The Confessions Of A Colorful Look
The eyes that widen their gaze towards the sphere of the divine are the object of inspiration of an artist who expands his field of creation in all directions.
I write to calm my soul in a conversation with the enchanted landscapes of nature, with the flowers, with the grass, with the gentle sun, with the gentle wind, with the clear sky, with the spring stones. All this proves fragile at the meeting of art with science, in the presence of a carefully outlined strong concept of freedom, expressed by the term Pritemisunyach(the most wonderful bliss that man can feel). The personification of every splendor of nature, the analysis of creation itself, the desire to find myself in a realistic composition available in a diverse range of colors, made the creative spontaneity of my life a reference point for the landmarks of a fascinating existence.
At other times, I wanted to know myself differently than I am, to feel different than fantastic, to recognize myself in a double-faced mirror, being next to the silence that composes (in honor of nature) the most beautiful poems, thus leaving art my possibility to be felt on a spiritual level, in a wonderful work of Creation. In other words, I wanted to change the ordinary from the extraordinary into a landscape full of lyricism, shaped by sweet dreams, that would carry my imagination to unsuspected heights, beyond the limits of the power to understand life.
I saw from afar what I had to see up close, because I saw with different eyes than I did in the past, with my eyes fixed on the painter’s work and the image made up of the pictorial layer. This special painter seemed to want to embody the captivating power of high feeling in a natural immortality of the soul. I do not yet know whether my gaze is so keen as to perceive the difference between the foray into the world of art and the foray into the mysteries of nature, since the difference is so small between a convincing victory of beauty in the world haunted by artificial intelligence and the miracle of a divine message which needs to be protected.
Can you assume the destiny of a creation that remains unaltered in the context of a manifestation of the immutable self, so as to make your art the expression of an adventure of the soul passed through a mysterious memory of nature?
The rose to my right looks at me as a witness to my feelings of appreciation for the whole of another life. It gives voice to my thoughts and emotions. Something in me conforms to its artistic and spiritual side. It always tests the other side of me, as if it wanted to establish man’s eternal identity with himself in the kingdom of a universe that transcends anyone’s imagination. Somehow, it has a great prestige in front of the artistic work, of the listener, of the spectator, of the creator who smooths with the thought and with the soul, then with each movement of the brush, the human meaning of the sacred.
And my interaction with the rose is reciprocal between two bodies. The human body is transformed into the body of Christ, while the artistic is combined with the “White Property of the Blood of Atonement.” Perhaps I myself am a divine body, because my soul is divine, and because nature combines with my art in a divine plan: Elestoracthiss (the spiritual communion of man with God).
The transformation of the body of Christ on an artistic plane, through a poetic perception of nature, hence the communion between Self and Other, makes the purpose of my life take on the meaning of a creation that appears sublime in the statement of expression of aesthetics that provides that mystical effect of renewal, rebirth, that state of inner revelation in which we discover that we can be someone else.
Long ago, a part of the rose’s soul was reflected in me, that part being meant to soothe my body, my pains, to temper my lust for greatness, luxury and power. Something in the light of my eyes was assimilated by the rays of its spiritual power to transcend and transfigure reality.
The artist is a saint because he takes his creation to the level of timeless art, both physically and spiritually. He lives in two close worlds, resonating on a soul level, as if he were living a moment of absolute freedom in an unlimited space.
The man touched by divine grace is an artist, a creator to whom the merits of our Savior Jesus Christ are attributed or imputed, who through symbolism acquire the meaning of “nobility”, “exaltation”, “superiority”, “eminence”, “elevation”, “power”. The rose gives the artist the power to express himself with enthusiasm, with talent, with a pronounced refinement, comparable to the power of Jesus to perform miracles in the name of a science that takes over the properties of the science of nature.
Only through art can I feel the call of the rose, and at the same time feel absolute, divine. It is an endless journey in search of another world, in which a prayer containing the word “resemblance” seems to be brewing. Surely, right was the man who said: “Authentic art transposes us almost instantly into a divine plane, producing in our consciousness a state of universalization and unification, thus discovering full of delight the divine splendors.”
I learned that it is difficult to understand art, especially since it translates through symbol, through the incarnation of human nature into a red rose, the color of blood. And if what I have learned has helped me transform into someone else with divine powers, it is because I have listened carefully to the voice of spiritual art that often whispers to me: “ Build an admirable vision of all that is in nature, while regaining control of your entire life.”
The starting point of a demonstration of extraordinary artistic skills is what you feel you are at the level of a consciousness that is revealed by revealing the specific horizon of the divine spirit.
The Confessions Of A Colorful Gaze bring together all your ideas and knowledge of art passed through the filter of a symbolism that begins with the wonderful world of nature and continues with the bringing of Christ and His teaching in the midst of a unique perspective of understanding and dualistic reinterpretation of Creation.
