The 11 Laws Of Creation

Direct your attention to what you focus on, without leaving the authority of your own vision.

I recently faced a certain inertia, a certain passivity in the nuance of the ideas necessary for a large work, something that made me close in on myself, making it more and more difficult for me to communicate what I feel or want. Practically, I was in a state of tension and nervous irritation, as if I had woken up face to face with another absolute: the passage into another dimension of my personality in which feeling, put in a state of communion with the irrational active, but “reasonably” disciplined, seemed somehow diluted by the obscure feeling of an unbearable offense.

Yes, writing is like a charade full of mysteries to the layman’s eye, often being closely related to a state of weakness, a state of waiting for good ideas, equal to a state of melancholy or loneliness, that you risk closing in on yourself and to isolate yourself from everyone, you even end up fearing any relationships with people. Or, as someone said on a personal blog: “I don’t even want to know about daily occupations anymore. They all make an unpleasant impression on my nerves, which are already quite shaken. But no one shares my sadness.”

Memorize these laws. I wrote them primarily for myself, so that I would not be dominated and shaken by the sadness of the lack of inspiration that makes me very lonely in the moments of creation. I know it sounds absurd, but even a good creator goes through blank periods, when everything seems meaningless and directionless. I hope that these laws guide you to a “productive” solitude, not to a good-willed distancing from the shown titanic momentum.

Leadership: Does your creation manage to excite through a powerful moment, considering the finitude of a world closed between macrocosm and microcosm?

1. Be yourself, without faking yourself.
2. Do not try to travel further, or beyond yourself.
3. Don’t look for approval from anyone, don’t try to prove anything to anyone, don’t look for appreciation and praise.
4. Don’t compare and compete with anyone.
5. Express yourself as you feel, without becoming a victim of your own infatuation.
6. Be inspired only by your own experience in the field.
7. Try to reveal a special vision by sharing your own experiences, reflections, needs, desires. 8. Avoid shortcuts, detours and “smart” moves. Don’t pass onto others the work that only your mind has to do.
9. Avoid the Alter-Ego at all costs.
10. Don’t be a copyist, don’t be a ghost necklace. Avoid biographical sources as much as possible.
11. You can fool an ignorant or disinterested world with commercial kitsch, but you will never be able to fool a Great Creator.

Being a perfect creator requires an effort hard to endure, like a terrible cold that eats your bones, enters your organs through every piece of skin left free and consumes all your energy. It is a struggle that only those with real spiritual potential can transform into strength, a long road that only exceptional marathoners travel – those who do not finish their race at the finish line.

Take note: what you write can be analogous to a closed world between macrocosm and microcosm, that is, between what others want and what you feel. Therefore, keeping a balance between what others think and want, and what you think and want to emphasize, is essential for finding a finality of the text that should be intuited and anticipated.

Leadership: Can the object of your creation camouflage itself in an “outside view” through the prism of the notion of affective similarity including denotation, connotation and symbol?

In the space and time of creation, where science mixes with the emotional plane, not only the divisions of the text or the author’s remarks are revealed, but also the very intensity with which an out-of-the-ordinary action takes place, a random event that puts the whole human breath into mystery, then it is consumed in the plot of the story and in its moral significance. The speed of the lines and the presence of a climax can amplify the feeling of unreality, the unexpected lines, the lively and intelligent pantomime, the physiognomy and allure of the character being in a relationship of essential similarity.

Based on this similarity, as the writer Cotorcea Livia observes, the word can replace the gesture, and the gesture replaces the word, both of these signs being included in a character that, in its evolution, manifests itself as a word or as a mimic gesture, meaning it reduces to the seal (fundamental meaning) and develops this seal into connotations.

A landmark of prime importance in establishing the specificity of the written text, under the guidance of a thinking that thinks about itself, offers us the statement according to which the way you outline your ideas is born from displaying a clear, emotional, transformative intentionality, an intentionality of consciousness and truth oriented in the thing contemplated.

For example, an important piece of information, in its capacity as the subject of a statement, may implicitly contain an unusual occurrence and, by this, becomes the “eye” of a character. This event, as a poet who sees, can be seen and is seen writing, would specify, represents the stamp of the character and appears as a condition of his every action.

In order to capture leadership in its complexity and dynamism, you have to resort to a novel process of highlighting a wider personal experience, through a creation that interprets the vision of a new side of the expression “to bring added value”.

The 11 Laws Of Creation are necessary for the creation of an original work that opens the way for people to the academic and intellectual world. They can be treated as a combination of the ambition to increase one’s own value and social appreciation, to increase prestige, and the opportunity to describe a personal reality whose relevance is, in the overall picture, decisively major.

The display of a vast palette of reading levels, writing bears the stamp of an original creation, of a well-defined individuality, being felt as the display of a vast palette of culture levels. And all the writing, as a pretext of a stable intentionality, directed towards a sensible reality that would imagine an insensible one, becomes the basis of the supporting function of the narrator character, as well as the seeds of an organized, concise, precise plot.

They say that art is immortal, that through an artistic creation you earn your place in eternity. Therefore, the creation of a writer, as the narrative core of the real or symbolic text, must not be interrupted in its continuity by the unitary presence that the key character achieves, the presence sometimes marked by isolation, a fact that imposes the word and the silence between the words.