The Importance Of Leadership

Confer relevance to leadership due to the method of inserting an image into a context-message which can be modified using the option Reduce/Enlarge.

The film is made thoroughly. Except for the pivotal unity of the characters found in the foreground, the rest of the figures are always grouped in a deliberate symmetrical order, or, rather blatantly asymmetrical. Director and film critic Jean Miltry gives an example in this sense: if a tower is found in the foreground and three steps in the background, then there will be three characters in the tower and one on the steps.

The grouping of characters always follows a linear graphical trajectory or a geometric figure. Miltry and Gaston Bounoure even distinguish geometric figures precisely corresponding to certain feelings or mental states: aggressiveness, defense, authority… These artistic compositions are always created for the purpose of a more intense significance of the content shown. The making of a film is not a free game. *

Do you explore experimental combinations in order to create the immortalizing moment of a unique reality from the plastic composition of a collage built around a single noble idea?

As you discover which are the forms of manifestation of a continuous resource’s content, of information or image, of promoting a concept or an idea that triggers the key sequences of an amazing production, you begin your own exploration of experimental combinations.

Only one noble idea places the director on the crossroads between modern innovation and the appreciated traditional show: treating the characters based on the comparison with the behavior of the surrounding elements, which leads to effects such as: explosions, fires, collisions, background or foreground changes, etc.

These experimental combinations are the result of a creative thinking based on a subtle form of spatial arrangement of the reference elements of an image: the background, the foreground and middle-ground, whose produced effects determine the focus, the visual impact, the immortalizing moment of a unique reality.

The artistic composition of a collage is a processed reproduction of the outer world by the combination of the surrounding elements which must act according to the principle of “harmony”, the principle of “symmetry” or according to the principle of “mirroring”.

Due to the positioning in the area of experimental combinations, following the interesting formula that "if a tower is found in the foreground and three steps in the background, then there will be three characters in the tower and one on the steps", you may resort not only to that part of the theory of producing new presentational themes of a distinct subject, but rather a way of reconstructing an image from fragments, from several pieces. This procedure – a sort of editing – aims to the assessment of the capacity of visual perception.

Regarding leadership, similarly, you cannot restore an image out of composing parts after a model, without giving it a certain shape or certain points of reference. The more the reference points are grouped around an axis, some closer and some farther away, the stronger the connection is and the visual intensity increases.

Leadership is a unique format of representing the production called "reality" thanks to the way of approaching various expressed themes in the image crafted by the director. And it is relevant due to the method of inserting an image in a context-message which can be modified using the option Reduce/Enlarge.

The way in which the visual perception of an image is achieved is related to the grouping of the characters in a certain typology and in a certain situation, as well as the selection of the expressions that outline their character traits, in order to achieve a deeper understanding of the latent content of a real life scenario.

The importance of leadership is given by the image the director crafts and projects unto the world, formed from individual elements. He who takes part in the "Leadership" construction becomes conditioned to forge a unique vision due to the existing image on the entirety of its display surface, erupting in a combination of elements in the foreground and in the distance.

* Note: Ion Barna - Eisenstein, Youth Publishing House, 1966.