Don't Stop Me Now (I)
Return to what you don’t know and at the same time distance yourself from what you want to know, in order to maximize your chance of turning art into a way of feeling superior.
I chose it for myself from everything I had available, as a result of a superior way of thinking, deepened within a logic of a completely different structure than that of rational logic, later transformed into a feeling of invincibility. I was the first to put my hands on it, something no one will be able to understand, the triumph that drives away the pain, but still, I could only discern it in the dark. "I feel alive and the world is turning inside out, Yeah ! "
A darkness coming from too much light, following me like the stodgy bait from a hook. I only needed imagine an immense power from God, Like an atom bomb about to explode, but unaffected by the correlation coefficients used to calculate the vulnerability matrix. A power sparked from circumstances beyond my will, that I need in order to follow my path through a retroactive loop. "I’m traveling at the speed of light."
I chose it because it was the path to exclusive promotion of artists. This artistic-causal power, the essential part of a judgement filled with something from the mood of a Van Gogh that modulates the uniform hue of the circles and background by placing the ink in different directions, along an outbreak of contrasts, built up the idea of constructing a new philosophy within science.
Power was not only a beating of wings broke out of nothing, a triumph that drives away the residual pain of past failures, between symbolic actions having within itself something gloomy and turmoil filled with authenticity. It involved a certain temporal order, a certain context of perceiving a reality that requires an anchoring in a repeatable time, relying on a series of events and interrelationships. "So don’t stop me now don’t stop me / Cause I’m having a good time."
The founder of the Cartesian school, Rene Descartes created a theory of the human machine, created analytic geometry, discovered the principles of optics, also forming the foundation of modern physics. How did it happen? Every man, animated by divine virtues, only where he comes face to face with the landmarks of experimental art, on the high seats of the power of self-surpassing, can give birth to a new form of thinking.
Do you contribute to the making of a superior form of thinking, putting knowledge in the matrix of an artistic-causal power?
An artist will always, convinced that he will break any thought patterns, eliminate the ugly and the brutal from his art. Or, he will add two such elements of constructing a special reality, when drawing up a work meant to convince by drawing attention to the importance of establishing preferences and inclinations in revealing certain trends of evolution.
And it is precisely here that the superiority of your intellectual endowment is born, from the ability of developing and selecting those nuances, from the darkest to the brightest ones, which fit the reality you want to highlight. And artistic-causal power, the essential part of a judgement filled with something from the mood that most strongly dominates your mind and personality, implies a rearrangement of those nuances so that you can practice openness before art.
Leadership seconds the feeling of invincibility you reach when you go deeper within a logic of a complete different structure than that of rational logic, a logic that eludes others, which is not only one of feeling, but that of fantasy especially.
Can you uncover a new knowledge by getting inspired by what you don’t know by assuming the boldness of living in a world turned upside down?
You can contribute to a superior form of thinking, putting knowledge in the matrix of an artistic-causal power, only if you can follow your path through a retroactive loop – to return to what you do not know and at the same time, to head towards what you want to know, in order to maximize your chance of turning art into not just a way of feeling superior, but into a new philosophical construction within science.
Few people dare to try channeling this power of objectifying themselves under the terrible heat of the light coming from too much darkness, or under the protective cloak of darkness coming from too much light – a power that is often lost, as a river that no longer follows course, under the thick layer of the temporal classification in a wrong profile of configuration of the creation formula.
Artistic-causal power is activated from the information you collect through knowledge that you create within you and outside of you, from everything that represents you in relation to what you discover on your own. They serve you precisely to best appreciate the level of understanding subjected to a subtle logic, in order to get as close as possible to the probabilities of exceeding any conventions or borders.
To assume the courage to live in a world turned upside-down is the act of discovering new forms of thought springing from the fragments of an incoherent existence. This can be accomplished through the exercise of intuition and imagination focused on a gradual and rigorous conflict between what is seen as an exception to the rule and what is perceived as a seat of illusions.
The great knowledge that is beneficial to leadership is concretized by bringing into the foreground the form of thought centered on the act of perceiving a reality that makes you escape "normality", from the spirit of time, to discover a new world.
Don’t Stop Me Now is the direct result of the momentum towards the acquisition of a knowledge stemming from ignorance, meaning, from the attempt of attributing to darkness and light – these two springs of creation – a meaning that looks good in the picture you present to the world.
* Note: Queen - Don't Stop Me Now
