The Artistic Level In Leadership
Improve your experience of creating new models of exposing your concepts of the world, man, and life by developing the ability to generate ideas from those emotions and feelings that have changed the trajectory of your own becoming.
I had the terrible feeling that I was living in a sense of getting closer to the art of conciliating physics with God, but inclined to the skill of a Rembrandt who liked to penetrate deep into the psychology of those portrayed. I quickly learned to stimulate "blind variation" by allowing imagination to work freely and to create new associations of ideas detached from the structures of an elementary genetics, randomly generated from the colors of an impossible world.
In that season of hurried evolution, subsumed by the reminder of a foreign and implacably hostile biochemistry, the ever more pronounced death, like the ever-tortured life, formed the branch of a science of victimization. A science whose morphology-dominated power, from the shock-reaction scheme that violated the laws of genetics, was equal to the sum of the variations between the information at hand and momentary discoveries.
Probably, the evolution of my personality was directly proportional to the perfect mastery of the art of exposing new conceptions about the world, about life, in a kind of approach to the pulse of nature, to its sciences. Luckily, nature always asks to be venerated not only by human sacrifices, but through the lens of the resurrection of man to life, on the axis of the art of going forward, but also considering the hope that it will be overcome by all the obstacles, to be able to answer to the reproaches of attempting to return to the origins.
It was a kind of commitment to let myself be inspired by the combination of only two tones that frightened me from the hour of uncertain, red and black liberty, transformation through death and resurrection through torment. Red gave the impression of horror with fantastic elements that suddenly gained a perfectly rational explanation, the black let lay an uncertainty about my moment of glory.
Does your creation produce a change in the way of representing reality compared to the act of processing an image that ensures the accuracy of self-representation in relation to an innovative artistic experience?
There was a remarkable resonance between Divine Will and Divine Presence, between interiority and exteriority. A delusion of the subdued world. A work in which art modeled human sensitivity, intensifying it to the most aggressive anger in a present that no longer had the hope of a future. I think that the image of which I had to ensure the accuracy of my self-representation, being in the foreground of a creation called “Reflection on the evolution of the world”, was given by the true representation of a reality that cultivates more “news” rather than “fake”, so a reality that can suddenly become unpredictable.
In leadership, creation gains exceptional valences from the rule in a psycho-behavioral test that compares what you see - with what you would like to see, measuring your ability to understand a very complex reality.
The same creation, seen from the perspective of self-representation, referring to myself as a small treatise on science meant to strengthen a fortress both on paper and in the evolution of the world, continues with the added value of an artistic experience of the “crossing borders” type. An artist must look beyond the images in front of him, beyond appearances, beyond the horizon, beyond formal education, to be able to master all the conquests of art: vision, ideals, creative philosophy, feelings of a new world, perceptions of a modernism of reality, the alliance between rigor and fantasy.
Everything in the background of the events was colored with an unusual realism, psychotic as in a shaded portrait that refuses reduction and simplification in favor of the nuances treated with amazing truth, which raises the worrying question: what is it like to be alone in the fight with demons?
The traces of the outline of tears dropped to intense linear patterns tried to question the universe of sensibility, full of poetry, of the artist who under the guise of a seeming apathy, but conventional in many respects, had the gift of dissimulating a certain individuality.
Do you rise up to the expectations of a role that gives you the opportunity to achieve a beautiful creation, by evaluating your talents in line with an unpredictable continuity?
I thought I would be able to group my thoughts and experiences into a new idea, by confronting them, by solving the seemingly hostile contradictions of a world of transition, an attribute of knowledge and nobleness for which I was predestined – in the face of the terrible suspense of a life full of ups and downs.
The projection theorem says that the projection on an axis of the result of a system of forces is equal to the sum of the projections on the same axis of the forces that make up the system.
This true art I was facing, I felt its shivers from which were born monsters, in turn highly captivated like in a thriller qui touche, qui pose des questions jusqu'à la fin, a thriller that played tricks with my mind, was the perfecting of a genetics meant to solve insoluble problems: "what is life, what is man, what is the world, what is man in the world?"
It was as if I had to give birth to a poetics that would capture in its nets the innovative elements of higher-level thinking but still insufficiently cultivated in the process of evolution on the axis of a system of forces that admitted a single result equal to my moment of luck in life. Of course, I have yet to find the answers. But I’m still looking. I’m still alive.
Leadership is asserted by a quality that everyone should appreciate: to be able to define the distinction between what is happening to you and what makes you continue to go forward, giving you a true picture of the position you occupy within a coherent composition.
The position may be that of an artist who understood life and received it in his works as a vocation and assumed it as a mission. Or that of the artist who, by living in the midst of storm-beaten society, starts to portray that society as an unimaginable human ideal.
The motivation and willingness to participate in the call for change is determined by appreciating the evolution over time of an interesting but painful phenomenon. And, at the same time, by estimating how to manifest yourself through artistic sensitivity. By being able to express yourself on the various plans of creation that will mix the will of the miraculous with that of the supernatural. Through the inward start to adhere to a shred of knowing the truth about what is to be avoided in a context of despair.
The Artistic Level in Leadership is provided by the experience to create new patterns of exposure to concepts about the world, man and life, by developing the capacity to generate ideas arising from those emotions and feelings that changed the trajectory of your own becoming.
The artistic level is even higher, the better you manage to psychologize your whole story, especially the boundary between life and death. And your true spectacle occurs when you allow your imagination to work freely and to create new associations of randomly generated ideas from the colors of an impossible world.
* Note: World War Z





