The Creation Of An Uncompromising Revolutionary Art
Propose yourself to insert a systemic thinking and perfected in leadership, through finding and applying the unique process for approaching the revolutionary themes.
Therefore, Eisenstein intends, at a first vision, some precise targets. Among these is included the attempt of a frontal attack against the bourgeois film and its influences for creating an "uncompromising revolutionary art" in the film area. Then the artist intends to introduce the materialist-dialectical thinking in the film, to find a cinematic equivalent to it, to "bring in relation the mutual indissoluble" the dialectic and the cinematography means of expression.
The attempt is definitely audacious, it foreshadows, in fact, his future clearer ideas about the intellectual film. Eisenstein intends, in fact, finding the unique formal process for approaching the revolutionary themes. "The strike", as the other films in the series, was to explain the revolutionary "technique of the fight". Eisenstein pursues the cinematic exposure of an idea. The theme does not have to acquire a highlighted expression in the form of a story that would transfer the idea in the field of the fable, to make it understandable. The theme followed to be communicated directly. *
Can you realize a distribution of knowledge and innovation within the territory of a science that dares to put across the trends of the moment?
The greatest achievement of an artist and the step forward made by him, without considering the subjectivity of a certain age, we see in the fact that always the things and the charm of his form are revealed with a spiritual independence that allows reference to the phenomena of the outer world. The artist does not depend on the element he strives with so much energy to develop in the exposure of his work by placing the sound, light and darkness at its center, but by creating the immediate ability to receive the impressions of reality and to reproduce them through fantasy in artistic images.
Leadership is based on the elements and the laws of a vast science, focusing on the appropriate knowledge of the preliminary observations which require some modifications of thinking depending on how you manage your creative resources for overcoming and dominance the "impossible". That is why the great artists of the change focuses on finding new forms of expression of the ideals, daring in terms of the vision which cut in the plane of the world a single perspective of the future world and its configuration, in the context of the current complexity.
The perfect expression of a new art is a long history of finding the unprecedented formal process to tackle a revolutionary theme !
Art is a mix of combinations, means of analysis and creation, most often established individually, ie coming from a single creator who mediates the transition from a new formula of finding research topics that meet the needs of the progress, to a formula of quality assurance and improvement of a "proper good" of the finished product.
That is why the exposure of an idea it is an absolute condition of the tabulation of a new construction of thought. A condition of approaching, providing and popularizing a revolutionary theme of compounding art.
The tendencies of the moment are the emphasis on everything that is natural, according to the emotional factor of keeping up with the feeling of immediate satisfaction that is given up in exchange for a future hope for a new variant of reality. If your science dares to get past these trends of the moment, then your theme probably will not take the form of a story, not the form of a confrontation between freedom of conscience and the need for social cohesion.
Do you contribute to the development of your art by definition by defining a superior form of autonomy specific to the area of creation?
The most interesting side of leadership that allows to submit, in the own concept, the empire of a science rich in content (given by the character of the vision productions, where more matching puzzles of the means of expression are resolved), are focused exclusively on the accumulation of ideals, rules and principles generally accepted, on the definition of a new form of autonomy specific to the creative space.
This space facilitates your catalyzed access to a higher level of knowledge; it creates the tools with which to encapsulate the sum of qualities and skills acquired through learning and by applying what you have learned, through the assimilation of new intellectual skills, but especially through continuing trials to assign value to your discoveries.
And their own creative products must be endowed with a number of exemplary qualities in order to be considered adaptive or innovative. Expression of certain themes of thinking through the experiences, forms and principles of building the means of expression, are used to render the valuable content of a discovery. Of a "work of art".
Do you concern yourself permanently on developing those themes of fundamental nature that show a good potential to provide original results?
Autonomy in art is the means to give life to a theme that does not suffer from any constraints or boundaries, having the possibility of being above any moral.
The creation of an uncompromising revolutionary art take into account the appearance of some new artists and some forces of change specific to any type of leadership, in the stage when science is gaining momentum. And the responsibility to "personalize" it becomes a blessing, because the effort that it involves brings with it the joy to connect you to the energy of a creative act sprung up from the passion for learning. For exploring new frontiers of using the knowledge.
* Note: Ion Barna - Eisenstein, Youth Publishing House, 1966.
