Neculai Fântânaru

Everything Depends on Who Leads

Artificial Seeding

On December 28, 2014
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Leadership +50% Extra by Neculai Fantanaru

Become the recipient of truths that can give meaning to the identity of your thinking, processing and valuing the teachings drawn from life experiences.

I seemed to recognize the true philosophy of the future, in the opening stage of starting a new exploration from the sphere of creation into that of absolute time. As a result of a suite of visions born of one another, in an abundant but also deceptive imaginary flow, full of representations of a unique, transcendent landscape, I allowed myself to be caught in the spell of strange feelings, not knowing where I ventured to exactly. And this flux interfered with the numerous connections between key pieces of information, in an immense wave of new representations, amplified in an energetic mix of images from the evolved space of universality.

The story the writer relates is the art the painter creates. The image I was seeing was the dialogue between art and dream, a way of exposing the thoughts and feelings of a mysterious character passing through time, an act of reconstituting a diffused poetics subject to the feeling of completing a shattering world.

In turn, the creations I was pushing towards perfection, from the space of a futuristic painting, actually marked the beginning of a new way of approaching the themes anchored in an unchangeable reality, a desirable passage from realistic-naturalistic painting to abstract- figurative painting.

What you are attempting to express in a mysterious, yet truthful way, depends first and foremost on the way in which topical themes are approached, by capitalizing on the possibilities and resources of transfiguration of the image depicted in a surrealist or futuristic style.

The flow of the fluid of regulating thinking and feeling vibrations, which passed through a discontinuous surface of values that escaped consciousness, grew along with proceeding into a different level of control of reality. By accumulation, it risks becoming irrelevant to what I was trying to prove. But it was de only way to become a recipient of truths that could give meaning to the identity of my thinking, undertaken by a sort of law of physics: when you use energy of any kind, you are actually witnessing the transforming of energy from one shape to another.

The mystery of the meaning assigned to the art of writing, at the crossroads of questions about the purpose of existence and of one’s own being in a more complex reality resembled the painting of an intense immersion in the subconscious experiences of a tumultuous personality. The images we presented in a metaphorical way, meaningful, were aimed at the experiences of a troubled life that led me away from reality, from an adventure spirit that far outweighed the facts themselves.

Was I really in a space of logic, preceding any scientific approach? Insistently, I was driven as if by that force of spirit, which the Greeks call Daemon, enveloped by the strange impression that I was teleporting myself constantly from one area of the universe, into another found at an unreachable distance, losing myself in the delights of a challenging despair in the impetuous and relentless way of a certain Stephen Hawking, Nikola Tesla or Albert Einstein.

I didn’t want to get used to the idea of being suspended in the surreal, with the intellectual representation of an unfinished controversy, between the confused and temporary. I had to prevent the normal experiences from expanding into a utopia. But that would have meant a denial of consciousness infallibility.

Can you find an identity of thought for yourself by practicing Chiaroscuro, through the artistic vision of recognizing you as addicted to a unique, supreme and exclusive reality?

The space of authenticity against yourself, in agreement with what you render by means of the experience of giving future a new dimension, by means of vision and of the processing of the flux of information from the external environment, always starts with a little "chiaroscuro". The chiaroscuro, which denotes an excess of imagination, with unprecedented effects, is achieved by the successive decomposing of the quantity of subjective information transmitted by a string or combination of representations, stored in a sort of deja-vu.

In correspondence with the artistic vision that can be assumed by a painter, the chiaroscuro also has the role of expressing in an atypical, but very expressive way, the call to plurality, boundlessness in feeling, the connection between what is not seen and what is seen, what is present and what is absent.

Imagine this chiaroscuro as a story that you can modify and revise whenever you want, one you only experienced yourself in an endless life, but at the same time, one that impresses anyone who might find out about it.

The chiaroscuro is the reflection of the reality in which you see yourself completely different, but one that no one can guarantee one hundred percent as being real. And an artist experiences in his paintings the sense of going outside of time, succeeding to denote that there is something mysterious about it.

Practically, a black and white image, more complicated than a color one, is the variant of a disorientated world, which is not yet fully present, of a distant world still living in denial that has not found its way and identity.

A wise person once remarked: "The mind is like an umbrella. It is useful only if it is open." Do you manage to decisively distance yourself from the norms of a singular reality, unanimously accepted as being the most plausible one, and get nearer and nearer to a reality situated in the detailed experience of everyday life? Chiaroscuro can be practiced only by means of "artificial seeding" into the existential evolution, so by putting information in the same place, by its exponential growth, from which a great movement of ideas, inventions and discoveries can result.

Leadership is distinguished in terms of lived experiences that enrich the understanding of other aspects, viewpoints and ways of thinking. In the future, more and more emphasis will be placed on the "transition from multiple to one". The merging of data and information describing the surrounding reality into a single whole meant to reflect a different reality.

The best artists follow the direction of the echo of things they do not know, breaking away from the echo of the things ordinary people are accustomed to grasp.

Artificial Seeding refers specifically to the exaltation of thought, manifested when entering a new level of control of reality, through a flux of information that never ends. But from which you must try and extract only that which you consider is useful to redefine yourself, being able at the same time to be a support for maximizing the transformation experience of others.

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