Seek Me With The Eyes That See The Other Facet Of The World

The prospect of a new attitude towards the totality of creation becomes dizzyingly broad if you have the ability to convert your latencies of spirituality into a world that puts the background before form.

I have thought of myself so many times, dreamily, near solemnity, with the pathos of creative zeal, as I would think of someone higher than myself, on a higher spiritual level than I could have imagined. Somehow, this meant discerning that content of precious, esoteric information from the memory of some famous alchemists, thinking that maybe this is my way of making the Great Work, with artistic, literary, but also spiritual application.

In this case, my thinking had to recognize, to adopt, to keep that cognitive pattern of other litteratisque hominibus prestigious, so that my image would be confused with the image of the alchemists in a reality that withstands the test of time. Only in this way could I have gained my double existence, with the prospect of an alchemical, celestial, timeless heritage. I also had to lucidly investigate the expression of a confusing mental condition: “As in heaven, so on earth.”

And, perhaps, by incorporating into my own being the cognitive content of universal memory, I could have brought my image closer to the image of another side of science, and taking advantage of this opportunity to surpass myself, even to position myself with a step in front of other people?

Could the image of my being, being enlightened by an intellect agent responsible for the esoteric character of the Sanskrit language, penetrated only by the elite of the Kabbalists, could have fulfilled the function of primordial knowledge, Quasentio Adhis, or knowledge beyond eternity? Yes, it was possible, but only by crystallizing and encoding the meanings of the occult world, in words and verbal structures characteristic of people with a high level of training.

Can the creation to which you dedicate time for reflection be the culmination of a total artistic masterpiece in which a single image can constitute the version of reality experienced through kinship with the symbols of the spiritual keys?

But to toil for the Great Work, to such an extent that my image acquires the meaning and personality of another image, beyond any imagination, was useless if we did not consider the two important spiritual keys. Only man who has gone through the hardships of creation can understand them, according to the meaning of the Laws of Aziluth:

“You have to give up this world to win the other.”

“And he that shall endure unto the end shall be saved.”

Newton spoke with Dee before contacting Flamel. All three made contact with the present, and called it the future, even though everything happened in the past. And from their meeting a star was born, itself the work of universal creation, which eternally illuminates the clear sky of a world situated in God’s plan. A star converted into a fabulous image, visible only in the inner gaze of the creator. Many see it, but cannot understand it, and forget about it. Others understand it, but they can’t see it, even if they imagine it.

The alchemist uses it as a robust reality, imperatively related to that “Be” of creation. He knows that no one can discover the Great Work, the magical encounter with the world of Reflection in Quintessenza through the inseparability of a historical-cultural organism, without working too hard on what is called the “Privileged Space of Divine Omnipresence”. And this is because the phenomenon of transcendence does not really correspond to the reality strongly promoted in the guild of ordinary people, and because ordinary people do not want to believe in another reality.

Does the content of your creation vary depending on the background of images that complete the profile of individuals able to share the same vision imprinted on the pattern of a story relived through a demiurgic experience?

And God has done another exceptional work, an unseen world, a world of angels. Newton, Dee and Flamel are kings in this world because they were saved, sanctified, on the grounds that they found a new understanding of man’s relationship with space and action. They are immortal because they endured everything to the end, assuming the Sisyphean torment of creation and the demiurgic ambition of re-creation.

I took part in their meeting, under the auspices of God, of course, for only the Creator can arrange such a meeting. I couldn’t believe it. I was the key to this meeting. I was even the subject of controversy of the excess of knowledge, in so far as I became intelligible in act by the light of the intellect of the agent Arhexossief. Perhaps also because of my qualities as a writer capable of understanding unimaginable things, or things heard in two or more ways of speaking, in order to be able to articulate and communicate clearly and coherently the truth of Scripture, here on earth as well as in heaven.

At this level, the image of the world in which I was spinning, from one reality to another, was like a trace of light left by the graceful passage of a poet’s footsteps on the fine sand of a perishing language, but the spirit that transcends it cannot be reached by death. Honestly, penetratingly, evocatively, I shared through my manuscript, so precious, the accidental forms of expression or sensitive species of the original of an artistic masterpiece: colors, graphic line, symbols, perspective, wide viewing angles on reality, etc.

Since the image of the world became the image of a meeting of spiritual degree, for this was, in fact, an intellectual image interspersed with the assimilation of exceptional informational content, my very capacity to exist both in the extra-mental object and in the mind of a Trio Intellectus, it became a kind of orientation towards the glorification of my intercession as a partner of God.

I bow to the dignity and solemnity of the transition to eternal life, just as Newton, Dee, and Flamel bowed. All three are witnesses of my elevation to the rank of Creator, in a space with many levels of existence, as a participant in an event called Reashmenthis Levhelyss, or the glorification of heaven in the language of angels.

Leadership aims at the content of scientific, literary or artistic creation, displayed against the background of images that complete the pattern of a history relived through a spiritual and providential masterpiece such as: “I am The One Who Changes The Wonder of The World.”

Seek Me With The Eyes That See The Other Faced Of The World if you want to understand the perspective of a new approach to knowledge, faced with the great test of the spirit of the times.

This precious, endless knowledge can be approached only by the encounter of the Creator with his Creation, after long efforts to find the balance between mind, body and soul, in the face of the challenge of seeing the magic of augmented reality through a subtle language as a transcendence to another, ideal world.