Unattainable Horizons Of The Search Within Us

Extend your knowledge through direct exploration of the subjective reality, as dictated by changes reflected in the art plan.

I desperately needed to be someone else, under the experimental baton of the idea of absolute knowledge, trying to figure out, just as in art things can be represented in the completion of their construction, what can be understood and what cannot be. Something characteristic to the metaphysical sensibilities of the genius artist who, hinted by artworks, urges the world to search for aesthetic emotions.

The need to be a seeker. An isolated demiurge creating masterpieces through an act of culture and feeling. An equipped author, with writings full of double meanings, bearing within him that deterministic vibration, increasing with the extent of his proximity to an unacknowledged fullness, down to the deepest essence of what can be thought of and created, explained only through the effect of art over the most intense feelings that lead to committing his will.

Hard to accept. It was a return to myself whenever I ventured on to the battlefields of shortcoming, imagining and using everything, those before and those after my initiation in the arts of contrasting effects, in the building of the unknown. Which, by the rules of a scientific method, with the formulation of causal inferences, in the context of a deliberate leaning towards the abstract and idealism, could shed light on the deep mystery of the world. On the spectacle of individual imagination.

If you want to find out more about a world that is subject to the rigors of art, you need to find the most appropriate symbolic expression of the imbalance of a life course that starts from the description of the real object and is perfected in the constitution of the literary object.

Creative, I was twisting every shade and light into a spiral that descended towards the incomprehensible. Then climbing up over the beautiful that addressed reason. Curious to know everything that can be grasped by the senses, perceptions, matter and soul in their experimental extension. Basically, I was entering a mentality of the sort: "Go through the entire contour of creation in reverse". A fact that made me feel like someone else, giving the objective notion of the real Ego, distinct in the projection of an idealized reality.

In a way, I think I was confusing myself with that Greek esthetician that emphasized the relative character of the position of various aesthetic categories within their own system. The imaginable became unimaginable. And vice versa. Where the possibility of each of them to impose themselves even more, in continuity to one another, by the direct exploration of the subjective reality, as dictated by the changes reflected in the art plan. According to what I knew and what I didn’t know about myself.

Leadership: Can you create something in a different sense of art, generating the echo effect of a feeling of sensation that, together with the achievement of a particular target, achieves the whole of an unparalleled symbolic interpretation?

To determine the nature and importance of creation we must first define its starting point, its meaning, structure, the source in which the spark of reason is produced, with other coordinates of analysis. And see what it highlights. But most important is the way it combines, in a last instance with the mood of the artist, with its own feelings, removing possible confusion caused by the imbalance between real, ideal and fictional.

Reaching a particular target of receiving the different meanings of art is measured in an attempt to convey as much as possible, in a frontal image, everything you know about an object that draws attention by its disarming simplicity. The act of feeling comes from completing the object with a certain emotional tone, perhaps called “sacredness”, or with a certain value (good or bad), or attributing it a dream performance by mixing unique performance, elegance, innovation and efficiency.

My searches in the field of art have as an identifying symbol the I.M. specification, that is, the image of a space seen from above, a panoramic view, of sequences from the chronological deployment of a literature from which objects are perceived to remain constant, of the same size, shape and color, even if their image projected on the retina of a common memory is changing.

Art is the language of things that gain life by the way they are transposed in an ever-changing maze of text and image, in which interpretation becomes a work experience with the self.

To create something in a different sense of art, generating the echo effect of an act of feeling, is sometimes to give rise to the effect of an intent to communicate between the things that surround you and the way they are expressed in an adequate language of a discourse of manipulation.

Emotional involvement is that enormous force that binds you to a certain way of thinking that lets you be all you can be. A force that, on the other hand, gives a course of action that is relevant to reaching an individual target. It starts a broad campaign of creation, manifesting itself visibly in scientific curiosity, in a state of perpetual inspiration and in a race of searching for the points of view that favors your pursuit towards the ideal, towards everything that is bold in art.

In leadership, it is important what you believe in a different acceptance of art, culture, language, states of mind, surpassing the stage of "banality" that doesn’t demonstrate anything and generates the echo effect. There was a reason Nichita Stănescu saw the act of creation as a "state of echo". Something that resonates both in your soul, as well as around you, but especially in what you consider to be a change through the power of penetrating the armor of the ignorant.

Leadership, being outlined as a reaction to what you try to achieve through the act of creation, under the experimental baton of absolute knowledge, has as filtering material the information, elements of subjective reality, through the vision of imagination and power of expression, transforming them into values related to existence and the surrounding world.

The whole of a work of art is a mix of things, facts and ideas subordinated to emotions that through suggestion, image and symbol can take concrete forms of life.

Unattainable Horizons Of The Search Within Us highlights that state of mind from which man succeeds in perceiving every emotion and accept it as a propulsive force towards a more advanced evolution, and its entry into a mentality of the type: "Go through the entire contour of creation in reverse."