The Dream, Producer Of A Narrative Feature Film

The narrative that guides your vision can take shape when the logic of the dream stemming from the painting meets the logic of the dream stemming from the word.

I placed my being in an unusual narrative context, in order to metaphorically capture the creative process of a true artistic image: the reproduction of real life in a dimension of omnipotent illusion and the mirage of the high towards which the evolution of a new form of consciousness tends. This fact is associated with the emergence of a new mentality, more attentive to the aspects related to the rendering of reality beyond illusion, beyond the visual horizon, beyond the dimensions measured in space-time.

It’s as if I had taken refuge in a dream in which the protagonist is an artist of the brush, taken out of oblivion, able to reproduce that contrast between “life” and “lifeless” in a colorful picture.

Whereas the placing of my being “outside” the visible field of diurnal consciousness, its rational projection in a dream and its dissipation in the infinite imaginary, as a metaphysics capable of meeting a certainty similar to that of science, totally changed my conception of the truth of deceptive appearances. It is clear that my whole being, its correspondent in terms of a spiritual consciousness of change, goes into more detail in the analysis of a process of otherness called Uphasetsirah(the realization of the Onenessof the Self in that part of the invisible world).

Can the image from your depth become a space of transformation, where the contrast between life and non-life takes on new expressive valences?

Exactly. Thus took place that revelation which changed my life, and whose light shines in the depths of a soul caught in the snares of art, determined to seek its way on that area of the image which is constantly nourished by the constituted structures of the visible world and the invisible world. And, realizing the dream state in which the world is magical, especially after an unseen force hardly allowed me to achieve the transcendence beyond physical space, I placed my being in an absolute, unlimited measure of the brightness of the image which I project unto the outside world.

Indeed, the dream is an incentive for the mind of an insightful artist who wants to take advantage of an effect identical to that of the chiaroscuro, which only literature or painting can reveal. So, I take refuge in a dream transposed on the canvas while neglecting the rest…

Does the image you generate according to determining the perspectives of approaching reality strictly depend on the suggestiveness of a visionary manifestation of the imagination that you can assume in the form of a narrative?

My creation is the very dream that I share with you as a secret, or as a certainty. And the fabulous story of an ontological vision is the creation of a dreamer who gives up reality to follow a fantastic, but extremely spectacular world, because it is the world of his own Self.

What I mean is that my dream, as it is: small in description, but fascinating in its extent and diversity, seems to be part of the content of another dream, of which awakening is nothing but a reserve option. The dream urges me to set in motion the imaginary, and eventually, to achieve the impossible.

And in the dream appeared to me a man who dreamed himself part of a dream that was repeated continuously, and repeated, and repeated until the man decided to draw or paint a representation of what is happening in his soul. As a kind of Hocus Pocus in which death defeats life by creating a powerful virtual self, by activating a “narrative self” that does not respect the real chronology.

I think this is what the writer Jorge Luis Borges was referring to when he ended his story about a famous magician:

“At the dawn of a morning devoid of birds’ chirping, the magician saw a concentric fire heating up along the walls. For a moment he thought of taking refuge in the waters of the river, but then he realized that death was coming to crown his old age and save him from the turmoil of life. He headed for the flames. But they did not tear his body, but comforted and covered him, without heat or burning. With relief, humility, horror, he understood that he, too, was a mere appearance, as it was another that had created him in his dreams.”

Does the narrative that gives meaning to your creation gain its primacy over the classical and impersonal exposure of the work of art, highlighting the relationship between what actually happens and the suggestiveness of an image that can improve your vision?

When it comes to reality, one thing is certain: we cannot ask for material accomplishments unless we consider what is revealed to us through dreams, through symbols, through synchronicities and coincidences. And what appears to be a mere appearance in the world of reality may actually be the magic spark of a dream from which you can never wake up.

Obvious. I could easily continue my monologue in a dream that could last indefinitely. and no less to assume a certain kind of knowledge and initiation into the adventure of seeking the Self. Just as the artist manages through abstract painting to convey certain messages to the viewers, to create different emotional states, in the same way I could give shape to a splendid narrative content in a frame of memory, thus activating almost incomparably some forgotten contents of life.

Have you noticed that my narrative can take shape when the logic of the dream in the painting meets the logic of the dream in the word?

In a space where certain anxieties are expressed, here the artist manages to suggest the density of matter without resorting to pasty loads, aggressive scratches or excessive accumulations of opposition to reality, but successfully combining the delicate tones of watercolor with real explosions of color. So, the dream attracts the world’s attention by the way I reflect my intellectual dynamics in the mirror of spaces that induce that touch of art and culture in the intimate setting of a flow of symbolic images.

One more thing. The dream in which I immerse my soul, thoughts and emotions, is not a meaningless set of fantastic images that appear in connection with the weakening of the role of consciousness, but rather is a means of transcending the limits of my rational thinking, appreciated as an intellectual act that captures the relationship between what is seen and what is hidden from the gaze that is completely ignorant of art.

From the perspective of a creator, the narrative is a temporal-spatial way of exposing a work of art on a private land: of a dream that is hidden by its manifest content. Or, rather, the narrative is the exposition of an artistic image within a reality that transcends the known area of ​​time and space.

The Dream, Producer Of A Narrative Feature Film is the means of an artist to highlight on the canvas the vibrations of the feeling of “Deja-Vu” that reflects the combination of what he experiences and what he feels as lasting memories.

Don’t forget that the fabulous image that improves your vision is the very image of an artist who can assimilate dozens of personalities in terms of several overlapping realities.