Set The World On Fire (II)

If you do not know how to read a person’s face very well, in any circumstance, you cannot expect to improve the image that others see in you when you translate into an impressionist painting.

Whenever I tried to create a new personal image in line with the strength of the most enthusiastic thoughts and aspirations, I ended up creating a new identity because of the increased loyalty to small creative activities. The transition to a particular personality is accomplished by a responsible assumption of the artist’s condition, only through dialogue with the high purity vibration of the colours gathered from the luminous powder of a kaleidoscope of small, insignificant and ephemeral facts.

The only logic of understanding aesthetic resorts or reference points, enough to deepen the understanding of a connection to the things that looked at me or belonged to me, was associated mostly with the superior optimization of the contrast between the investigated subject and the easel of a psychedelic world. I understand that everything can be changed in me if I basically become aware of the creative act.

The power of an artist consists in the spell of vital and emotional movements, especially suitable for easel painting, which turns world chaos into a masterpiece full of symbols and allusions understood only by alchemy initiates, in the art of philosophy, in the nature of spirituality, in the art of reading faces.

If you do not know how to read a person’s face very well, in any circumstance, you cannot expect to improve the image that others see in you when you translate into an impressionist painting.

The effect of art in leadership is the image of a mirror that has acquired life, embellishing the character of a situation to be able to stir emotions, to impress.

And yet, I felt that it was not enough to integrate myself in a vibrant image conceived in a distinctive pictorial space, associated with a quasi-figurative context, close to lyrical abstraction and expressionism. I also had to continuously store the impulses of an absolute intelligence, beyond the chosen theme.

The one who manages to forge from within the beauty of a metaphor, the description of a magical creature, the one who manages to give life and vision to a world in which reality and fiction intertwine to a higher extent, that is the one who achieves the image of reformer of an entire culture.

While retaining a certain image in mind as if it were a map of a future path, the artist closes his eyes and moves into a space of creation, reflection and dream, guided by memory towards alterity.

In my case, because everything seemed to be a mirror that grows stubbornly with the significant force of a new conception about God, about the impact of interactions on nature, the artistic expression of my talent had to highlight the beauty of a high intensity experience of the type: “I’ll do anything to be the one ! ”

Can you engage in an exaltation of what you can express at the highest level through a conceptual plastic language so you become more than you have ever been?

If you do not take a step forward in a certain direction, no one else will do it. In this lies the beauty of a leader’s power, at least that is the idea behind a spirit titan’s thinking. He wants to master the universe, a symbol of courage, even if he is not in the middle of a Persian poem.

From the point of view of art that captivates through the irresistible attraction of mystery, fascinated by the mixture of hazard and necessity in shaping a mysterious depth, this prerequisite seems untouchable, unlikely if the art relies on the distinction between real and imaginary. I never believed in my own expressiveness to conceive an art nouveau, but I managed to create a new identity, that of an artist who can become an example for everyone by being able to capture that ineffable quelque-chose that marks the difference between the ÊTRE and AVOIR.

The most obvious expression of an incursion into the world of creative individuality is the magic of not letting yourself be defeated by appearances, or vice versa, letting appearances make the difference between a bold, revolutionary art and a trivial, pitiful garbage. And perhaps the only way to explore the depths of an image that wants to be able to incorporate and conjure matter with memory and self-consciousness is to think of yourself as a doppelganger, the protagonist of a universe without temporal-spatial measure.

Are you ready to cross the huge fecundity of a vision based on artistic improvisation in order to bring an interpretation of boldness into an explosion of beauty?

Leaving modesty aside, because there is no such thing in leadership, I will most likely live eternally through images that only an exceptional artist can best perform in a subtle language as you would approach a God that suddenly shows up and then disappears mysteriously. One is a wonder !

The man who reveals his symbolic thinking, the way by which he interprets emotions, traits, desires, perceptions, his own character from an unprecedented creation full of beauty and force, is like an artist who amazes by his ability to reinvent himself by trying to give meaning to an idea or experience that he lived to its fullest: Set the world on fire !

Such a man does not evolve over time through a portrait of great chromatic value, but only by experiencing perfection as a fairly successful visual experience, in prolonging a dream of supreme sensitivity, inclined to the continuous dream. The artistic improvisation that dominates his talent, crossing the heights of a purity of great stylistic refinement and symbolic concentration, is identified with the tendency of synthesizing images that give hope and thrills as a powerful demonstration to the magnificence of nature.

Can you compose an image to illustrate the story of an insane experience identified in terms of “your adventure with yourself”?

Practically, the ideas and things in which I believed, set apart from those that fascinated through a strange series of circumstances, were like explosions of pure, natural, unstudied creativity, raised from an inate curiosity, carefully compiling unexpected connections between domains or unrelated themes.

The effect of art in terms of energy, excellence, sophistication and beauty, enjoying an adventure of the artistic forces reunited in myself at maximum odds, was complemented by the sense of make-believe or surrealism that I was conveying especially to the uninitiated. Challenges full of rational reasoning were aligned with the following ambition: “ I’ll do anything to get what I want. Aim even higher. I’ll do anything to be the one ! ”

The only consistent entities that honoured the art of being at the top of their own train of thoughts, emotions, awareness, opinions, all of which could be quantified in optimal conditions of time and space, sheltering the history of a life full of motion and adrenaline, made up the transfiguration of reality rendering the most truthful account of the impact of a customized picture, determined by a combination of artistic means.

A glimpse of white reappears to me every time I re-read Artur Silvestri. “It seems to me that, in fact, there is a murky matter which, through endless rehearsal, strives to communicate with me and teach me something. Perhaps an impenetrable conclusion? Perhaps a thought without words? And who would have tried to tell me all this, in this enigmatic way that I had never seen since I could not speak anymore to the One who had taught me the voiceless art?”

Leadership is a spiritual power to accept the reality behind a painting after listening to too many voices claiming it’s fake.

Set The World On Fire is the representation of a real image, but one so well framed in the heart of an impressive fiction, whose multiple symbolic correspondences meet only on the territory of a fulminating personality able to make its way into the atmosphere of a particular world that belongs exclusively to highly acclaimed artists.

* Note: E-type - Set The World On Fire