The Phenomenology Of Imagination

Report yourself to authenticity of storytelling in the light of subjective knowledge, by emphasizing experiences lived in the middle of the reality you are creating.

Hard to describe, such as the magnetic spectrum of a current carrying coil, my thinking seemed to be subjected to some forces of direction obtained from the equal relations between real and unreal. Its construction could not be detached from the edge suspended between wakefulness and dream. In fact, the thinking that helps me to express my beliefs and points of view has been transformed into a hard disk that seemed to store the secrets of the entire universe. Willy nilly, I managed the first insight into the imaginary world.

In the special order of the symmetrical elements found on the axis of a narrative construction, to my imagination is has been reserved the area of some antecedents with positive results, based on some conquests of epistemological fundamentals dissolved in the deepest secrets of an esoteric transcendental.

Things that are hard to understand are the key to a fantastic prose, but even so imagination has to sneak out of the fertile soil of reality. The art of writing is the fruit of the skill to select what is beautiful in nature, everything that remains in our memories, passing every idea through a process of symbolizing reality in a time become immortal.

My point of view can be found at the end of the novel “On the thread of the spider web of memory”, written by Cella Serghi, as follows:

“When my novel Genţiane appeared, Camil Petrescu died. But how alive he was in my memories, how much he lived in the characters, in his work, and how well he knew that the existence of death compels us to give our lives a meaning, one which death he cannot take away.”

Are you willing to acquire an experimental knowledge of the course of the superior “Ego’s” life, fabricating a reality in which nothing seems to be what it is, but in which everything communicates and reverberates?

"I am not that man" informed me the natured unconscious impulses, the aprioric forms of knowledge carried to extreme, in a dizzying zigzag produced by an unlimited magnetic force that guided the frequency waves of reality towards a new science. A science of the correlations and interdependencies between phenomena still unclear, through random thinking operations used in a state of self-reflexivity.

And when the man pushes aside the door of that vital parts of himself that requires resetting the identity with the creative imagination momentum, is like as if he passes through a kind of extended hypnosis, waves of light penetrate to different depths and creates that virtual reality - a present, in which the man forgets himself, forgets everything around him.

In the sleep caused by the state of the lyrical Ego, a hypnotized can answer the questions that do not have yet a scientifically proven answer. Clairvoyance begins to speak. The subject is transformed into a visionary of the provisional, into an exponent of the obscure superiority. The world becomes a reflection of a dream produced in another dream, an expression of the unity between the absolute truth and the relative truth, an embodiment of an evolved pensiero magico that is no longer guided by attention, but is subjected to some subjective and affective factors.

A character of the writer Ion Moja, comprised by the same imagination with no sense of measure has left to break through the question: "Hey you, who do you think you are?" Except that for the lack of something to cling to, of someone within which to exist, he had to accept that he was wrong. Actually and ultimately, his imagination, like mine, was down to a purely experimental knowledge.

The life of the superior Ego can be identified and understood by analogy with a fictional work that has become reality, by the way you are open to experiencing a line of events without a final one, from which you choose as the reference model the one that suits you better. The higher ego is a state of continual transfiguration, a continuous fulfillment of your being through the knowledge given to you not only by the quality of witness of your time but also by the biographical encounter with various legendary figures.

Do you support that special attitude of the intelligence that accompanies the sense of conscience to accomplish an untried experience?

A leading place in trying to improve the quality of creative thinking is the ability to delineate yourself from the immediate reality, relying on the imagination’s reflection patterns. More specifically, you need to consider ensuring the experimental dimension of understanding about what cannot be perceived in the course of changing external circumstances. This understanding must open up to the representations of a virtual world, but correspond to the real understood as a source of inspiration, and less as a determination of a form of change.

The experimental dimension produces creative spark for forming or approaching an intuitive-perceptual vision useful to authenticity in rendering the idea of “artificial consistency” by replacing the logical thread of the unfolding of existential events with dependence on the “haphazard” factor that increases the significance of the story.

This dimension supports not only the act of creation, but rather the development of that new science of correlations and interdependencies between still unclear phenomena, through operations of thought used in a sort of self-induced state.

No wonder that the Romanian writer Rădulescu Motru said: "The knowledge retained by memory has nothing of the universal panaceas value. To become helpful, they must be supported by a special attitude of intelligence of the one who receives them."

He refers to that attitude of low profound understanding that can be corrected and straightened only by the result of some inner searching, accompanying the meaning of the conscience by the accomplishment of an untried experience.

A mutation of meanings in the very context of the situations described in terms of circumventing reality aligns with the efforts to train you and to form you as a visionary of those still unimaginable as an exponent of obscure but profound and reforming superiority.

The triggering factor of a story that catches the reader from the first to the last page is that dose of reality perceived as hyper-connected to a single immense structure called “artistic vision” – because it provides an increased degree of expressiveness to the significance of depth attributed to man’s purpose in world.

The Phenomenology of Imagination is presented as a position held by the man who always wants to approach a new peak. He must possess and reinforce that natural sense of penetration to the essence of some new knowledge and new points of reflection through a "sleep" of reason, taking control over the forces of direction obtained by the equality of relationships between real and unreal.

The most important obstacle that you must pass over in the struggle for your better representation on the scale of assertion and value it is exactly you - in an attempt to substitute yourself to a mentality that crosses the fiction.

Can you support the development of authenticity by increasing the self-awareness through a process of subjectivity or even denial of the reality, through an act of indirect knowledge?

This initiative favors an understanding of what you really are beyond any expectations.