Neculai Fântânaru

Everything Depends on Who Leads

In Search Of An Oasis That Doesn't Exist

On April 14, 2015
, in
Leadership S4-Quartz by Neculai Fantanaru

Control the depth of the value judgements you make and transmit, by entering the tortuous paths of misunderstandings that offer science net superiority over common knowledge.

I was gripped by an intense feeling, in the whole configuration of the moment isolated from any content, in a tangle of meanings of existence neighboring nothingness. Supernatural, the insatiable outbursts of my characteristic inspiration and inventiveness, in the cry of passion for the unfathomable mystery of everything that could be but isn’t, everything takes on the value of the absolute. It was as fi everything died along with the chaining of my thoughts in a sequence of transfers of meanings involved in the calculation of the interest for what does not exist. Or, rather, for everything that exists in the unknown.

As a man in semi-darkness that hides a well-kept secret, I planned so many things I needed to change without anyone noticing, through a multitude of conflicting information, betwixt the lead wires of denying everything that exists. Only so I could’ve been there where something ends and something else begins to be. Everything was happening in my brain. As in any novel by John Fowles.

Like the Wizard of Oz, whose secret trade could turn something bad into something good, the incomplete into complete, within the kindness of the possible, I intended to pull out of a chest a small heart tailored from silk, filled with sawdust and place it proudly where everything is impossible, incredible, unachievable. Then, by stimulating the impulses of reason to perfect a mechanic which could give the heart understanding and fit with what I was trying to project unto others. This equates to the discovery of my significant valences, represented the power of being different.

Undoubtedly, it was the voice within me, which rose towards the infinite and came back towards the end, at the crossroads between art, deviations and exaggerations, as a structure of meanings in the story of a life that resembles a walk through the desert in search of an oasis that does not exist.

Everything could be turned into an illusion, knowing that it is the means for my search in certain background circumstances, at the limit of natural possibilities of pure intuition, with its various faces of combination and creation, between said and unsaid, of plausibility and implausibility.

Do you get involved in creating a reality that allows you to see the various faces of an unintended thought, by the fact that everything you regard as a vision turns out to be a problem of interpreting your own person through ambiguity and concealment?

He who wants to determine the impossible, in terms of the numerous possibilities of the shape of being, in favor of deepening knowledge from other perspectives, continuing the reality beyond words, slipping towards contradicting principles accepted as being true, first needs to impose upon himself the care for imaginary creations, just as the sculptor creates new and interesting models out of stone pieces thrown at random.

The idea is that the style if expression and the depth of value judgements that you make and transmit, in the equation of leadership that expresses the relationship between what you think and what you are, must be also be understood as a science of the type of knowledge that doesn’t only come through reason – but through the senses.

It is a science of complex feelings tried in the conditions of that kind of knowledge, reporting to a supernatural – sometimes it is imagination, other times it is reality – which creates an evolution based on the phenomenon of seeking and collecting information, followed by the its use and transmission to a superior level of leadership.

The science of sensations, impressions, emotions, imaginations, frequently returns in the dimension of leadership, according to the meanings attributed to concepts founded in contact with the imaginary. Which, albeit not having a specific correlation, but is expressed through a process of deviations and exaggerations, lead to the planting of different types of beliefs that science uses in defining new directions of thinking. But also, to defining certain aspects of interpretations of what can be perceiving only in contradictions, in the experience of creative uniqueness.

Can you give a new interpretation to your own creation, coming at a time when the resources of its original core seem hindered by the attempt to represent the complexity of the imaginary?

Since knowledge obtained by means of imaginations can only be achieved at the level of contact with the inherent forms of implausibility, it results that the great miracle of creation can be understood as a science of the forms of manifestation of thought, and also of the forms of founding new untold meanings from the sphere of the existential. Contributing to the shaping of new points of view, a new identity, a new orientation, a new approach of everything that is "secret."

Figments of the mind lead to the shaping of certain untold truths and give increased confidence in the steps you will take in the ever uncertain and changing future. And to get involved in a real that allows for the faces of misunderstood thinking to be glimpsed is synonymous with entering a world, beyond your sphere of experience, trying to make a substantial change.

Which means that leadership, through an elasticity of thinking, through the possibility of feeding yourself with "misunderstandings" and detaching yourself from circumstantial beliefs, givers of blockages, which you experience through the direct interaction with the real, has gained the foundations of a large-scale construction, one of the type "If-While-Else…"

A new interpretation of one’s own creation, at the crossroads of art, deviations and exaggerations, can be treated as a composition of senses in the story of a life that can be characterized by a conglomeration of totally wrong ideas that lead in an unknown but constructive direction.

The interpretation I give to my creation is closely related to the desire to stand out in the perspective of an expansion of associations and matches, in the epistemological or metaphysical plane, so that what can give me uniqueness is as subjective as possible, a kind of arbitrary idealism that does not take into account the reality that the average person sees around.

In Search Of An Oasis That Doesn’t Exist highlights that journey into the unknown, seen as a leap forward on the evolutionary ladder of the universe and creation. The point is that what you try to note is somewhere else, in another form – but it exists, and it can be used as fuel to produce a change of mentality, propagating new coordinates of knowledge. Which involves transforming the way of thinking by embracing the incomprehensible.

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