David
Find that something within you that makes you unique and brilliant, such as the artist who abandons the rigid canons of the time in favor of achieving a lively sculpture.
A change in the structure of my own personality occurred when I tried to find my transparency in a picture of great ambiguity, so as to capture the appearance of what I was is in fact, Ein Dual-Fokus-Phänomen, as the Germans say. So I had to consider the hypothesis of an enigmatic situation. I was the product of the fact of not pertaining to anyone, of existing within a framework of the dilation of thoughts, without urban agglomerations, within the proximity of various inventions and ideas, in perfect harmony with myself. I would perceive only the nuances of a Sound of Silence.
As everything moved a lot slower around me, but continuously as the attracting opposing polarities of a magnet, I have maintained my willingness to be in a relationship with something far greater than myself, rather a strong partner, as being something I constantly depended upon. Something attracted me and rejected me at the same time. The image that tended to sink beneath my eyes, to which only art could have found a direct connection with the themes of fiction, seemed to support a phenomenon of oblivion and even denial of the essence of a conversation with a high spirit.
Loneliness is the way to finding that special something within yourself that makes you unique and brilliant, as an artist that abandons the rigid canons of the time in favor of achieving a lively sculpture, to go deeper into the spiritual world of his own Masterpiece, his most faithful copy. An extremely natural and expressive representation that doesn’t speak, doesn’t relate, but symbolizes perfection.
Can you approach art from the point of view of what you imagine is on the other side of your Ego as an art communication of aesthetic content that delights your eyes, mind and soul?
Thinking acquires originality only when it meets the unknown of glance in the mirror. On the other side of my Ego, there seemed to be an artistic spirit less concerned about the interaction between individual psychism and stimulating the surrounding world, a spirit of adventure and unknown that always made me want more from the "out of sight" experience.
Little by little, I began to feel that propulsive force towards a fictional mindset, following which I experienced the taste of great discoveries beyond the limits of my own being, later becoming the author of the world in which only art existed, where everything was David, the protective shield, knowledge, learning. Here there was no sadness, no joy, but only one law – be as much as you can be beyond the widely-accepted limits of normality.
Exciting, I felt trapped in a different dimension, like one of Michelangelo’s creations inserted in the fantasy universe of Stephen Hawking or Jason Diablo, finding myself in a framework that not even the most adept of futurism could’ve imagined. The pace of metamorphosing into a model of appearance, into a modern world, symbolizing an expression of perfection, was the new order imposed in the form of my art.
Can you offer your potential for leadership the property of being "artistic", by developing the ability of manifesting your individuality in a world where David takes precedence?
A world forged through a perceptual self-discovery can give leadership the value of a "closed system", where only you can understand yourself and feel that you can achieve a spectacular overtaking, turning you into a self-contained image: David. Simply put, David is an approximation of your original image, but with a greater number of levels of detail, with reference to the essential elements you’re made out of.
But if we look objectively, in the sense of shaping two distinct parts, a part attributed to the conscious ability of perceiving a unique self and a part attributed to the willingness of being in a relationship with what is far greater than yourself, then we will see an expansion of personality and an image confirmed by attitude. This is where David comes not only from the fact that the elements in the relationship charge the communication circuit of a harmoniously personalized aesthetic of finality and the exchange of views from a height, but from the background of an imaginative process in which you confess yourself as the main character of a story awaiting its author.
Leadership does not announce the perception of great discoveries beyond the limits of your own being, but it does correspond with the image you forge in the presence of an aesthetic reality in which are cleverly woven the agreements between what you want to be, what you appear to be, and what you can gain through your own endeavors. Through knowledge, learning, and by their representation in a unitary whole.
Thus, David can be a way of transcending reality, looking beyond it, encouraging the use of real elements to create a new world, new situations that do not overlap and are not confused with reality. In artistic leadership, the notion of aesthetics with which you describe your character from the height of a superior intelligence that dictates a new sense of reality and life in the image field that unifies the objective and subjective experience is the most important.
Life is the masterpiece you conceive before being caught in the depiction of an artist.
At the age of 64, King Louis XV confessed to doctor Lamartiniere the pain that troubled him, one he could no longer bear, one for which only he himself could find a cure:
"I do not wish for the immortality these people could give me, because I would have to pay it far too dearly, in this dying world and maybe even in the next one. I only want to extend my life for as long as possible. I want within this life to be, as far as possible, as many of the works I hold dear and for this I will neither address the poets, nor the philosophers, nor the warriors…"
Implying that his very existence was a masterpiece started a long time ago, but one lacking magic, the nuances of a stimulus, for it to be complete.
The main idea of man’s work with himself, in the equation of a development that favors leadership through an act of special creation, can be represented in the formula: "Life is the masterpiece you conceive before being caught in the depiction of an artist."
In the description of this formula, the magic already took place – a chaining of metamorphoses and poses, in which are mixed the eternal "returns" to yourself, capturing the relation between essentiality and the intensity that exists within the space that belongs to you, in the apparent world.
Leadership is the masterpiece that gives you life from the very life of a body that you are only part of by the act of rendering metaphysical significance to a more coherent and substantial inner world than the original one.
David is the self-consciousness that forces man to be "someone", it is the value surfacing from your relations with personal and subjective experience, it is the final part of the work of converting to yourself.
Even within you sits nestled a David that is eager to be transformed into a work of art, your most faithful copy, an extremely natural and expressive representation that maybe doesn’t speak, doesn’t relate, but it does symbolize perfection.





