What Is Love (II)

Learn to recognize your individuality and appreciate it to your true value in the way the artist relates to that beauty ideal in the sphere of successful music in the feeling of a moment without end.

It seems to me a little dispelled the manifestation of this personal will to overcome uncertain strength, to notice what must be overlooked and to follow the choice of a contrasting force between appearance and essence. But this trend of expansion to those still unseen, but hopeful, should be noted, if we want to understand both the way of listening to the "cry" of creation, as a sublime view of the mountain peak, and the artist of full maturity in the art of singing, in a perpetual revolt against the vulgar kitsch.

The last of the coincidences that follow me in the process of expanding the means of expression is the closeness to that state of mind where I can experience intense creativity accompanied by euphoria, suspending the notion of time and deep involvement, until identification with the work I do. Someone called this phenomenon "flow state."

I believed that the great talents, beyond the sublime demonstration of virtue of understanding and practicing the aesthetics of a certain style, the aesthetics of a certain time "then" and a certain place in a space of thought deduced from the perspective of honoring a destiny, it bases its art exclusively on the idea of beauty.

Or, rather, beauty consisting of the suave harmony between rhyme and rhythm, a fusion of the word with the note, is the content of art these artists never detached from the mirage of the dangerous love that would risk everything: "I give you my love, but you don’t care ! "

There are people and happenings that you involuntarily forget, just as the artist forgets his ego, narcissism, and decides to explore what lies beyond the complexity of engaging in a variety of forms of creation. And of course, no one has regretted this natural thing, as many others regret. But always the color palette’s alchemist remains faithful to that nuance of tolerance, between pleasure and suffering that he demands from intuition. That shade of purple is rarely found in nature: "I want no other, no other lover."

Is your attitude towards what you have to do noticed by an approach to the ideal of beauty that will never be achieved?

The rationale of approaching the Great Creator is similar to the abstract aspirations towards beauty, which feeds on the ability to dominate a world, the feeling of belonging to a higher form of loyalty in the relationship with the Universal Voice. I come to recreate the whole spirituality of mankind and raise it to a higher level of the sublime. Here is the essence of art !

Even though my work does not reach the ideal of beauty I had hoped for, it does in return something far more important: it builds a theory that is not in line with reality. That is why it must not be produced by an abstract aspiration towards beauty, but by the conjugal activity of all the forces and capacities of man to relate to what is superior in the depth of his being. What can be superior to me, other than the infinite idea? "What else can I say?"

Sometimes I try to sneak into a private setting, perhaps manage to control the tendency towards unity between idea and image, the formal principle of any technique. My eyes, like those of old Rembrandt in a novel by John Fowles, look forever beyond the canvas, from the height of the genius who is aware of his greatness, but remains helpless in the face of human reality.

The painting, the sublime work of art, does not appear to be in its place in that salon of the eighteenth century, but proclaims a truth that such an environment aims to suppress: "I know we're one / Just me and you."

Leadership is the artist’s transition from the stage of "perceiving" to the stage of "understanding" the highest idea of ​​art that has as its main determinant the transformation of a destiny into a dialogue of authentic values.

Always the man who does not believe in chance, the same man who goes on the path of art in spite of the deviations from his usual conventions, proves to be enlivened by great and nurturing thoughts, just as Pygmalion felt instilled by a growing affection for his sculpture. But when he reaches the pinnacle of his potential, in the face of his last attempt to make a realistic outline of his art, he remembers the words of John Fowles:

"Ultimately, what matters is not only skill, knowledge, intelligence, luck or lack of luck, but knowing how to choose and learning how to feel."

It is exactly the same thing that the artist is preparing through art, trying to surprise by throes and labor the most touching moments of his life, not to impose, by the means of expression, sometimes interrupted by utterances clear and emphatic: "When we are together, I need you forever."

Leadership that best matches the composition of art aims to promote dialogue between "knowing how to choose" and "learning to feel."

Knowing how to choose the right rhyme and learning to feel the rhythm before composing a piece, this is the true class of an artist that relates to that beauty ideal in the sphere of music, then successfully crowned in the feeling of a moment without end: What Is Love.

* Note: Haddaway - What is love