The Major Result Of Eisenstein's Creation
Use your creative experience in as objective a way as possible, so you can solve the compositional problems of leadership.
The major result of Serghei Eisenstein’s creation in "Nevski" remains, obviously, the unity of audio-visual image. In this film, the artist solved a difficult compositional problem, then finding, on its basis, theoretical, the key for the calculated tuning of the musical band with the image band. The horizontality of continuity in music or image, is now tuned vertically as well, by the simultaneity of musical-visual coincidences.
Eisenstein discovers the method of constructing audio-visual correspondences which he will analyze with priority and will describe it in detail, using for this purpose exactly the experience from the film "Alexandr Nevski". In calculations and schematics drawn with mathematical meticulousness, Eisenstein discovers perfect coincidences, frame by frame and measure by measure, between the visual element and the auditory one. *
Can you value the unity of an image that perfectly integrates into a directorial imagination framework, taking as a point of reference the idea of the simultaneity of coincidences between the plans of approach to the artistic act?
Analyzing the proportion between the resources of knowledge and experience, very accessible for the production of a transition towards a new model of leadership, which you can use to achieve a good promotion of your personal vision (and taking into consideration the wealth of ways of tackling it), you can estimate the cumulative effect of change on a professional level. Therefore, the major result of integration approaches of creation in an absolute perfection, worthy of envy, under the action of another proportion between ideality and objectivity, represents a win in the field of productivity, but also a raising of the quality level of your evolution.
The creative experience of a director is closely related to the image he associates with the film script, but in such a way as to convey the continuity of the story with which he himself identifies.
In this case, there is a need for a certain ordering of the compositional material (facts, experiences, events, decorations, costumes, roles, incredible dialogues, realistic characters), but especially a certain amount of time and an imagery sequence to produce the ultimate effect, as explosive as possible. The idea of the simultaneity of coincidences between the plans of approach to the artistic act serves to choose the material that the artist has the freedom to use as he thinks fit, with the condition of studying the character of life and pouring it into the skin of a character full of vitality.
And if we think that the plans of approach to the artistic act are about visuality, symbolism, language, decor, story, and musical background, then the director would be delighted to see everything through a single pair of eyes that perceives everything from outside the illusion that the character sees it as being real due to coincidences between the unfolding of events at the external level and the internal psychic evolutions.
Does your leadership show the advantage of an "entry resistance" that can produces continuity in the process of exploiting creation, in order to obtain compositional benefits?
If you want to measure the progress of personal achievements, performing the analysis of all forms of expression through creation, first measure the pulse of your experience of transition towards certain higher quality standards. Leadership is like a quality amplifier, having the advantage of an "entry resistance" that produces continuity in the process of exploiting creation, through a dynamic of concerns for art and its approaches given by the development of science.
"Entry resistance" supports all those operations of addition, processing, blending, transformation of creative elements (and their eventual correction), performed under the competent guidance of a promoter of science, which do not contradict the functioning conventions of leadership. In this case, leadership, materialized by more solidarity towards the act of creation and by the firm rejection of any prejudices, becomes an indicator of continuity in the rhythm and the whole process of crystallization of a language, character, decor, a role, a vision, a storyline, which are the subject of the artist’s claim to rise above the everyday “prose”, above the worldly hassle.
Just as a filmmaker discovers perfect coincidences, frame by frame and measure by measure, between the visual element and the auditory one, so too does a mediator of science confers significant facets to his own creation through a blending of experience and know-how. But especially through the method of constructing correspondences between the content of ideas and the effect of using them in the framework of research and training activities.
Leadership is the manifestation of the ability to integrate into the role of a character seen in a “stop-frame” image thought through the perception of perfect coincidence between visual and conceptual, in the evolution of the relationship between what you see on screen and your own life.
The Major Result Of Eisenstein’s Creation represents the logical consequence of using experience and development of knowledge in the field, serving both as an instrument of assessing progress, and an instrument of promoting your own identity.
Evolution, by the continuous chiseling of the capacities of integrating thought in the field that defines you, depends on the level you experience – beginner, intermediate or advanced – when you upgrade the facilities of science, used for continuing the effect of domination over processing variants of personal creation.
A field that needs development, such as leadership, will benefit from a high level of orientation through the results obtained due to transitioning creation to a new stage of adaptation, superior to the prior, by the simultaneity of coincidences between its elements of content.
* Note: Ion Barna - Eisenstein, Youth Publishing House, 1966.
