Is There A Vacant Role Taking Shape In Your Work?

The story you create can take shape in a "call to life" type image, only if it continues the idea of the subtlety of human sensitivity.

But which actor will tell the story, who is the most suitable? And what role should be given to him? There is a vacant role. It is true that it still has no outline. It only appears in the wish list. A representative of a social category is missing: the craftsmen from Novgorod. That's it! The actor Orlov will play the role of the goldsmith Ignat.

The role takes shape, acquires the flavor that we also know. New ideas, new images appear now. From a notion, Ignat becomes a living character. In Novgorod, he is the one who decides to call Nevsky to the head of the army. Then Ignat distributes chains to everyone. He himself remains without chains. He asks himself the only question he can find. She's too small for him. Too short. The idea is funny. Ignat will comment: "It's a bit short!" The invention continues. The idea of Russian losses in the battle must be suggested by the death of a character close to the audience's sensibility. So, something like the death of Ignat. Because of jealousy. His throat is exposed and the traitor's knife will cut it. The comic of the line, repeated now, will turn into the tragic: "Make it a little shorter!"

And so the abstract ideas, the previously given theses take flesh in images. The reins of the two opponents - logical thinking and imagination - are equally stretched and the Pegasi gallop hand to hand.

Can you shape a visual narrative of external reality so that you become the representative of continuous invention, where reality is transformed into a living character of your own sensibility?

In his role as the actor of the expressionist vision, the artist is not content to simply outline a visual narrative of external reality; he becomes the representative of a continuous invention, where reality is transformed into a living character of his own sensibility. Expressionism, therefore, outlines not only a form, but also a notion full of "real flavor" through the vacant role of standard interpretations.

Using logical thinking in combination with imagination, this style evokes a call to emotions by transforming shapes and colors, suggesting more than it shows, and questioning abstract ideas. Each form of expression is a replica that continues to dialogue with the viewer, each contrast is a visual idea that suggests new interpretations of reality.

Does the contouring of a character in your work explore how the contrast between expressiveness and visual reality simultaneously captures the flavor of life and the value of sacrifice?

In the context of your narrative, the tragedy of Ignatius reflects the space between the vacant role and the harsh reality of his tragic destiny. He is an actor who not only interprets, but also deeply experiences the contradictions of the role he was given. By outlining this character, one explores the responsibility of the representative of Novgorod craftsmen, capturing the flavor of their life and the abstract ideas of sacrifice and duty.

Ignat's continuous invention, to offer links to others while he remains uncovered, adds a layer of irony to his narrative, turning the comic of the line " Cam curt ă -i !" in a tragedy that resonated with the audience's sensitivity, suggesting the inevitable losses. This duel between logical thinking and imagination that characterizes every moment of the story, finds its echo in the metaphorical fight between the Pegasi galloping hand to hand.

In terms of creation, leadership is supported by the sensitivity and perspective of viewers, which provides a balance between the contrast between expressiveness and visual reality.

Is what you render in your creation what the viewers see in their life story?

Is there a vacant role taking shape in your work? Ask yourself this question whenever you are faced with a new artistic or conceptual challenge. And if your vision of creation embraces the mystery of the unknown, then the life story you unfold will be an engaging and memorable one.

* Note: Ion Barna - Eisenstein, Tineretului Publishing House, 1966.