The Visual Of A "Ti Aspetto Qui" Production

Build an identity that meets the need for uniqueness, adding depth to your creation from the perspective of an inexhaustible source of visual delight.

I have always been the adept of forming an attitude of valuing beauty, which is meant to be a measure of the power of concentration, of the suggestive force on the vision and the spirit of observation. In fact, this is also a quality of an educated man and one of great talent, fine in all related to the visuals of a sentimental picture that accompanies the most glamorous joy of a multicolored garden, filled especially with roses.

The rose denotes the confidence in the experiences of a singular artist who has access to a world exposed to interpretation and understood through an artistic sensation, through a metaphor: “The theme of life, as in a repeating dream.” Nothing can change a thought based on the energies and geometries of the flower of life, by resembling the star of a special world, critically filtered by form, color, image, transparency, composition and good context. The road of art descends into the anonymity of the earth to bring to the surface a heavenly feeling which can only embellish a human figure.

For this reason, I educated my taste for the beautiful to look for the sensational, like a treasure hunter, where the world never looks carefully: in the heart of flowers, where very few artists have the freedom to express themselves: in the care of roses. Be yourself the best part of the treasure that you have discovered to the place of encounter with nature in search of the eternal moment.

Yes. It is a leader’s quality to know how to position himself with a lot of patience in a branch of activity that no one provides at the level of an artist, knowing himself to be part of an aesthetic category of the sublime, with his gift of enlivening things, by the way he knows how to group them, harmonize them among themselves, where they all speak slowly, with the voice of other times.

Leadership: Can the image that you build of yourself customize a message focused on generating a life experience or a feeling from which the visual of a personal brand is born?

Not in vain I have allowed myself so many times to cross una creazione dell’immaginario . I was following the colossal significance of a thinking based, in a symbolic way, on maximizing the impact that colors have on an “as if” well hidden in the painting of an era dominated by the idea of individual autonomy, lived and shared as an experience of entering another universe. Because I always wanted to be the vector of a beautiful, bold, metaphoric, allusive, and ultimately moody expression in choosing a study theme of the “Personal Identity” type.

So, I have never forbidden my freedom to communicate an idea, an attitude, a conviction, a concept, by comparison and differentiation. How late I realized that I would not be able to live without knowing myself as belonging to someone else without continually being surrounded by the mystery of a painting that can only be unleashed by la corrispondenza tra memoria e dimenticanza . Perhaps the amazement in the face of the splendor produced by art, nature leaves traces in the haste of this “delayed traveler”, who always looks carefully at how far the road stretches ahead of him.

When taking care of a large garden filled with roses inevitably come to mind words that Alexander Vlahuţă said to painter Nicolae Grigorescu: “He experienced all his waking moments in his art. Hence the ease, freedom, extraordinary power of his make. The unceasing burning of the sacred fire is the mystery of an artist’s power. He did not let the fire he had entrusted to God pass for a moment. And therefore, everything he wanted to do he did. All the secrets have been opened. Look at his landscapes. It’s no longer painting. There’s a wide-open window in the outside light.”

The visual of a personal brand is also transposed to the range of colors that roses scatter willingly, with their perfume, to be immortalized in a series of surprising images that suggest a close relationship between sentiment and form between the knowledgeable subject and the object known between the artist and the public. And from here, I can say that leadership is the naturalness and simplicity with which I visually express the artistic concepts and transform them into communication.

Leadership: Are you able to make an important contribution to the art of capturing authentic living by promoting the idea of ​​creating a sense of similarity between “a selected part of the landscape” and “the totality of the landscape”?

Some would say about me that I am part of an idea that generously opens its wings to the illusion of intrusion into another area of popularity, as the object of a grandiose manifestation, the time measured in trembling touches wrapping around a soft embrace made of spirit and admiration. Others would overlook my existence, just as easy as the TV turns off. Only some are given to hear and penetrate my power to pour out compassion into relationships with all around, with the very voice of nature.

The most important aspect of my creation is the way of observing a rose in the artist’s portrayal of a vigorously defined poetic, of a complete work of art.

However, the error of the viewer’s perception may be related to the inability to remove from the drawing of this narrative the very dominant color itself, which is to be a glorification of beauty experienced in the intensity of a correlation between facts and events, because it is quite difficult to capture the storm of great emotions that art gives.

A flower seen through the eye of the artist is the intellectual projection of an authentic existence. And the mere presence of a rose that always opens its soul to the novelty of a complex artistic personality under the power of a spell that draws you into the world of the book gives you another vision of what you are experiencing between the need to confess and the strength of your memories, half dream, half reality.

The totality of a landscape worth painting focuses the intimate character itself, the part of the poetry of everything that passes through the soul of the artist to every effort made to capture the impression of aesthetic unity.

I have always been a part of the “back home” feeling of a sacred union with the beauty experienced in the intensity of a life experience born and blossomed in the art of understanding subjective aesthetic approaches, the requirements of a creative activity that requires, first of all, love of nature, brought to godliness. My eyes were and will remain thirsty in light, dream-filled, at the sight of a masterpiece inspired by the unknown depths of a life that is not mine, and what good belongs to a bearer of wisdom and beauty who has finally found the place of symbolic concentration.

The most important part of the landscape of this wonderful place called “my garden” is the sense of harmony between what I feel and what I see so as not to distort or exaggerate the shapes of a figure that transfigures and unifies creation, a delicacy of execution makes the measure of an artistic intelligence reaching maturity accessible.

The expressive virtues of the line and form in the extent of the symbolic relationships that the rose can express as a means of language of painting are endowed with the attachment of my spirit to experience the experience of a lifetime among works of art, among the vivid colors of nature captured in all its splendor and generosity.

Art is a pretext to decipher the life of nature and make it eternal in an original creation.

In the end, you come to understand the vision of an “Ti aspetto qui” productions when, in the morning, roses filled with so many colors give you their gifts in inspiration, revealing their relationship spiritually modeled with the world of art.

Think of yourself as approaching a painting from the perspective of a gardener who never leaves the garden and who, in the desire to give flowers a human meaning, a high spiritual experience, is transformed into a symbol of rest and tranquility, in a kind of fabulous character adapted to a particular theme entitled “The Words of the Soul”.

The impression of aesthetic unity is only gained in the solemn ambience of a place of refined culture and sensation, beyond time, where every sensation and taste of good will give the indisputable proof of a Creator who brought into existence a universe full of personality and expressive force, full of energy, contrast, light and color.

Leadership aimed at fusing art with sensitivity is based on the relationship between nature and the inner being.

It is here that can be seen the greatness of thoughts and feelings transmitted through the image of a thriving garden where you experience the need to open yourself to what is good, beautiful and noble.

The Visual Of A “Ti Aspetto Qui” Production delights through the intimate character of a previous aesthetic experience, caught in a sense of contentment, peace of mind, emotional exaltation, focused on the power of a relationship established between two similar images, sometimes interchangeable up to identification with the expression of the nature of God: the artist and his work.

And now, the last desire of the rose, I assume it as a request to an eclectic spirit of rare penetration:

I expect you, viewer, to step into the “drawing” of my story about earth and heaven, about oblivion and rediscovery, about dreams, hope, and the power of imagination, to see how far a passionate art can come to render another dimension of life experienced at the intensity of a whisper of longing, admiration, soul, blinking as if on the wings of Ricchi e Poveri’s verses:

“A volte sai, non so perchè, mi trovo a chiedermi / Cosa sarà questa paura che ho di perderti / Che cosa c'è dentro di te che ti fa unico / E mi fa innamorare di te / Cosa sei, cosa sei, cosa sei / Sei qualcosa di più.”