Place The Dream At My Feet So That I May Go With You Towards Reality

Try to give meaning to a strictly individual intrapsychic experience, so that the impact of your creation is not limited to external observations on material reality.

So many times I have tried to come to terms with myself, to relate to certain decisions with positive potential that could have been taken without direct intervention on causes and effects of a subjective nature, whatever they may be. Just as many times I tried to traverse the field of knowledge like an artist of the brush who reconciles two parallel universes very well, insisting on the most delicate chromatic and ideational overlaps, given that I knew nothing about realism and surrealism.

The material world being reduced to color, visual perception and daydreaming, I paid more attention to the huge, deep, all-encompassing notion, which is the DREAM, the matter of a beginning of artistic path, an essential element of daydreaming and creation, the middle primordial transcendence of the concrete. Thus, I believe that the dream is characterized by an ineffable fusion of the creator’s ego with the image of a transfigured reality, which can be considered – why not – the image of the Heavenly kingdom.

And I could never have imagined anything more difficult to achieve in all this Vousernharus , the need to establish a boundary between man’s curiosity and his intrusion into the space of absolute subjectivity, than to make an art liberated from the pressure of the concrete.

It is rare when a Creator sees in a dream the imitation of a reality pierced by the imaginary of a landscape of memory, representing a scenario of a memorialist action that, for one reason or another, impresses us with the visibility of all those who are and are not.

Does this mean that I have paid so much attention to my soul that I feel and perceive a world beyond the familiar, characterized by an intensity that nullifies any concealment, but accepts any expressiveness?

Leadership: Do you understand your artistic approach as a continuous confessional exercise, in a sensitive and intense dialogue with a reality that has not yet taken place, but is waiting to happen?

Let me tell you what I dreamed: I dreamed of a world in which art depended strictly on the suggestiveness of a recurring metaphor, such as that dependent thinking unfolded in circles, and creative thinking in spirals. In this world I was a perfect painter who always had at his disposal the right canvas, brush or color to fulfill his artistic approach as a continuous confessional exercise, in a sensitive and intense dialogue with the universe. Seeing his sails, you immediately transposed yourself into a corner of heaven and were permeated with calm and peace of mind.

Even the dream to which the bibliography of a particular thought connects me is based on the belief in an unchanging and transcendent ideal of beauty, because it has occurred as a major mutation in the way the conclusions of encounters with myself are communicated in another dimension of reality.

The dream shows the coordinates of an improvised, avant-garde cerebral imagery, shows the increase of the contrast between appearance and essence, between the illustration of the soul disposition of the man who trusts himself and the temporal perspective of watercolor painting reflections. An imagery not infrequently bold and daring…

The artistic approach is a method of improvisation in which the narrator and the characters work together, simultaneously, and in which reality and dream are so well intertwined that the reader fails to differentiate between them.

With a kind of hidden pride, with the indulgence of inexhaustible depth and mystery, I expressed in these lines a kind of summary of my passage into another reality, a mystical process which in art is called Luisorethis , or the “reconstruction of the visible into the invisible”. It is as if I had assumed the privileges of a higher entity in another space, under the guise of a hero called the “spirit of cerebral observation”, discreet and fine at the same time, to exist under the banner of the Illusions of a Fantastic World.

The dream is the creation of a screenwriting mind that wants to suggest or emphasize a certain message. To be in dialogue with the visible and to be invisible in the plan of a magician who wants to rule over the higher and lower worlds. This fact makes the difference between an expansive, damping stage of consciousness that does not support restraint, and a form of imagination pierced by the invisible of a special epic in which the emblematic destinies are projected on a background painted in warm tones.

The artistic approach is a migration from the plane of an extrinsic to an intrinsic orientation. It is the perimeter of an emblematic figure, automatically transposed into an original creation that never ends because everything the artist experiences is part of the plane of an image that tries through the sensible to penetrate the intelligible.

Place The Dream At My Feet So That I May Go With You Towards Reality is the motto of an artist who sees everything through a “spiritual lens”, recognizing his faith by accepting the challenge of seeing himself from the perspective of a new dimension of expression, of reflection, beauty and “elevation”.

Someone said this well in a blog post: “When we go or are invited guests in the soul of an artist, we can be grateful that that man gathered his inner strength and chose to come before us, to expose them. In this way we can enjoy the expressiveness and beauty of his work and creation.”