A Place Where Space Doesn't Exist (II)

Try to bring a complicated phenomenon up to a level of importance, by taking control over what cannot be expressed except through a negation.

The mystic moment when I became aware of my power of splitting the "real" world into the "ideal" one, with the rapidity of a casual spark of genius, by the very essence of subjectivity that dominated the experience of knowledge of time and space, incurred in trying to personalize the truth beyond nothingness. Around a core of longing for continuance.

The key to the whole charade was the very essence of subjectivism that dominated the experience of knowing time and space, captured by the relativism of a mind that played sovereignly with truths at times grave, at times easy, but always keeping the measure of a faith in God.

Apparently, I lived into an attitude of sovereign detachment against the death of a life and its replacement with another one, dominated by pulsations launched from the secret chambers of my own being filled with an infinite void. I think this was the trophy of humility to my so-called unity.

It was as if I had to remove 100 liters of water out of an empty fountain, and having no way of doing so, I had to improvise a running water network from another power supply that works only through the power of faith. Reality is not a symbol of unity and eternity, but a visible sign of the presence of God in an extended creation for an unlimited duration.

How does your personality reflect in the sphere of a reality without profound significance, but which fulfills you in terms of what it can become?

But a long experience in the search of the Mysterious Magic can depart the man from reality, turning him away decisively – in the way a rock can be dominated just by looking beyond the "painting" by a skeptical analysis of himself. The majestic rock that cannot be touched only by the rules of a world that could be the future, always ascending to the strange waves of the unreal, it becomes the beginning of a transformation process of thinking and being into her walk towards new creations.

The Magical Mysterious, as soon as you imagine an accomplishment beyond reach, may be like a work of art that hides details that the painter did not want to portray, or the kind of a constraining mechanism that links the image of the word to the emotion of a secretive disclosure made far away from the eyes of the world.

The reality of this special symbolism, defining a vague reality with unclear boundaries and imprecisely defined content, seems devoid of profound significance, but it fulfills you by becoming the beginning of an endless process of reflection.

With what should be filled the space between what you know and what you do not know, putting in brackets the attribute of a second reality, so as to give original features to the universe that represents you?

I strongly felt the attraction of a change which was manifested by thinking, but just as someone thinks of something deeper, into a crescendo of the curiosity measured only by the impetus of an aspiration worthy of Marion Bradley, as if awakened from a revealing dream of the creative perfection spell. The visible was connected with the invisible in many ways.

At one point, I found myself alone in the House of the Future, built by Robert A. Heinlein. Once you enter it you get literally into an infinite vacuum. You try to look outside... nothing. Absolutely nothing. What color is nothing? What form has? The form is the attribute of something. But here there is no size or shape. Not even the black as darkness. It's nothing. A place where space doesn’t exist.

The reality that made me wonder which world I belong to was a kind of existence that I perceived only with the spirit, with the Ego desperate for a bridge between the symbols of an abstract idea, the symbols of an inner life and the symbols of an unfinished world.

The space between what I knew and what I did not know, putting in brackets the attribute of a second reality (that of identifying the causes and effects of deeper experiences), had to be filled with different elements of reflection, such as: irreversible time, fatefulness, human actions, life as illusion, all-encompassing death, etc.

Can you change your perspective on reality through the perception of what cannot be fully understood and controlled, using as a means of proof the science of symbolism?

The void, space where there is nothing, no form of matter, is not somehow an abstract notion that brings a controversy over your knowledge? However, the void can be examined by a delineation of what constitutes a momentary impression, under conditions determined by the interest of expanding the capabilities of perception over what cannot be understood and fully controlled.

The void is not a physical or abstracted reality, but an inexhaustible resource to interpret certain points of view from a sensitive angle. Vision gains significance through the various interpretations that are given to it, so it should not be localized only on a material level, but rather on a symbolic level. Yes, the void is a lack of content, but at a symbolic level, it can designate the spiritual nakedness, the silence of forgetfulness over endless suffering, the sweet poison of opium, etc.

What is left to be defined after you have used everything you learned over time, containing at first only a negation of what you are going to fundament, it is an approximation of a dimension concerning a phenomenon whose exceptionality and even singularity can be expressed as a symbol or as an unavoidable reference indicating a new guideline.

Fantasy joins the science in an attempt to personalize the truth beyond nothingness, as a model of thinking developed in interaction with an approach over what cannot be expressed. If a statue has the aim of as closely as possible imitating a true human subject, then the scientific knowledge starts from the premise that there is nothing into which to believe.

The great science is found into the voids that you do not know. Or, rather, it is the result of what you get after you have faced an empty space, a framework in which the laws underlying the conviction and credibility take a particular form.

To provide continuity to the science into a search field for answers to the mysteries of life, the world and the universe, means to evolve through a process of thinking transformation towards a higher understanding that finds its creative possibilities into something that cannot be sifted or explained.

A Place Where Space Doesn't Exist is that "something" remained vague in a way or another. But it becomes a force evaluated by its effects beyond what cannot be found out, so through its effects over the knowledge induced by a certain degree of uncertainty.

A man of creation manages to raise before science a new "Jacob’s Ladder" having two cases of power - one that attempts to reconstitute a special phenomenon and to bring it to a value of significance, the other by which he annuls the decision of validation of what he believes.

The lyrics of the French poet Guillaume Apollinaire remain genial at one hundred percent, "There are new fires there colors never seen before, a thousand unfathomable phantoms to which reality must be given" The void is nothing as long as it is perceived as a self-existent entity. But, it acquires extended valences when it is assigned with a meaning through interpretation.

The phase transitions of the void signals the successive attempts by which you try to lead a complicated phenomenon up to a level of significance, by taking control over what cannot be expressed only through a negation: "Do not know".

If you want your science to acquire the value of an inexhaustible source of revelation and creation, you must start only with the certain confidence without knowing in advance where you will reach.