Rough Boy

Increase the aesthetic value of the work you promote by referring to a fragment from the structure of the human spirit permeated by that expression of artistic receptivity capable of being a pure notion of a particular existence.
The visionary commitment I have pursued throughout my entire life, full of glory akin to a path upon which only pure spirits step, was that to not compromise with everything in the modernist world of art that represents the avalanche of kitsch or "second-hand" performances. Gimme just a minute and I’ll tell you why !
Basically, I was faced with the addiction of being a story character trapped in the trap of the enchanting mirage of the second philosophy exposed to the deceptive verbiage of the theory, being stimulated only by that painter’s preference for the abstraction of form, raising the color to the rank of "moral substance", carrier of the expression of the humane, introduces a certain fragility and suavity that says about him more than he would have desired.
There is a courage born only of pride, linked to that addiction to the context of a writing experience that marks the literary use of words as weapons of victory for an indisputable creed that would say: "Never retreat, not even for a moment ! "
Leadership: Does your creation subtly preserve the traces of vanity in a certain context of time and space, shaping a unique and impactful vision, rather than conquering by brute force?
Of course, the comparison and parallelism with a great conqueror, like Genghis Khan, is immediately imposed. While he was conquering territory by territory with his sword full of blood, the artist in me struck with such expressive force the great literature of the 21st century until the shields of defense of moralists became useless.
The extraordinary intellectual originality that distinguishes me from other artists, putting together the details of a hard and systematic work of imposing an Art Nouveau of a spiritual blessing, at the same time burdened by a spiritual mystery framed in a certain context of time and space, leaves to be seen an extremely emotional message affirmed with so much energy in its expressive purity: "I do not keep the traces of any minimal vanity in me."
I still needed to prove that I deserved the trust of the great titans of literature, to dare a passage of despair of harsh habits, even if I was afraid of my weaknesses in the style of expression. And I had to do it in the manner of a painter who conveys exactly what he sees, serving himself more arbitrarily of color just to express himself more strongly. I am the one who can fade the heat, the one they all say just can’t be beat.
Leadership: Do you constantly update your artistic approach by analyzing the realities of the contemporary world through a syncretic journey that takes into account the fascination of an apparently exhaustive expression designed to extrapolate observations from the individual to the general?
When you try to express yourself in a literary fashion, but against the way of painting of the artist who is fertilized only by image, background, color, sensation and appearances to facilitate the process of understanding art, slowly, your credibility begins to bear a new name: Kitsch or Debauchery. Ain’t got no rap, ain’t got no line.
Be a painter of great finesse before exemplarily choosing the words that can beat time in the writing space. The authenticity of writing is built with the technique of time by a watchmaker turning the spring and then letting the clock work alone.
I’m a rough boy. Inflexible on the right path of quality, I have gained the support of the untold truth of an unparalleled experience without making conformist concessions to the unusual communication of equivocal contents, but chosen as a means of finding distinct features of art, the miraculous findings of ancient understandings that go beyond the current ones.
Leadership: Does your art assert its power in purity of expression, using expressiveness to reach new horizons?
Images full of flavor, touched by the sensibility of a mystical spirituality of unique beauty, ready to take back the generous investment that evoked a real and fabulous world at the same time, could at any time materialize in a fragment of an illusion which will always remain a dream shattered by memories.
So, I have extended the notions of a high artistic education from my own findings and continuing to assign them connotations designed in the light of the outer world.
In the era of super-intelligent technology, moments of freedom, the moment of relaxation, the body full of sweat of a delicate and sentient creature always takes place on the easel’s cloth. As the writing continues its journey beyond the window of the magician’s modest cottage, exploring new frontiers of aesthetics in the spotlight, with more daring decoration and costumes.
Leadership: Can the meaning you give to an isolated element be correlated with other elements that from that moment constitute together with the first an ensemble called "form of domination masked under the appearance of improvisation"?
Once again, I have to wonder what happens to the soul of someone experiencing a certain experience in a new universe, when reason makes a too strict examination even from the "here" and "elsewhere" ideas from the distance of a comparison with some of the most impenetrable fantasy consumption rules.
I don’t care how you look at me / Because I’m the one and you will see.
As the final retort of a dialogue between the passing existence of the mortal and the eternity of the universe, to which is added ecstasy in front of the cold heavens, the gigantic metaphysical, always renewing process of identity and alterity under the dome of beauty is justified by the need to encompass strong feelings of the lyrical ego, such as regret and the starting point, the place where I left, which I cannot forget and which I must always respect.
The hero of the novel "Lolita" said at one point: "I have such masterfully embodied the tranquility of extreme despair, the silence of the morning before an outburst of insanity, that the Farlows have taken me to their home."
If the way to expose an idea, a theory, a story, a matter that intrigues the world is related to the root of things reinforced by the phrase "to establish a reality of another fact", then you will understand the syncretic foundations of my creation on the wavelength of a lyricism of another formula and depth that impresses through the refinement with which the facts, the world’s states of affairs enter.
Through artistic spirit I have dominated my reactions and feelings, under the appearance of improvisations springing from a superior sense of beauty as a partitional value (expressing the idea of part of a whole or the whole of which a part was taken) and from a human flock which was not subject to restrictions on artistic experience.
In art, it is excluded the insertion of expressions that gather active sensations, encourage the "reflection that projects in infinity", but which do not sufficiently emphasize the value of certain border phenomena with other worlds and other realities.
Rough Boy is the expression of artistic receptivity capable of being a pure notion of private existence, because it calls for unbelievable comparisons in images and symbolic associations of high degree of credibility, sometimes a little exaggerated, but which can increase knowledge, intensify the feelings and introduce an extra of existence into an increasingly dynamic reality in the process of transforming a topic into a wider debate.
* Note: ZZ Top - Rough Boy