The Path Of The Rose
Leadership is the virtue of embedding yourself in an image that only takes a few seconds to look at, but which is imprinted forever.
Sometimes, I would like to be part of another world, an immortal one, always animated by the beauty of a colorful garden, the tranquility of an immense state of delight, which would be the welcome triumph of a liberation from the captivity of time, from the material prison of a consumerist and superficial society. I would like to be part of the image of a reality that perpetuates its existence among the palpitations of a heart always inflamed by the sacred fire of the gestures of sensitivity, of the tender moments in the area of spirituality.
Thus, I came to describe myself through the excellence of the aesthetic of being part of the daily life of a rose. This is what it is called to desire a refuge for the soul, to have a unique experience, protected from impurity and overflowing with vanity. The untouchable luster of the rose, so close to the fineness of the brush that spreads the colors on the canvas, in a state of the first mixture of worldly and evangelical, is due to the release of the chains of the human body to penetrate the revelations of the supersensible world.
The soul and the rose, my non-material essence and the form of expression of the encounter with another world, are the object of a connection explained by the fact that two similar esoteric entities are face to face with what the painter will pour into artistic form, the highest form of spiritual validation, by the absence of the cries of despair in the midst of earthly suffering.
The true miracle that God gives you is to feel that you are living the life of a perennial plant, from the Rosacea family, caught in a painting which the viewer can give, once and without delay, a note of amazingness, truthfulness, greatness, preciousness, perfection. Finally, I feel free to think in terms of consensus with the aspirations of peace of mind, in the sensuality and symbolic richness of a rose that is eagerly preparing to change its nuances for another season. Sublime and uplifting, is it not?
Can you improve your spiritual disposition related to a particular event experienced as an aesthetic experience by revealing an image that tends to replace the existing world?
As it is easy to see, the integral factor of my consciousness to report to the world is the image of the “Ego” which is structured from the following components: the sublime of a dream-like view, the conscious search for a spiritual fusion and the spiritual disposition related to a certain event experienced as an aesthetic experience.
Temptingly, I came to believe in a change of perspective from which the image of a new identity is understood and conceived: of things, happenings and life – seen in terms of their ability to accommodate the emotion of a painting that transports you to another world. It is not enough to consider yourself as a whisper of the silence provided by the movement of the brush, remembering the vast stretches of a holy trust in a present that you want to continue at other times, the other dimensions of being, you also need to establish yourself in a dialogue with the subject and the means of execution.
And this aesthetic experience aims at adopting a special sensitivity, a positive attitude of the type “I possess an innate refinement”, which denotes a great capacity to empathize and understand the diversity of human nature. It denotes a solid accumulation of states, ideas and visions, which tend towards the exteriorization of an ideal of purity and spiritual honor, which privileges only the basic characteristic of the rose: to be always sincere, charming and elegant. To be made pleasant all the time with its blooming.
The connection with art is achieved through the charm of the power to surround yourself with all that is beautiful, with a positive, discreet aura, with good taste, as the painter surrounds himself with colorful stains that, gathered or scattered, keep the eyes and the heart focused on an image of paradise, still unfinished. The painting makes me no longer believe in the ordinary mortal who is preparing for confrontation with the absolute limit of time, but at a redistribution of the meaning of life by inducing the feeling of belonging to a paradisiacal, cosmic, astral space, of the consciousness that regards everything through the eyes of eternity.
The great significance of art must be realized by exercising the power of modeling reality in a context of high visibility, by referring to a revealing content of “expressive potential” in building the vision of a completely different world.
The beautiful implies the serenity of aesthetic feelings, such as sweetness, grandeur, dreaming, vitality, astonishment, in a symbolic theme of pure spiritual inspiration, especially in the reflection of the red and yellow colors of the rose.
The rose is my only bridge between parallel worlds, between the beauty of art and the so-called beautiful in nature. It inspires me with a state of timelessness, a concentration of emotions and events in the same image, a major stake in a process of alternating between good taste and simplicity. As if I were tempted by the spell of a pure cashmere caress, full of tenderness, sincerity and delicacy that nature makes visible and tangible for a painting of great finesse in the forefront of which stands a visual-artistic entity that meets the conditions of a spiritual awakening of great magnitude.
The painting, like my life full of pursuits, joys and failures, is the reality of a sensitive story, of an amazing beauty, which only nature can pluck from the red rose of an emotion-filled moment, kept in an astral spark, in the spirit of a rebirth in another form, in another space of the universe.
Can you define a concept of admiration for your content of life that is structured (in an artwork) as an echo of the encounter between two similar worlds linked by a certain event experienced authentically?
The meaning of an experience must determine the intensity of man’s reaction to an experience of confirmation of the “exceptional” thought as a meaning of a life that does not melt by excess. He must signal or anticipate something related to the theme of the rose extended in the light of an unmistakable art.
Writer Mary Balogh achieves this when she confesses to being part of two over-sensitive experiences at the same time, through her favorite character, artist Joel Cunningham. That is, by continuing the poor use of the canvass and by the vulnerability to support the vision of a profound change in attitude regarding the role, content and significance of the image.
“I painted all day. I painted furiously and without pause and achieved the total concentration I need when creating. I painted this woman according to the sketches I made, from memory, and from that part of me that cannot be described in words. The portrait is by no means finished, but I am terribly pleased with it. There is something so delicate in her being that I feared that I would never be able to capture in my dream, vision or on canvas. But I think I captured her beauty, the joy of living, the vulnerability, the sadness, the unfulfilled hope. Oh, I could speak a lot of words, without being able to express what I feel about her. I have never finished a painting so fast. But it is not careless or superficial… it is sublime.”
The size and the value of an artistic effect is the result of a series of combinations of meanings, color overlays, vivid word combinations, intersections of decorative elements, artifacts of perception on reality, thematic obsessions, others compared to the initial joining.
These become normal to a personality that takes from the symbol of the rose a special form of sensitivity, adapted for the reception and analysis of a figurative image that can only begin with choosing the predominant color at a certain moment of insight, honesty, lucidity and confession. At the end, you are amazed by the incredible simplicity of the composition.
Leadership is the comparable world between life and art, seen as an infinity of images that respond to each other in full order, illuminated by the same intensity of red of the feeling of belonging to an identity of the “New Man” type that makes the transition from a loaned identity to a real one.
The Path Of The Rose is a concept of admiration for my content of life that gives the viewer an intrinsic value regarding the creation that continues to fascinate me, called “The New Man”.
The journey starts from the point where the first buds start to bloom and continues, finally, with the artist’s effort to offer that “different” in the presentation of a fertile dialogue on the theme of a unique identity, translated through an image characterized by a dominating intense chromatic: red. Passion. Vitality. Balance. Imagination. Rejuvenation.
