Don't Stop Me Now (II)

Learn to use the relevance of your relationship with "a higher deepness", paying attention to the certainties and uncertainties involved in approaching new directions of thinking.

I clenched my mind around this thought, as the eagle clenches its claws deep within the meat of a dear and tries to lift it from the ground. Around the thought that I existed through my own metaphysics, through my own artistic-causal power. But in this gigantic switch of the galaxy in which I evolved, in terms of the painstaking and torturous endeavor of the authentic, a cause was not really a cause, but rather an effect of which I was not sure of. "I’m a rocket ship on my way to Marks / On a collision course / I am a satellite I’m out of control."

The famous scientist René Descartes not only defined a logical system based on describing simple phenomena, but actually built his own metaphysics, starting from the deductive method, and reached the conclusion that thinking is a certitude: "I think, therefore I am." Thus, he concluded Godliness and the outside world.

If I would’ve managed to install the premises of a truth as of yet untold, through the unilateral means of scientific reason, through the supreme effort of pure imagination, then I would’ve found myself a lot closer to the start of a new stage of development. Like a sculptor who finishes his work by emphasizing the effects he wants to highlight, I finished my opinions on the belief that what I deducted through creative exigency (and through a sort of rational illumination) could determine who I am in a sort of higher deepness.

I use the term "a higher depth" to express the hidden power of comprehension of things experienced through reflection, from the anxious, unrelenting desire of understanding what has happened, of revealing the truths about the greatness of simple things, and the simplicity of great things.

Do you demonstrate the relevance of your vision and the ability to always be one step ahead of the present by adding meaningful content to the editing of a higher form of response to the requirements of knowledge?

Surely. I viewed the weaknesses of a hidden reality to others with tolerance, not to give the impression of excessive attention to detail, facilitating the predominance of the artificial, to the detriment of the naturally noted feeling, but to give new shape to the essential determinations of the assessment and reorientation parameters of the world that overtook me daily.

The requirements of knowledge that illuminate me and can be reconciled with the notion of "explosion of creation through the knowledge of transcendental truths" were the following: the finding of a reality that was not fully deciphered in all its consequences and the crystallization of one’s own conception of what happened to me through the fantastic of banality.

Secondly, I was convinced by the assurances given by the effect of an outflow from within myself and the entering into a supernatural and spiritual order, decisive for the reinvention of how I expose myself in the face of an uninterruptible source of content. An effect materialized in a self-renewal that placed me in an advantageous position compared to what I knew, from where I could see the events of life without being its captive. Which immediately meant an entry into divinity: "I’m floating around in ecstasy / So don’t stop me now, don’t stop me."

Always an artist, a manager of elements with predictive value over the quality of the relationship with my own object of study – language, in a set of phenomena and processes addressed through the intervention of the artistic-causal power, succumbed to experiences unmediated by the palpable expressions of his creativity. "I’m a shooting star leaping through the skies / Like a tiger defying the laws of gravity."

One of your useful relevancies for evolution on the ladder of development, added in the competition for opening a latent horizon, results from the successive improvements or degradations to which you are subjected in the attempt of crossing a transparent world, in which you hide nothing.

This relevance springs from the initiative of paying attention to the certainties and uncertainties implied by the approaching if new directions of thinking, and from the initiative of drawing conclusions under the aspect of your very painstaking and torturous endeavor of authenticity.

Does the relevance you have as a vector of strengthening leadership have the authority you represent as a potential supplier of new intellectual compositions as a dominant factor?

The relevance of the initiative of defining an uncertain area on which your future thinking depends, as a self-expression that explores that limits of the space of the imprecise and unknown, formulating something out of vague things, gives priority to your integration in a new version of power.

And the power to find and install within leadership the premises of certain, as of yet untold truths, through the unilateral means of scientific reason, through the supreme effort of pure imagination, is proof of the fact that, beyond everything you can conceive, your inner forum is expanding.

Is it not what they say, that power is given by the information you carry and transmit. And the information of a certain combination of judgements, belonging to one of the few classes of combinations which are opposed by a certain interval of variation, can also be calculated in relation to the landmarks of those quantitative accumulations of effects of the type "I think, therefore I am" which enable your transformation into a superior product through intellectual "endowments."

Leadership, along with the relevancies resulting from improvements and degradations of the type "You can be someone else through an: I think, therefore I am", has as a dominant factor the authority you represent as a potential supplier of new intellectual, scientific or artistic compositions.

The intellectual composition that makes known the area of leadership investigation coincides with the ability to develop new meanings attributable to subjective events and perceptions, experiences and reinterpretations of reality through reflections on the creative spirit in setting the design standards of the present.

Don’t Stop Me Now is an estimate, a way of measuring the relevance you give to the leading part of yourself that incessantly cries out, with an immense satisfaction: "I think, therefore I am."

If you constantly finish your opinions related to the belief that what you deduct through creative exigency determines who you are in a sort of higher deep, in reference to a certain logic of rationalizing through provisional findings, you will have the feeling that you can exist in a different décor in which everything that is true can be extended or removed, appearing as new styling accents.

* Note: Queen - Don't Stop Me Now