The Lyricism Of The Artist's Vision

Optimize your contribution to the creation of new models of inspiration, to outline in a realistic way the dimension of the personality you are willing to show to the world.

In January 1941, Serghei Eisenstein lays a few drawings to paper: his own visions of mythological figures. We have before us four drawings in the same series: Apollo, Dionysus, Poseidon and a faun. Each character has something in their hand: a lizard, a thyrsus, a mermaid, a flute. Characteristic is the lyricism of the artist’s vision, the ethereal quality of the figures captured on paper. There are four bodies of adolescents (even Poseidon has the body of an adolescent and only a beard, but this too colored, marks his presence), four figures of an unusual transparency, one of melancholia, another candid, a third one ironic-meditative… the Mermaid from the hands of the candid Poseidon, has the look of an evil whore, while the lizard takes on its elegant-graceful lines of its body those of Apollo that holds her in his hand.

A legendary world, stripped of mystery and any trace of force or brutality, dominated by pure air, transparent, that the characters have. The drawings are dated 25th of January. The next day, Eisenstein sketches the first lines of his famous film scrip "Ivan the Terrible". That great Ivan who, like his previous works, is so violently colored by cruelty. *

Is the present and future strength of your creation found in its character of reversibility, considering the total and complete presence of a character who is included as an omnipresent protagonist in a major theme?

The present and especially future force of a creation, which man can use to implement views on a particular subject, is found in its character of reversibility. That is, the director can combine several figures, situations, visions, decorations, scenes, all united in a single unit, and always promoted in another form, so that the message transmitted is understood only by those who have the quality of being a catalyst for change.

Nothing is lost, everything is transformed, combining itself in different ways, especially in terms of choice, probing and sizing all the constituting components of the process of creation. Everything returns and reinterprets in a changing context, gaining relevance as soon as new methods of representing identity by means of perceptual and conceptual additions are born.

But let us not forget that these transformation of the self, of image, of identity, can serve as instruments of measuring advanced finesse and sensitivity, in the continuous updating of forms of expression and autonomy, allowing the detection of varied stylistic phenomena. That assessment and capitalizing on the experience of working with the superior self feels them vigorously.

The remarkable creation of a director resides from the vision with which a character whose actions and traits produce echoes in the present of a conscience ready to rethink the meaning of life.

A revealing aspect of the program "be exactly as the need for transformation asks of you" is, for instance, the way in which you communicate with what is beyond you. Near a world flooded by new feelings and representations. With all shades, vibrations, in which the calls of a new reality resound differently. Thus, the echo of the claims of establishing a sort of supremacy of reason by means of identity updates that have an impact on the way in which you project your "improvements" on your skills as an initiator of novelty can be received.

Inspiration occurs when trying to reorient your own becoming through a creation that has as supporting base the dimension of personality that you are willing to show the world. The one who demonstrates a perfect mastery of the method of updating himself through resignification, i.e. through references relevant to other identities, in the grand problem of relevance of the finished product – a new representation of man of himself, can always demonstrate his superiority in supporting new models of leadership.

A ubiquitous protagonist in a major theme is a complex, powerful character, defined from several perspectives, but in such a way as to validate the status of “an example of a reality that will never be erased from the memory of the world.”

The major theme of a creation that honors leadership is the acceptance of a written character destiny through a comparison between what is happening to you and what you are willing to change in reality to give a new meaning to life.

The Lyricism Of The Artist’s Vision highlights the link between chosen models of inspiration and the aspects of your personality that you are willing to show to the world so you can make yourself understood in a different sense than the common, usual one. It represents the content of what you try to communicate and induce through inspiration, without expert mentoring that can have completely opposite effects, to reach that perfection of leadership of expressing yourself and placing your messages by redefining your own being, your own reality and your own creativity.

* Note: Ion Barna - Eisenstein, Youth Publishing House, 1966.