Neculai Fântânaru

Everything Depends on Who Leads

Macro Leadership

On July 09, 2016
, in
Leadership V8 by Neculai Fantanaru

Learn to appreciate the result of the way in which you perceive the relationship between vision and the way of promoting thinking that you install in the field of creation.

I wanted to say to all that stood before me, in front of the noblest of intention of penetrating the highest of sciences, as something new, with enough care, all those provisions of the agreement with a vision of the type "new world", which matched my personal way of reconstructing a metaphysic of self-surpassing through creation. The one who offers his services of invention, discovery and originality, in the manner of an artist of the detail who focuses his efforts more on fulfilling the type of aesthetic ideal to which he is faithful, is a promoter of change.

But only in the context of an art with no equal, using primary colors, creating a plus of the optical rhythm, where exterior elements prevailed, a mix of cultural influences, or of a profound nature, and using the artificial element of an occasional subject, the calculated balance of such a creation could be maintained. My art did not consist of a mixture of fantasy and refined discretion on the decorative background of a painting that gives the impression of truth, but rather it was meant to highlight the coincidence between subjective and objective, from time to time in eloquence in a lyrical formation dominated by simplicity.

The subtle sensations gained through an expression of the art of high quality and full of momentum, were the effects of a focus of attention on the transmitted message, and less on the composition that I would place, voluntarily, around a reality that exceeded the ability of the common man to understand it. With anticipation, I strengthened my subtleties inserted in the interpretation of the message, as Arsène Lupin strolling along in the relative narrow frame of a transatlantic, without being recognized by anyone.

Can you reveal that part of you that is “one and can bind you to infinity by observing the things around you, but each time as a different creative experience?

The condition of being an artist, through the act of first taking up a quality, which threatened and obsessed me terribly, that of shining through a sort of view from above, used to accurately observe not only the actions, but also the feelings of men, was a signal of the existence of a domination in the manifestation of the type of intelligence I possessed.

I could claim much more of what I called "the quality of judging things through the techniques and means of art", more or less Cubist. I could ask more of myself by showing intent to construct and build a new science, unitary through its deep nature, through the ultimate expressions of artistic subtlety, of thoughts and feelings of intense spirituality.

But this would be only if I were an authentic artist, eager to create a work of good quality in the context of a society that admires massive constructions, architectural beauties, built painstakingly, and not only an intellectual achieving success. It still reigns within me the hope of redefining myself fully, and becoming a great artist.

The things around me (and the emotions I was looking at) could at any time be a different experience of creation as a means of approaching other worlds and other realities, being all the more important as they managed to bring to light that part of me that is “one” and could bind me to infinity.

For, yes, infinity is an impetus in the sense of endowing your mind with an unmatched power, with a teaching to be taken into account for future journeys in other times, so it is the immense opportunity to experience a situation of deduction: you are both an artist and a work of art at the same time.

Can you bring your creation to a level of authenticity by calling upon an image that contains more nuances of meanings attributed to a reality that is only accessible through a unitary view?

"I want my cup to always be full". This message engraved on the gold bracelet on Ptah’s hand, pharaoh Akhenaten’s doctor, has a great significance:

"It is not about wine, but art. If you want to be a good artist, you must pretend that your cup is always full. In true art manifests the very creator and builder of the world, the god Ptah. The artist is not merely water or a mirror, he is much more than that. Therefore, claim your full cup, do not settle with what others will say and trust more in what your eyes see clearly."*

The great formula of human orientation towards committing a high ideal, through the initiative of building and edifying a new science, with which the new concepts penetrate within the spirit of its users, is directly inspired from that unprecedented combination: to be merely water or a mirror.

This combination showcases, after many difficulties of delimitating art from its interpretations, a line of development compatible with the condition of the existence of a domination in the manifestation of the type of intelligence man possesses.

Water, which flows constantly, symbolizes the purity of what we truly are when we seek to redefine ourselves fully by affirming the quality of judging things clearly, of understanding them in their essence, through the techniques and means of art.

A unitary view is obtained by appreciating the relationship between two or more closely related elements, but which can be confused, compensating for structural shortcomings and turning into a theoretical hybrid that can be claimed to be applicable.

The mirror symbolizes the truth of what you realize when you experience the higher levels of the quality of judging things. It helps you appreciate the result of the way in which you perceive the relationship between the vision of the type "new world" (which fits your personal style of reconstructing a metaphysic of self-surpassing through creation) and the manner of promoting thinking that you install in the field of creation.

The man who demands more from himself through the manifestation of the intention of building and edifying a new science, transforming the observation of surrounding things into vision, appreciating itself in the relationship between "water" and "mirror", gets closer to the substantive requirements of leadership (knowledge and self-knowledge) through the fact that it begins to take on a special quality.

The quality of shining through a sort of view from above, used to accurately observe not only the actions but also the feelings of men, later transposed into an objective creation to which can be attributed a unique identifier: "trust more in what your eyes see clearly". Thus, the artist valences will very well fit with those of a leader.

Leadership has as a first landmark of originality the endowment of the mind with that creative power able to personalize the reality from which the experiences, thoughts and feelings are born to the beauty of a theme that fails to lose its actuality.

Macro-Leadership covers all parts of obligatory reference, understood as a spring of creation, through which you can identify that metaphysic of self-surpassing – improving the constant of the quality of shining through a sort of view from above, a fact which more advantageously positions you not only in the role of a man who inspires vision, but sooner in the role of an artist.



* Note: Waltari, Mika - The Egyptian, Publishing House Polirom 2008.

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