The Portrait Of A Rose In An Artistic Vision

If science becomes an art through passion, then art must be a direction of sensitivity manifested in science.

I am a being created according to the laws of nature and, therefore, I am conditioned by the same laws that determine the existence of a “Double Delight” rose in the central space of my garden. Whereas this beautiful rose, amazing by perseverance, does not exist as a plant isolated from other flowers, equivalent to the image of a more comprehensive presence in its permanence, but exists as a kind of continuum between matter and spirit, as a universal link between two potentially autonomous worlds, neither of which can be considered superior to the other.

In this regard, I point out that the rose belongs to the Rosaceae family, the symbol of a spiritual resurrection and a mystical journey that opened my mind and soul to beauty, adaptation, change, governing my relationship with God through discretion, more through the distribution of the sensible rather than an order based on the equality of the visible and the intelligible that accompanies it. In addition, when you look through this lens, you begin to see nature with exceptional clarity.

Even in my secret manuscript, Tukerlyeress(The Mystery of the Incarnate Word), the rose occupies the leading place, because it needs to feel integrated in a protective environment, to belong to a mystery beyond the heavens, the mountains and the waters, beyond any earthly understanding. It is a presence full of meanings, a warm and intelligent interlocutor from the point of view of an artistic consciousness, pulsating with an explosion of colors, with a life not bound by imitations.

Yes. The rose is always where it is created, in a maze of words without death, in an omnipotent way resembling the perceptual confidence of a mystical being in front of a mirror lit by a candle, without any shaking, impressing through silence, reservation, obedience, virtue, like a poet who contemplates nature more through lyricism than through deep meaning.

Can you bring a significant improvement to your perception of self-continuity as a result of managing sensitivity that can only be identified in a work of art?

Through my intellectual activity, accompanied by a voluntary effort, pulsing of something mysterious that amazes every beautiful loving eye, so leaving myself mastered by artistic inclinations still unexplained, I try to reach the state of domination of nature. Only through the Great Knowledge is everything realized. For this I have to differentiate myself from other people and to situate myself in relation to the ontological nature of the story that makes up my life from another world, from another space, from the perspective of the most delicate flowers of nature painted in rosy shades.

And yet, the mystery that envelops the main teaching of my dialogue with the rose, spirit alongside spirit, with a kind of aspiration to accept the ideal promoted by the Renaissance, seems to be a permanent tendency towards the purity of watercolor, pouring from unraveling the mysteries of nature to acquisition divine enlightenment. To better understand the middle of a century full of amazing aesthetic achievements, this is my main concern.

It is no coincidence that my self continues to take part in a reality that totally absorbs me, devours me with my consent and systematically detaches me from the banality of everyday life.

At this moment, I consider that the echo of a world beyond appearances is preferable to the overflow of a millennial nature that seeps into me, through the sieve of expressive eyes, through all the nuances of my life, a boundless curiosity. Whereas the rose, not only can it see it, but also understand and represent it through the filter of their own sensitivity that reflects the innocence of sincerity, spontaneity and undisguised curiosity, characteristics detected only in works of art. With this sensitivity the artist creates micro-universes.

Is the unity of the world you experience through the act of creation distinguished by the materiality of a reality that builds its meaning, apart from the intrinsic meaning of words?

The reality that constructs its meaning, apart from the intrinsic meaning of words, is nuanced by using an image at least unique in a framework of artistic experiment in which the fragility of the being is significantly associated with a unique beauty of nature. Every creator must go through an immersion in the metaphysical being of nature in order to reveal his inner artist and create his own visual encoding code.

Suddenly, the rose takes the form of a mysterium tremendum when I try to understand the technique of painting, not because of an apperceptive psychology aimed at the world of colors laid on the easel, with freedom and skill, but rather due to isolating some fragments of my soul complexity strengthened by artistic collaboration with the addition of the wonders that have crossed its threshold for a long time.

Speaking of art. The famous novel “The Philosopher’s Stone” written by Marquerite Yourcenar, begins with a quote from the learned Italian humanist of the Renaissance, named Giovanni Pico della Mirandola:

“Oh, Adam, I have given you neither an image, nor place, nor a gift that would belong only to you, so that you may desire and possess all images, places and gifts through yourself. Nature restricts other species by laws established by me. But you, unrestrained by any forbiddance, define yourself by your own discernment in the will to which I have left you. I have placed you in the midst of the world so that you may better search all that is in the world. I did not conceive you as a heavenly, nor earthly, nor mortal, nor immortal being, so that by yourself, freely, as a good painter or as a skillful sculptor, you could perfect your own form.”

That’s how it is. I am sure that if I were to exile myself in a sphere of the perception of beauty, and no less to delve into the practice of the vocation of beauty, expressing my boundless admiration for the height of expression, then the rose would help me decipher that “release” of the Impressionists that can only be experienced in nature. It is no coincidence that I have perfected the form of the image I am transmitting to the world. I am the agent of the connection between two vibrant worlds.

Art is the means of the creator to constitute himself in a vision whose perception requires a certain subtlety and finesse towards the rendering of a supersensible reality, observed only through the comparison between what is felt and what is contemplated.

The Portrait Of A Rose In An Artistic Vision is the image of a creator captured on canvas, in his own universe, in a moment of brilliant manifestation of a vision full of meanings that takes into account his possibility to transpose himself into other poses, without losing his identity.