Hear No Evil, See No Evil, Speak No Evil (I)
Try to extract a weighted amount of the flows of substantiality from the precipitations of intangible elements, under the forces of contrast of an image that doesn’t contain enough information to explain it.
I was dealing with something intrinsic, indefinable, in the context of an extreme zoom that threw me in a different dimension, which resembled a situation that appeared to be absolutely justifiable in the middle of a madness springing from the chaos of an epistemic anxiety. "You don’t know my thinking / Who I dream of / Or the gifts that I bring… from the deepest sources of my anxiety."
It was as if I wanted to give meaning to captivating, broad and complex thoughts, from an effort of the imagination to serve the space of an artistic work setting, of a rare psychological depth. I was the artist of his own reality, locked in a secondary memory, the content of which was kept for a long time even in the event of a fall to derision or excess.
An extreme phenomenon was manifesting itself through a weighted amount of the flows of substantiality extracted from the precipitations of intangible elements, under the actions of the forces of contrast of an image that didn’t contain enough information to explain it. An undefined full of meaning, sprinkled with suggestions, in which the artist within me found new means of expression, including the fabulous side of a center of the universe that later became a sort of mirror that trapped my inner self in the space of a duplicated being.
The most beautiful part of self-acceptance, unconditioned by any external authority, is understanding yourself in an untraveled maze, without feeling the need to be understood by others.
Unprecedented, I was the fruit of an irrational storm unleashed suddenly, that only reality could allay. "One thing is clear / The atmosphere is thin and it’s cold."
Everything seemed to me a magic lifted from the desert of a world regenerated out of curiosity, a balance between two parallel entities "hear and see" relative to other existential planes, such as an equality between two expressions of a priori validity: "life and death". Links of the most desperate moments of my untold existence, as well as that of the starriest of hopes, different through what they could eliminate from the intellectual identity that I allocated for myself beyond the unpredictability of a journey into the unknown.
But what bears the character of variations of nuances, after the considerations of an interrogative existentialism cleverly combined with the vision beyond the world and centuries, valuable through the lens of the soul and visionary intelligence, can appear under the most perfect form of a: "I don’t have a problem with all of this".
Can you penetrate the fiery core of knowledge, placing yourself in the context of an extreme "zoom" that throws you into another dimension of your being?
An artist whose medium of expression is the type of content that emerges from challenging the established order of conceptuality of a reality that appears to be impossible, can verify his aptitudes of adventurer through an update of the dimension of discoveries identified during the incursion into the unknown.
In fact, the self-understanding resides from the knowledge extracted from the experience lived within the unknown, by running through a maze in which you can only find the way out by projecting thoughts to another order of reality into another life story which would simultaneously proceed in the past, present and future, to introduce multiple hypotheses, multiple perspectives of looking at your own soul, your own actions and motivations.
In this regard, the Zoom suggests that change of perspective necessary to extend knowledge, by moving the view from a distant frame to a close-up, or vice versa. Constructively, another dimension of my being could be explored by another possible understanding of how to “think about myself”, because to be great means to enter a very complex and confused labyrinth, to perceive his overall image and discovering his way out without depending on anyone else.
This truth was also validated long ago by the Romanian writer Valentin Dumitrescu:
"Any undertaking takes the shape of an adventure. And the adventure of knowledge and creation, begins through a negation: "I don’t know". Basically, you start out with a certain faith without knowing beforehand where you’ll end up. You never know beforehand the difficulties of the path, the dangers that await you, the thought or gesture that will follow.
But everything is revealed along the way, as if, while undertaking the walking part, the vertical position, we make it so that the exterior becomes less exterior, and the unknown becomes known. The same goes with life, it can pertain to the field of the happened if, refusing to narrow ourselves in the world of conclusions, we will not solicit an extra trial from the happening. Or we will not penetrate the fiery core of knowledge."
Are you prepared to find yourself in a contextual field where you become pressured to connect to “an endless adventure on the brink of uncertainty”, given the effect of an ascent measured in terms of “the thinking that thinks of itself”?
The ascension of a creator can be seen in the case of discovering the surprising elements which deviate exceptionally from the course of your own beliefs from the norms of your state of being. And the beliefs that manage this state, depending on the repertoire of assessments of reality and depending on the quality of interpreting experience, are based on two key dualities: learning through experience and learning based on active exploration, through reflection.
These beliefs, leading to the discovery of an aspect infinitely more powerful over what you believe about yourself and of the world, ensures a rectilinear development which considers a predisposition for your all-encompassing side. Through the self-determination of believing in the supernatural and in magical phenomena over which you don’t have total control, it can sooner be determined that shaping experience that ensures a new meaning of existence.
You often risk to manifest yourself as a mix of knowledge, self-knowledge, and an increase of your own expressiveness through a subtle aura of power arising from the extension of already defined concepts. In other words, what you consider to know about yourself and of the world, from points of view favored by the impact of other people, or depending on already used formulas of comparison, can only be uncertainty.
The most advanced science is coded through the indefinable (a component of uncertainty) which needs to have a shape in order to become concrete existence. And independence of thought is expressed in the imaginative exercise, through the extraction, processing, interpreting, and completing the indefinable from the reality of the world, and man.
A thinking that thinks of itself is a reflection of reality in the regulation of mutual relations between the curiosity driven to understand beyond appearances and the virtue to capture the contradiction between essence and appearance.
The man who seeks to better understand himself is like an image that does not contain enough information to explain it. He must accumulate numerous experiences to leap in defining the Ego that assumes the role of an initiator of an approach of imagination, intended as a reflection on the determinism of situations which, due to their exceptional circumstances, make possible the discovery of a new meaning for what it means to be your own creation.
Hear No Evil, See No Evil, Speak No Evil highlights the intellectual identity you allocate for yourself beyond the unpredictability of a journey into the unknown, determining the probability of appearance of high information that can broaden your horizon and perception over truly important things. Finally, you need to reach the conclusion that the entire configuration of the reality you experience is the fruit of your own creation.
