In 2 Eternity
Learn to spend most of your time in your own universe derived from that flux of thoughts that helps you discover the mysteries of the infinite possibilities of creation.
It was about the time I started to enjoy reading. We easily accept the symbol of a final journey called Eternity, as gold becomes expensive if you manage to separate it from the other metals, perhaps because we perceive that there is a chemistry between the real and the imaginary, a sort of separation from the temptation of the temporal in the struggle with all the worldly rules, as stipulated in the testament concluded with the blood of the greatness of being One with Everything.
Do you jump with me Into eternity? Don’t be afraid, with all your memories, come one and follow me !
Delirium or exaltation? For I seemed myself to be a creation originating from the midst of a multidimensional universe, only if someone could have imagined this gigantic universe by the inversion of its laws, which acquire their specific character through a harmonious structuring, corresponding to the needs of expression in the making of a new art. An attempt to develop a philosophical aesthetic based on the revealing data provided by the writing of an immortal idea, in an unwavering delight of the senses, behold, this is what the material of the mind of an artist, maker of senses, is made of.
Starting from the idea that there is a process of absorption of the unknowable in an image of the world perceived and experienced immediately, there exists therefore an art whose essential function is that of a reflexive contemplation of the apparent reality, I have ventured into making the process of creation more efficient with that of the motivation with which the artist relates to the art he had subjected himself to, as to a providential mission.
In my stead, pointing rapidly towards the same destination, introduced in the same version of symbolic reality, as an eternal flame, Jorge Luis Borges would have added with respect: "A thousand and one hundred years have passed since I have made it."
The only way to encompass the infinite is to realize that you are the universe !
I seemed to be an expression of determinism stemming from the need of a giant pencil to use black on white in sketching a two-dimensional illusion in which, although they seem different, the Universe and Infinity, they materialize in the archetype of another existential relationship with God – which was the very reality of my creation.
And when for the universe, together with the means it controls, it is necessary to penetrate into the spirituality of the form, not only as a factor of sacrificing life, but rather as an extension of the visual aesthetics regarding the art built on the pillars of the opposition between the outer and the inner, then we are witnessing a redefinition of the concept of "Eternal" that could defy the archetype of a world fed with myths and magic. The core is just the wrapping.
When you try to reveal the most vulnerable side of "Wherever you are, in any place and at any time", that long gate of the soul in faith is opened, and today, less well-known, but well-grounded over the centuries, called: Renaissance.
Do you show yourself as superior in terms of creation beyond what you can access with the help of a reality that calls for its "insolvency" through the insufficiency of the artistic funds defined through the act of dodging what you do not know?
If what I wanted to access was related to the birth process of an abstract universe circumscribed to worldly rules of which art and aesthetics were just a piece of the writing space in which metaphysics and prime philosophy were fortified, then eternity was the sum of the plastic expressions used to encourage the substantial truth: "there is nothing that never existed and which would not exist in the future."
The writer Vladimir Nabokov remarked at one point in the novel Lolita: "There are two kinds of visual memory: the first one, when you skillfully recompose, with open eyes, an image in the laboratory of the mind; the second, when you suddenly evoke with eyes closed, on the inner screen of the eyelids, the objective replica, perfectly visualized, of the loved face, the miniscule phantom in natural colors."
If you have the curiosity to predict my lines and movements in the game of confessional expressions, then you must know that my interest is not limited only to the stylistic effect of an isolated work of art, but rather the image of the entire production of an artist: the praise of the matter and the recompositing of the living and unlimited space of expression in a continuous exercise of personal optics.
Transforming the real condition of my existence into an unrecognized poem, under the sign of infinity, as if I had been in front of a paradise that is supposed to be assumed and overcome, basically meant seeking a relic of the Precious Blood of Christ in the triple game of correspondences – body, spirit, the soul of the world. Burdened, I would wander with the goal of finding the place in which the power and the measure of all that exists meet.
Do you encourage yourself to go through the phenomenon of eternal return to the level of artistic individuality, through a description of "living-type" that always comes under another form?
Here are just as many aspects of the new artistic current expressed by equivalences in the world of visual space, of the new modus operandi of the alchemical transmutation that I interfere with in my ranks, being a praise of the joy of creating another hypostasis of modern writer expressionism, constructive, with deep spiritual meanings.
To dodge what you do not know, in the great journey towards Divine Thinking, is similar to reading an adventure book: you insert yourself in the midst of a world you imagine as being real, without seeing the possibility of constructing a parallel universe in which you exist only as a theory.
Eternity in writing is a reflex of the infinite gained by the adequate use of the means of expression used in the fragile relationship between what you imagine you are experiencing and what you experience while you imagine.
In 2 Eternity highlights the labyrinthic space, worthy of one of Borges’ fictions, structured by abstract symmetries, with antinomic images that mutually replace each other: death and immortality, the part and the whole, the finite and the infinite, which lead to the imperious necessity of returning back to the essence.
Essence is something that determines the cause. Be an artist of self-exploration. Transform yourself into the Great Creator by molding your own creation into the Big Bang of the opposite of objective and subjective reality. Can you?
