Disappear Until You Want To Be Found

Test your courage of being yourself, unearthing the "miraculous" from within the reality of a new role.

One of the triumphs that truly were a challenge when it came to accepting chance, was to shine by absence, an intermediate situation between presence and loss in the role of a nobody, necessary in establishing the zeros of a complex equation. But without the eyes, the soul, seeing if it is about someone who pretends to be, undoubtedly, a feature characteristic only to art, as a unity of the idea with the image that seems to have eluded you thus far.

The unknowns, twitching of the all-encompassing conscious, in the freedom given by God to transcend immediacy, were the remnants of an impenetrable area from the content of my thinking under the command of an unconsumed energy. Only the theory of determinism could serve as a basis for the support and founding of a convention between the expression from the association of some contradictory aspects of life and the belonging to the artistic conduct of an esthetician of subjective idealism.

Can you maintain your authentic essence while navigating multiple guises and roles, using "contrasts" to amplify your presence even in your absence?

I soon started off on the trail of an intrigue, in which great or small forces, it does not matter since each of the parts involved is somewhat in the right, depicted the desperate searches of a culprit of the fact that he had made himself unseen in a game of contrasts. A game of the madness of passing off as someone else, especially given that my incomprehensible presence was necessary due to the position I held, as a man of extremes, expressed through the uniqueness of the relationship between arrival, departure and return.

Arsène Lupin, the fantasizing gentleman, the man with thousands of appearances that only operated in castles and lounges, come one night to Baron Schormann. He left empty-handed, but was careful to leave his business card on which he wrote: "Arsène Lupin, the gentleman-burglar, will return when the furniture will be genuine."

Nothing can overshadow the fact that the ghostly disappearances were based on the mechanisms of escape, everything seemingly a void of uncertainty and heaviness, without which the miraculous could not brought to light. An unknown that can become an obsessive thought. My entire cerebral organism had become a machinery driven, as if, by external forces. A small white stain in a translucid color, a combination between tracking an inexplicable intuition, being lucky and taking risks.

Can you change your perception of reality and the image of the world, authenticating yourself as a user of criteria of the dimension of spiritual life in the space of the duality between what is authentic and what is false?

Like a calling, driven by a divine plan, caused especially by the violent resistance to the idea of that right, which become an obsession, of distilling essence into a formula of appearance, which was not within the power of the common man, I treaded on the footprints of a fugitive. A stray whose absence is signaled by no one, unless he is careful to leave behind his business-card.

The criteria of the spiritual dimension that made me choose the denial of reality, remaining somewhat trapped in the past and imprisoned in illusion, in a way like entering a labyrinth of assumptions, roles, themes, and multiple ambiguities, whose meaning escapes in a unique relationship with the world, were given by that state of primordial naivety, of innocence and curiosity, with which we enjoy the tortuous paths of literary expression forces, strange forms, creating an art of compromise between intellectualism, emotionalism and imaginative poignancy.

What was fake in the long line of features of this phenomenon, from macro effects to private ones, was the contrast between the results of life and the painful, earnest cry that flew far beyond the borders of my being. I did not want to admit that what I thought was a story of my experiences was just a compilation of my mind built almost entirely on the basis of preconceived ideas of originality.

The only authentic thing was to give something to the world from the beginning of the understanding of my identity and of the mastery of the artistic domain which means unity between the work and the will, between the idea and the appearance.

Do you lead yourself in life according to theories designed "in the background", through the intensity of a fantasy experience that goes beyond the authentic values of universal art?

An early supporter of the idea "disappear until you want to be found", or "act as if you don’t exist", I had put into practice everything I had learned through the fantasy of the artist who tries to discover at least one detail that has some sort of resemblance with one of the infinite forms of nature, corresponding with the feelings of those who introduce in their paintings stains lacking shape which precisely hint to real objects.

Perception of the world and life, aiming at the experiences and conclusions concerning the conditions of receiving an artistic act, through which I lost to find myself in someone else's superiority, have as a resort the desire of using my forces, big or small, to analyze what I really was when I was choosing to get into the obscurity of a stimulating role.

Who is driven in life according to the theories conceived "muted", through the intensity of an fantasizing experience, allowing the possibility of forming an image under the action of uncontrollable forces, by analogy with the common elements of forms and movements, drawing inspiration from the nature of opposites, must first prove the existence of those two currents, eternal and all-encompassing, reality and the surreality.

Does focusing on language processing and means of expression in achieving a fuller state make it that your chaining around art is more effective when it comes to creating the image of another world?

Did Andre Breton not say, the found of Surrealism, that the miraculous is brought to light within reality? It is brought to light in dreams, in darkness, in obsessions, in concerns, during sleep, in fear, love, hazard; in ghostly disappearances, in the mechanisms of escape; in hallucinations, in so-called disorders, madness; in fantasies, in the supernatural and the unusual, in empiricism and surrealism.

Leadership evolves through understanding of the fact that contributing to the choice of using your mind in favor of creating an appearance, an essence that needs to be hidden, is an attitude worthy of a man who wants to fully capitalize on his power of getting involved in the depths of a representative role. A role which allows him to take the shape of many types of characters.

This can create a differentiation between the people who can become someone else, more superior, "detaching from the nest", to act laterally. And those who expose themselves to the habit of "staying in the nest", at the stage of setting a scene without the main actors, without exceptional roles, without extraordinary performances.

The role you play in the leadership show resembles that frenzy of imagination from which the masterpiece will be born: first, you enrich your experience of viewing unusual aspects of your personal life, then you keep your motivation in a world in which you can do what you want, and you can think of what you want without anybody banning you.

Disappear Until You Want To Be Found is a call to people who want to engage in a different role than a normal one, a role that represents an absolute novelty, expressed through the uniqueness of the relationship between arrival, departure and return.

Difficulty in leadership consists in the fact that, once you’ve taken up this new role, you need to find the courage to be yourself, without allowing yourself the luxury of not knowing who you truly are and what destiny you have to fulfill. Can you bring the miraculous to light within the reality of your new role?