I would sometimes like to be able to remain there forever, in that fascinating world of art guided by the lively spirit of incendiary prose, as resounding as the echo of a whisper of a clam that is heard in the soul over time. A world in which I can just be myself, floating in a great sea of ideas related to the efforts to increase the probability of connecting to something above myself in the conditions of an experience from which I have a lot to learn.
The expressiveness of words is not free if I do not complete a science, a style, a theory, because it addresses less to the abandoned soul in favor of unleashed fantasies. That is why I regret to understand that art retains a "miss" variant, that which is marked by "it couldn’t be" because of the meanings resulting from the comparisons with the states of things of a world in an eternal composition and disillusionment.
The faithful representation and impartial, almost mechanical, monitoring of reality, with a certain openness to the most varied aspects of the human spirit, can only be undertaken by the literature on every page written admirably with the natural elegance of the artist who gains his uniqueness through the act of creation dominated by elements of the language characteristic of fiction.
Perhaps this detail would not go beyond the meaning of a coincidence unless I had to insert into a personal note the new record of a world that disappears in some sort of crying in the chests of those who can keep a living memory of me. The sincerity of the artist is an adornment of expression through different forms and methods, a particular case of using the term "similar" in a chromatic universe obtained by overlapping and combining inspirational matter.
In a sense, feeling touched by that inspiration characteristic of artists who intensely interpret the most striking aspects of reality, attracted by both the "decorative" treatment of a less explored creation area, I can easily integrate myself in the world I experience in my particular form of seeing beyond what is "seen". That is why we landed in the 3D of a mysterious and imaginative space.
I have not yet decided what role to give to the character in this space.
The effect of fullness and the effect of emptiness, the beautiful and the ugly, the vital movements of the phenomena and the emotional states of the brain, shortly a small distance between the edges of a sphere of contrasts, can immortalize a moment of significance given to the novelty of an expression felt by readers in a sentimental background that does not seem to be real unless we take into account everything that can be seen in the perspective of a creative space of art and culture.
The sensible basis of literary construction, supported by a play of interactions and radiant neighborhoods of totality – a matrix generating mystery, suggestion and symbolic matrix, in a seemingly temporary art, can be attributed to the craft of painting that requires the full mastery of composition. I feel as if I’m gripping a bright circle whose center is everywhere, and the circumference nowhere. This aspect is part of the compositional laws.
The expressiveness of a knowledge experience impresses by the ability to forcefully transmit the ideas and feelings of a literary who interprets everything through the infusion of artistic culture that brings it to the point where everything is of an effervescent naturalness.
Someone asked me an interesting question the other day, being inspired by the belief of the existence of a superior power of reasoning found in my works:
"Mr. Fântânaru, do you not fear that there will be someone else who will surpass you in what regards the intrinsic aspects of knowledge in correlation to the meanings that the philosophy of art attributes to its fundamental words: "literary aesthetics and hermeneutics"?
I responded with the enlightenment the painter experiences when he touches the white canvas with the most beautiful of colors in order to render a perfect, unrepeatable moment:
"First of all, I will never fear former students / A+ students, well-dressed individuals or those in different leadership positions. They are surpassed by the limits of interpretation of art, they are defeated as Goliath in a single small and insignificant blow by David. Great knowledge in the art world does not tolerate at all the height or conformism.
But I would be afraid of that faded guy that no one sees, the one you sometimes see talking to himself, but who jogs every night, during any type of weather."
In leadership, one vision stands forever: Whatever the value given to you by time and the school of life, one who has to lose is one who cannot afford to connect with you.
Leadership, as a component part of the art that carries the possibility of treating less explored areas of creativity, must have the possibility of developing a learned knowledge from a life experience that is read from the angle of a recipe that does not deny your visibility and beliefs.
The Original Signature Of The Artist is seen in the mood with which he approaches the world of cohesion in the relationship between expressiveness and visibility, impressing with the liveliness of his description, with the skill of building his narrative, bringing it gradually to a majestic climax.