in particular on reactions in the state of unacceptability of the too far-sighted views on the relations between life, creation and story, which sometimes prove to be illusions with no core in the use of means of literary expression.

In other words, if you trust in the opinions of others, you will not be able to imagine life without them, so you will remain captive in their reality, you will experience the experience of their journey without using your own reason, intuition and experience, to assert your individuality and to move away from contemporary conformism.

Can you integrate your life experience into the essential understanding of everything, using the connection between new artistic directions and a world dominated by the expansion of the Ego?

As is often the case, especially given the tendency to make science understandable to all, in order to make it popular, even if the effect of methodical pressures on the textual plan becomes sensitive to the reactions resulting from the breakdown of the asset "FIRST SIGHT" I constantly hit the realities of the same world you are exploring and looking for new forms and ideas.

But I cannot accept the terrible imaginings of too general theories, the shriveled shadows fluttering on the surface of the memory space of the time elapsed from the trinity, along with the already exhausted possibility of the events that occurred in the logical sequence of a text dropped backwards into the avant-garde literature.

What part of you is lost and what part is distilled when you create a story that touches on the essence of an existence that contrasts with appearance?

In the immediate vicinity of the most desirable teachings, as useful as it is hard to learn, all the sacrifices afflicted with stoicism resemble the aesthetic fixation of a story in the minds of men. A process explained by changing the complex structure, which determines the decrease or increase of the decomposition reaction of the already-created, meaning that of the constitutive components of a cognoscible reality.

Just like the ancient alchemists who have started to establish a philosophy of narrative form and formula, making numerous experiments on the distillation of fermented plaque, reaching to the strengthening of the covalent bond between the reactive intermediaries of life and the emotional intensifiers, I have succeeded in taking shelter under the authority of an artist who unlimitedly extends his concepts of intelligence and creativity.

My ego is in everything I write and is never overwhelmed by the nuances of a true passion for transforming the sand from the golden hourglass.

Leadership is that "Big Picture" that responds to the "So What" of a Brand that synthesizes in a deep and powerful spirit the essence of a science without boundaries, but one that is hard to master.

The Fluid Principle Of Concealed Science applies only to a branding process that falls between two major coordinates: the self-image, compatible with the authority of an artist who unlimitedly extends his concepts of intelligence and creativity, and the highest teaching extracted from what you live through a revolutionary art.