Innuendo (I)

Try turning leadership into a substitute for the magic of staging an inner reality through external analogies.

There is a side of my life traversed by the depths of a never before seen spell. An ambiguous space formed of many fluxes of expression cultivated in the hemisphere of feelings cut globally by the circuits of creations, entering into contradiction with the Marquesan concept of the world, life and time. Somehow, the calculus formulas of these elements of individuality, pre-established by the shifting of the constituent poles of inner turmoil, in gripping memory with mood, gave double values to the events of reality that never missed a thing. "While I rule by blind madness and pure greed."

Somehow, I began to position myself in relation to the surrounding reality, pleading with the idea that life is an art through which the beautiful expresses itself with the amulet of time, an art through which the act of creation satisfies and cultivates, delights and corrects the spirit of a free researcher. Engaging, supreme ideals, enigmas of time, do not change with how you perceive and experience an explosion of energy and well-being, but with the spell of the impenetrable, with the manifestation of the shadow behind the light. "Through the eons, and on and on."

The endeavor of the inner life of a man who openly assumes his belonging to a phenomenon of interrogation of the contemporary world, which only fiction can poetically reconfigure, is directed to the composition of a unitary image of an evolution in time through any means of the artwork capable of suppressing the disappointment of the days lived under the motto “the ends justify the means”.

German philosopher Heidegger believed that thinking acts upon the thing man has in front of him, always decomposing and recomposing it. The expression of the thing didn’t take on the usual form for me either, because I stoically threw myself in the face of the inadmissible with the extraordinary instinct of a seeker of impossible worlds. The space of my own inner world was in fact the beginning of a journey to diversity, to transcendence, to the creative states specific to the aristocrat imagining the world as an echo of divinity and beautiful things, of harmony and the indissoluble structure of matter.

The force of imagination with which the genius constantly occupies the mind is the challenge of succeeding in shaping the unitary image of a deep-seated creature that seeks to understand its existence, express its emotions and points of view through its external analogies.

The absolute genius knows how to get out of his own depths, like a dervish from a poor parish, and arrived in the world of a new knowledge, of a new order, slowly transforms in all the things he imagines. He is surrounded by a permanent conflict between color and black, on the edge of a trilogy of spectacle, in the motions full of energy of mountebanks, on the background of historic images, in the novel images of the books read in one breath, between a drummer, a pyramid, balls and fire, between jumps, masks and applauses, in a crescendo whose climax no longer consumes itself. "Surrender your ego – be free, be free to yourself."

In addition to the love for the most noble of arts and sciences, in the impenetrable darkness of a special "Gateway Time". My individuality only had but a single scratch, the more the extremes of my radius of action could not be guessed. An elementary lesion consisting in the combination of faith with the greed of being the owner of other realms of reality, hundreds of times more dangerous than the sum of high frequency currents of the insistence of being perfect. "Don’t take offence at my innuendo."

From the outbreak of an Ego that doesn’t lack veracity, from a discharge of imagination that would stand to destroy it, in the paradise of graphical and audio art drawn with the blood of the twisted vision, the metamorphosis of reality is triggered, brining liberty to colors, dreams and expression without boundaries. The man of encyclopedic knowledge in the sciences of the humane gives a different meaning to the outer world, and his creative spirit, multiplied to infinity through the corridors of a bookish labyrinth, becomes a sort of synthesis of the universe. "Oh yes we’ll keep on trying / We’ll tread that fine line / Till the end of time."

Leadership: Can you equate the dynamism of becoming with the hidden universe of the work of art, placing yourself at the extreme of communicating an experience that permanently enriches itself?

The music video for Innuendo is a triumph of the art of storytelling, passed through the filter of irony and humor, of naturalism of vision and playful spirit. Which turns leadership into a substitute for the magic of staging an inner reality loaded with existential elements of the type: "Carpe Diem" or "Feel free."

Leadership is due not only to the artistic contrast between the appetite expressed intellectually and the appetite expressed through the force of expression and suggestion, but rather, filling as much a repository space of human manifestations and traits, follows the entry in the limits of causality and the exit from them. According to physicist Max Born, causality is a law that requires the existence of an "effect" entity that depends on the existence of a "cause" entity, an entity being any physical object, phenomenon, situation or event.

Basically, if you try to capture the entire area the visionary field of a leader-artist perceives, all the antics of his mind expressed vividly, you are overcome by an unsuspected sensation of self-dissolution in the indeterminate, which sends you to a chaotic pulverization full of color, a melding with an unstable equilibrium. Turning the frame 180 degrees, the flux of creation that crosses you is minimal, but does it have the courage to open the gate through the sorrow of all through our splendor to the question "What is our destination?"

In particular, the question you must answer is the following: How can all these entities contribute to increasing freedom of expression and action, freedom of thinking of yourself in relation with the surrounding reality?

If you manage to answer this question you will be able to equate the dynamism of becoming with the hidden universe of the work of art, placing yourself at the extreme of communicating an experience that permanently enriches you through things, facts, situations, utterances, gestures, attitudes, language, which you love or do not love. But which cultivate the freedom of creating and experimenting based on what inspires you, based on the forms and type of artistic vision you prefer. Be firm in your demands and expectations.

An aspiring artist, analyzing a few of the particularly important practical consequences of elaborating a compositional aesthetic, first tries to distinguish between knowledge of surrounding things, often seen subjectively, and knowledge that resides in their relationship with objective existence.

Both types of knowledge progress through accumulation of information of the type "Did you know that" and the environmental aspects with significant impact, which are about to be included into a guiding landmark, being predestined to some abstract certainties. These certainties represent the benefits of the creative platform for innovation and identification of the possibilities of improving the efficiency of the final product: the art you promote.

In the psychology of creativity, external analogies are terms of comparison between “what is” and “what should be” a world governed by emotions, whose criterion of excellence is the mastery of art to translate into reality the perfect image of a complete and authentic relationship with what is called “Genius”.

Innuendo represents an indirect referral about a person or a thing, with its basis in the imperative of the freedom of being authentic related to what is called creation, even if the risk of being put into an unfavorable light rises significantly. The important thing is to build something relevant for your own development, natural, through an inspiration that is a winged reasoning.