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The Apparently Chaotic Line Of The Genesis Of The Work

On October 30, 2014, in Total leadership, by Neculai Fantanaru

Learn to dominate everything you try to project onto others, optimizing the foundation of meaning and analogies that your knowledge and authenticity supports.

Parallel to the idea of ​​the subject – which will be outlined in a straight line, the film "Ivan the Terrible" is born out of the most unexpected parts. The genesis of the opera follows a seemingly chaotic line, in which appear, successively, simultaneously, elements of the imagination or ideas it will illustrate, when disparate fragments of the hero’s life, when an intuition about the actor's play or the music or the light tonality of a scene, when the sensorial perception of a piece of assembly and instantly the vision of a corner of the scene for a completely different scene.

Ideas, intuitions, visions appear disorderly, episodically, beginning with a fragment at the end of the future film, followed immediately by a prologue, then suddenly a scene in the middle of the story.

Fantasy plays on all the instruments of an orchestra existing only in the artist’s inner universe: "You represent a scene to yourself as a living phenomenon of life, the other one you play, the third one you heart, the fourth one you see under the aspect of the frame, the fifth one you perceive as a system of montage joints, the sixth – as a chaos of light spots." *

Leadership: Can the search for authenticity be attributed to a new renewal of the form of expression of the creative act?

One of the conditions for achieving a high level of science, close to the subjective expectations projected on personal creation, is the active involvement in the realization of "novelty" through the simultaneous interaction with its elements of content. The notions of "form" and "matter", complementing and improving the final result, give way to the functions and structures of perception and comprehension that give the expression of thought a deeper character, but at the same time, a more accessible one.

In this way, we refer to a type of reasoning in which the general is deduced from the particular – individual information, in an unbroken flow, waiting to be ordered in a unitary unit. A kind of continuation of creation, from a pre-significant chaos to the elements with a substantial substrate, to the extent that you are motivated differently – that is, rewarded with new understandings that mold the new interpretations of a compositional nature.

Finding a new form of expression for the act of creation, which implies an unmistakable visual impact, is to tastefully combine the images projected behind the high-volume scene of information from an original story fragment, so as to finalize the highlighting of a singular idea.

Only in the midst of chaos can successively identify the elements, ideas, analogies between concepts and theories, which their advanced model of thought inspires and accepts. Similarly, intuitions and visions appear disorderly, episodically, starting with a certain incoherence of thoughts and logic but also abounding with new landmarks, perspectives, options and features, in a continuous process of removing the elements of exaggeration or hypothetical ones.

No one can cure the self-worth remedy brought by total art, inscribed in a continuous intuition-based orientation – built on elements of imagination or ideas, from disparate fragments of personal life. It is rather a search for yourself, the authenticity of the background, a new renewal of the form of expression of the creative act and a new way of understanding art through a spectacular plunge into chaos.

Fantasy means to penetrate underneath each phenomenon of life, focused on disparate fragments of random information, and from it, to forge a new form of expression.

The underneath – the deepest part of each experience, each blend of thoughts, each subject of interest and study, conceals new aspects of approach, just as a lot of ingredients hide behind each recipe.

Leadership, following a process of knowledge and self-knowledge that goes from simple to complex, can be divided into two major stages: in the first we deal with the universe dominated by a mechanics of substitution of truly banal elements, alongside one dominated by producing results. Then we are dealing with a universe dominated by routine, complementary parameters that are closing the way to theorize.

Ideas, intuitions, visions appearing disorderly or episodically, always on the boundary between information and the ridiculous because not everything can be done and not everything can be modeled in the same way to materialize into a piece of art, gain the valences of a "décor", not intended to be shared unless they are influenced by the ingredients of a story already in progress.

The advice of an internet user must be taken into account: "Be honest and firm in your convictions, do not expect others to respect your ideas if they do not earn their merit of being remembered and transformed into a message. But, most importantly, always be open to the possibility of being wrong.

The authenticity of the creative act resides in the details life offers you seen under the guise of a framework, and thus, perceived as a system of editing cuts.

The Apparently Chaotic Line of the Genesis of the Work is aimed at continuous searches for exceptional compositional elements, an integral part of the creative process, and play them in an intelligible form underlying a model of performing leadership.

* Note: Ion Barna - Eisenstein, Youth Publishing House, 1966.


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