The Genesis of a Visionary Work
Sensitivity becomes strength when it is assumed as the language of interiority that reveals itself through a process of transfiguration.
While I was working on a series of sketches in the profound silence of my studio, I began to hear an indistinct whisper, which did not come from outside, but was a vibration that crossed my thoughts with astonishing clarity. I do not know what it was, perhaps just a reaction to the tension accumulated between inspiration and effort, an illusion due to excessive concentration on a meaning that refused to show itself? In any case, the words did not allow themselves to be trapped in human definitions, but their meaning was clearer than daylight, asking me to become a channel of transmission for an unknown world. From that overwhelming experience was born my need to listen before creating, transforming the rose into the visible echo of that mysterious presence, a form carrying secrets that transcend the terrestrial plane.
After long years of such inner searching and turmoil, I finally understood that my mission is not to invent new forms of expression, new forms of beauty, but to reveal what has already been decided on the astral plane. I felt a cosmic empathy between my being and the hidden meaning of things, realizing that the rose I was outlining was not a simple aesthetic object, but a total assumption of my own spiritual journey. From this point on, creation became a sacred responsibility, and I fully accepted my role as a visionary artist, understanding that each drawn line was, in fact, the fulfillment of a destiny written in the stars.
Does the unique attribute of the art you practice indicate the existence of an inner court, an Absolute Self that coherently connects a sharp mind to a soul with divine potential?
The artist takes his creation to the level of art by outlining a rose that comes to life in another world, in a completely new dimension, he being a visionary of fantasy, of the astral realms and of sacred art. And I am a special artist, author of the work "Parole derivate dall'ascolto di un misterioso sussurro", because everything I have accomplished in earthly life, and which was previously planned by an astral force, empathizes with the symbol of an assumption of nature under the species "interioritatis".
In turn, the rose symbolizes the destiny of the enlightened man, determined in the astral world even before he is born, to change something in the purpose of the earthly world. Let the man who has something to change, change it. Let the man who has nothing to change, himself change, and change for the better. And the rose, listen to me when I tell you, is happy when someone recognizes its origin, depths, symbols, perfectly attracting the idea of the existence of an inner court, of an Absolute Self, of a spiritual life captured in the reproduction of a plein-air painting, in the spell of another time, in a god's eye surrounded by rays of light.
Can you turn contrast into a tool of revelation, without losing the intensity with which the work imposes itself on the horizon of symbolic perception?
And I am glad when I speak of the rose as the face of a Uomo Dell'Universo, handsome, of great sensitivity, so sincere, endowed with the science of all the appearances of nature. It is, perhaps, the same joy with which the writer Mary Balogh analyzes her characters from the perspective of attachment to the freedom of artistic creation:
"Inspiration had to be above all else. The artist had learned this in the last ten years. And now he felt inspired. He saw every being as it was and how it was to appear on the canvas, and he could not paint it fast enough so as not to lose that spark in him that saw all its beauty. How to capture the light, the hope and the vulnerability on the canvas, without losing the delicate balance between them and without giving in to the temptation to paint only the everyday aspect – in her case, a very nice being."
The essence of genius lies in the ability to transcend immediate appearances, fixing on the material support a timeless vision that intertwines the fragility of existence with the vital force of creative imagination. And the refusal to limit oneself to the rendering of the banal transforms the act of observation into a methodical investigation of the qualities that make each phenomenon unrepeatable.
Vision with symbolic relevance is affirmed not by avoiding contrast, but by the lucid mastery of the fragility that cohabits with force in any act of authentic creation.
The Genesis of a Visionary Work is born from a fragile balance, from the tension between human vulnerability and divine rigor. I say this because our mission is to fix the light on the canvas before the ordinary eye transforms it into a simple shadow of the everyday. But it is also triggered by a spark of courage, from the refusal to accept the banal as the ultimate reality. For, when the artist ceases to be a simple observer, he becomes the channel through which eternity takes on a tangible form.
