Stop For A Minute (I)
The science of experiencing a song is made whole through man’s ability to break away from the real to enliven the unreal a little.
A long sonic root is torn from the past and emerges as a spark of giant celestial fire mingled with the artist’s various scriptures about origin, destiny and a reality that multiplies the images of a world seen only in white and red, of what is meant to be a comparison between the source of eternal life and the finitude of a work of art.
It spreads among the mirrors of universal memory as an echo of a vibrant masterpiece that astonishes the viewers and makes listeners think, in a promise made to eternity that is constantly beyond all that is ephemeral and fading: "What have you come to be, to be now?" Do you still wonder why the experience of listening born from an inner motivation that finds the ideal means of expression is important?
Chimeric, you hear a voice full of expressiveness in a cloud of star dust, colorful flashes of a tactile sense of rhythm, you meet without wanting a look of a much different world that touches you to the bottom of your heart that seems to want to say: "I’ll be protecting you from what you run into." It scares you through the naturalness and authenticity with which a part of a privileged experience is hastily rendered, of a confession that helps you build your own truths in an artistic form that continues its overflow of pure passion. You can believe that part of mine !
The science of experiencing a song is a matter of man’s ability to break away from the real to enliven the unreal a little. You know deeply that you have overcome the strand that allows you to achieve the ambitions of a long, captivating thought, an invitation to a mysterious journey into infinity, that secret down, perfectly blending the mastery and the skill of a relentless visionary alternation in a magnificent clarity of harmony between content and form, under the sign of what might be called "the impulse to inspiration".
Do you consider that the most coherent approach to a theme from multiple perspectives would be to extend the significance of the quality and value concepts identified in the depth effects of the process of "seeing" separate from that of "understanding"?
Inexplicably, you feel like you are floating around mysterious lights that shine of pure happiness, like a continual transformation into an eternal world, towards the act of creating new horizons of time. Along the line of this area of imagination and poetic language, you find yourself in the form of a story that flows smoothly, while at the same time succeeding in being close to the spirit of characters in Borges’ work, almost reaching an intimate relationship with them.
The auditory is seen to be potentially loaded with a double semantic overflow – one to enhance the expression of emotional content and another to reveal the expressive purity of dominant effects by intense and repeated modulations tailored to distant minor tones. Press Repeat and Open your eyes again to recognize yourself as being someone else in another story frame.
Locked in a certain material density, the variations born out of the prolongation of sounds in a text full of crafty words, crooked and inspired at the same time, are designed in such a way that any of them can become the music of a movie. Each piece is a universe. Each music is an adventure fitting of a story.
The artist exposes the differences between seeing and looking, between perception and true archeology of the image, in a universe whose story is related to the chromaticity of a photo or the personalization of a video, applying uniform and gradual filters. He sees the final picture of a separate building to understand its role and its use in favor of the chosen theme.
First you compose the song (remembering a picture), then you write the lyrics.
When Michelangelo bought a white Carrara marble block abandoned after the failure of other sculptors, he visualized the model of a separate ideal man to assign him the biblical theme of David’s victory.
"Seeing" means believing in the virtue of a fabulous achievement, while "understanding" means to decipher or reveal what is hidden beyond a general impression.
Can you reveal the importance and originality of an image that moves freely around a "frozen" action over time, through the imagination that enlivens a vast curiosity about life?
And if all the sounds and frequencies are tightly bound in the universe, then the letters transposed into words form a galaxy, a form of organization of matter moving in space and time, when everything is strange. Every song plays, imaginary or real, a certain scene of life, the cause of a future nostalgia or future haunting, another decoration of the mind that seeks its meanings on the verge of refusing to see the truth given by God. Try not to lose your own !
It is said that the famous American engineer, Washington Roebling, suffered an accident immediately after the Brooklyn Bridge. Everyone thought he had renounced his work. Being disabled, all that remains for him is to follow with a telescope the progress made on the bridge’s construction, from the last floor of the building he lived in.
Writer Paul Auster said of Roebling: "The most remarkable thing was that the entire bridge was literally in his head: each piece was memorated down to the tiny pieces of steel and stone. And even if he never put his foot on the bridge, it was already inside him, as though, after so many years, that structure had grown somewhat inside his body."
Every engineer hits a barrier that strongly supports his vision before building a bridge. Thus, every artist faces doubt. What do you prefer to know that you are: a creator of matter or an explicative model of its nature?
Leadership is given by the creator who believes in the virtue of a fabulous achievement, while revealing what is hidden beyond a general impression.
Stop For A Minute is a gentle effort to reflect on the composition of a theme that gives value to an image that many do not notice, or look at it without wondering what it expresses.
* Note: Sandra - Stop For A Minute
