He who sees reality as it is presented to him through a gradual highlighting of shapes and colors of everything around will make decisions based on what he sees and not based on what is happening to him.
I was traveling from one place to another, for the umpteenth time, cradled by the thoughts of the need of surpassing myself, on the apparently intricate ways of self-perception in relation with the mystery of an untouched and gentle peace, and of a serene calm. A perception stemming from the very image full of details of things, their spread and form being susceptible to variation, things in which could be read the satisfaction of the mind that sees logical connections between pieces of information, in explaining a theory of everything around. In the dimension of the purpose of a life dedicated to the endeavor of understanding the wonders of creation.
Because the solidity the enlightened talk about cannot exist without spread or form. Things are seen clearly, without them everything would turn into immense chaos: a universe without forms, colors or life. And yet, the expression of "order" has its roots in "disorder". Because in the time constants of the transition from one state to another, in the will of an unsuspected power of exterior transformation, in an always repeated movement, matters produces through reactions and catalysis a force of gravity, vibration, energy, spirit.
Every second of every glance casted into one direction or another is a review of things given by the perception of the visual system before being witness to an "inexplicable" obscurity. In a second, my gaze turns to the beauty of the unseen, at least not everyone succeeds in this performance, or is given by the inexplicable revision of the visual system provided by the perception of an image of the invisible perpetuated by dependence on deductions, analogies, abstractions, assumptions, comparisons and generalizations.
Leadership: Can you share your unique experience of mirroring yourself in the things around you, by capturing an image of the observed object and presenting it in the form of creative impulses?
Often, I thought of forgetting all I see, all I feel, all that was between me and everything around. To try and leave myself in the company of a gallery of images without color, but reproduced based on a picture whose details had to be framed in the ongoing of events. It would’ve meant that things would become shadows of a nameless reality, undertaken in the conditions of a lack of form and essence, just as a book is experienced when it is read, it is consumed with every word, and it comes to the point that no one cares about it eventually, no matter how good it was.
The wavelength that determines the chromatic tone, that is, that property through which colors distinguish themselves from one another, would’ve had to correspond to the point in which I myself would reflect in things around, relating to the absolute value of a language understandable only to me. And this language, which I would have much to say, can be found in the writings of esthetician Cornel A. Ailincăi, as follows:
“The perceived object is given the artistic appearance by means of formal means, and the formalization – the transcription in sensitive pictorial matter – gives rise to a reality different from the perceived one, his pictorial image will say something other than the tree perceived in nature. The shaped tree evokes the real one – it becomes its symbol – but at the same time it loads it, intentionally or not, with an additional value that evades the final comprehension, breaking the iconic abundance in encountering a meta-meaning.”
Leadership: Do you conduct a review of things given by the perception of the visual system before being witness to an "inexplicable" obscurity?
The presentation of an image in the form of creative impulses is done by representing reality in the form of subjective impressions. What broadens your perspective is an emanation of timeless attention, a test of the attention you pay to things and events around you – glimpsed only through subtle details. A scene from the novel "Duma Key", written by Stephen King, recently caught my eye:
"Imagine again the girl that fell from the carriage. Hit her right temple, but the left side of her brain was the one that suffered the most – the countercoup, remember? In the left side is located Boca’s area – not that anyone would’ve known this in the 1920s. Boca’s area is responsible for language. If you hit yourself there hard enough you lose your language, sometimes for a very short while, but other times forever. But – although they are closely related – speech is not the same as sight.
Details, details, the truth is in the details. The girl still sees. And does sight desperately call for speech, even in a disturbed mind? A wounded brain? Oh, certainly, certainly. I wonder which is the first word from this part of the bad thing?"
Who sees reality as it is presented to them through a gradual essentializing of forms and colors of everything around will make decisions based on what they see and not on what happens to them. The obscurity to which we often all bear witness is given by the misinterpretation of the details that reality gives us, that what we observe is not the same as the depth of observation experienced by the followers of realism. The details betray an inquisitive spirit, doubled by a completely remarkable power of observation and analysis, while the darkness is the consequence of the play of light and shadow that only a perfect artist can follow from several angles.
And the one who fully answers to a perspective of reception connected to the meanings of events, hearkening the fundamentals that curdle everything around, like the connection between things, phenomena, and their context, through logical argumentation, is a man able to propose a new approach to the attitude towards what needs to be done in the interval between choice and happening.
Leadership: Is your perception of the world, rooted in the meaning of life, the result of thoughts and feelings born of various associations with the elements of the surrounding reality?
The perception of the world, with a spread on the meaning of life, is the result of thinking and experiences born out of various associations with the elements of surrounding reality, actually expressing the captivity of man through sight and hearing. This captivity can only be overcome through an acceptance of the changes that occur as a result of findings made in contact with a consciousness that doesn’t cry for sound and movement, color or form, but one that demands clarification on what is not right and for what reason – of all that is happening to you.
At a level of interpretation and up to a certain point the man who spreads out his observations within the range of consciousness never perceives himself from the perspective of the color "Life is beautiful ! ". And neither from the perspective of shapes undertaken by things of the type "Big Data."
The priority objectives of such an individual correspond with the tendency of promoting changes essential to the evolutionary process from the perspective of the projections of the desire to escape, to break the barriers of the conventional that are reflected in "that happening."
Obscurity is quite an avoided phenomenon in the tendency of treating effects and not causes. It means to not perceive the landscape (an overview) due to the lack of sight and hearing, due to the high volume of surrounding things to which we attribute value and meaning. But what is most often ignored is the very possibility of a happening that occurs unexpectedly, even of sight and hearing are kept clear.
The meaning you attribute to life is directly proportional to the way you look at things that are out of sight of those who, in the pursuit of small individual advantages, for the moment, forget the feeling of reality.
Essentiality In Leadership has as a reference point the reality that develops through the assessment and usage of things that happen, that are imposed, and are under the power of man, of things that are observed only through an intervention of personal remodeling and repositioning.