The Imaginary Of A World Beyond Us

Only the privilege of being a Creator can give meaning to a life lived at a time when you must link the image of a vertical-spiritual aspiration with the image of a brilliant creation.

I began to write about myself as being in another world, to give the replica of a life from another life, with that revelation impossible to specify, which I tried to intuit artistically, with the brush and a knife for painting. I had to create reliefs and impasto, worthy of a sui generis, constructive surrealism. Of course, I relied entirely on the symbolic and suggestive force of vibrant images, corresponding to the words written through the game of chance, in the spirit of finesse and in the fragility of a genuinely lived emotion.

For this, I took as a dual model of existence, as a crossing point in another world, the image of a Double Delight rose, and such a futuristic technique of exploiting the worlds, is undoubtedly influenced by a writing of living, which belongs entirely to the next moment, revising every time what has been acquired by revelation and enlightenment.

And any revelation that has as a point of reference the passage of feelings through the succession of colors and the possibilities of personalizing a special world, with many lights, but especially through the use of point, line and shape, must be worthy of man and God, as to be at least comprehensible symbolically.

Leadership: Can your creation be interpreted as a part of the soul of nature, having as a point of reference the image of the human factor revealed as a replica of a life from another life?

I can’t stop the colors from flickering and playing on top of each other, even at the moment of visual possession of a color theme called Exludasherr , meaning the movement of planes far from the nearest one to evoke an unseen spatial structure. But I can resize an art world with a writing that, starting from the rose, can reach the very Milky Way in which I get lost and find myself at the same time.

Probably, the divine that characterizes an artist’s zeal for as much perfection as possible, can be likened to choosing a color that is not limited to the concept of Exludasherr , but would best reflect the pure spirit of the reconstruction of the astral plane. The rose itself is the mirror of an artist in the astral plane, an imitation of the creator in a divine frame, in a dream of the dream book, on the sublime territory of an easel which, since the Renaissance, has become the main form of pictorial representation.

In the same way, the symbol of connecting worlds beyond me or beyond the external reality, must imitate an enigmatic and fascinating character, so that the rules imposed by the writing of numbers and years, related to the writing destined by an invisible hand that puts things, shapes and colors in a certain order. I think that the Creator himself looks at me with eyes that really see the relationship of identity between subjectivity and objectivity, but he does not oppose the writing traveled with that quality of the writer to create the unpredictable, to objectively describe an unknown reality.

This is the discovery of the divine, in the spiritual property of the rose to influence writing and to serve as a promise of a brush to define a new reality.

The rose is part of my writing, because its purity is found (as a first-rate artistic tool) in the use of the right key for access to the Divine Self, individually. Whatever words I write with the magic pen, they contain the charm with which a brush can color the symbol of the divine, as well as of the human, nature and the universe in its immensity.

And the true manifestation of the divine has as a landmark the image of the human factor revealed as the replica of a life from another life, from another world, from another reality.

Yes, there are words that belong to the pen, through a creative expression with the help of the rose, just as there are words that belong to the brush, no matter what color we use to create a certain brightness specific to an acrylic painting, like Randy Burns’ masterpiece. We also know that any artistic writing measures the finesse with which the Creator uses the brush to obtain a light effect, using the highest resonant frequency of a crystal globe in which are inscribed all the secrets of the world, the genetic codes of plants and animals.

Let us look at leadership through a unique, divine privilege: that of expressing the creative act of a Creator through a type of approach that speaks to aesthetic experience, and perhaps thus we will understand the personality of an artist who molds his reality from an accessible appearance.

The Imaginary Of A World Beyond Us is revealed by the meaning that the artist gives to life lived at a time when he must link the image of a vertical-spiritual aspiration with the image of a brilliant creation.

The climax of the creative process is reached when living a spiritual life is reflected in the image of a parallel world, shaped by the aspiration to penetrate the mysteries of the universe, starting from the idea that any body of nature is a reflection of a heavenly body, and that any reality is mirrored in multiplicity.