The Reflection Of Identity In Monumentality

Get close to the understanding and reality of a model of inspiration, showing it in all of its complexity.

The first images of the film are born. The initial idea is that of "rehabilitating" this czar reviled for his cruelty by all of his enemies, but ultimately animated by a single, gigantic passion: creating the unity of Russia. The monumental figure asked to be painted with the means of the monumental. A man whose enigmatic and frightening gestures are explained only through his titanic effort of creating the Russian State around Moscow.

But director Sergei Eisenstein doesn’t want to absolve Ivan, to show the Terrible or the Gentle. He only wishes to decipher the meaning, the significance of his actions. What is after is not an exterior greatness, and through this, a false one. The monumental is a game of expression of the character and his actions. It will get him close to the understanding and sensitivity of the modern spectator, showing him in all of its complexity.

"This frightening and appealing figure, terrible and charming, tragic in the fullest sense of the world, will become understandable for the modern man when we will think of the battle taking place in Ivan’s soul, implacably facing the enemies of the homeland…"

This is the idea from where the director begins his eternal theme: the struggle for unity. *

Can you obtain a certain estimate of the value of self-experience, by integrating and shaping a new identity in your own creation in a creation projected around a unitary and monumental vision?

The identity of an artist is characterized by the effort to create the image of an ideal world, by the much wider extension of the field of use of the term “monumental”, with reference to the dream and the only power to give life to a work at the higher level of the culture, under the impulse of a subject, an action, an unfolding of events in time and space.

You should also learn how to be an artist. First, identify the visual elements that create the impression of monumentality, which determine and represent an interesting figure, then try to match the flats so that you build an image full of dynamism and diversity of your culture.

The result of the challenge of fitting the image of something unique, from the perspective of self-experience that prevails in what defines you when you reflect yourself in the meaning and scope of an exceptional creation, can be significant if the process of developing a theme is permanently supported by the references to a grandiose moment from the development of a model of inspiration.

A unitary and monumental vision, promoted to the status of a work of art is closely linked to the optimization of the experience of searching for elements of comparison between things and events, ventured in the combination of artistic language elements.

Leadership, thanks to the contribution of a subject of study, with the possibility of being experimentally investigated, can achieve a level of high science if the suggestive effects of the relationships between aspects full of meaning of a coherent whole and the complexity of a set of actions corresponding to an identity in certain moments are permanently evaluated.

Romanian aesthetician, Victor Ernest Maşek, once wrote: "One of the most important lights cast by the structuralist conception of the unitary work is the very demonstration of the fact that the structural elements of a whole intertwine and condition themselves, being reflected in one another."

If these elements are merged into a single moment of impact, based on the analysis of a complete information and not necessarily on personal experience, then the value of creation will evolve towards the status of work, born out of the unique resorts of your own assessment.

You become rich in what concerns the processing of information, possibly distorted or incorrect, only if you get close to the understanding and reality of a model in which you reflect your greatness, showing it in all of its complexity.

He was not wrong the one who said that the complexity of a model of inspiration can be reminiscent to an act of creation. Because by promoting a powerful solidarity between the content of creation and the qualitative aspects of a concrete situation, based on a priori knowledge conforming to an experimental model of inspiration, you can obtain a certain estimation of the value of self-experience.

Leadership builds the unity of an image that demands to be immortalized in time through the value given to the vision from which the complexity of a grand existence proceeds in which you (the director) reserve your right to be a hero.

The Reflection Of Identity In Monumentality highlights the feeling of belonging to a model of inspiration, by ensuring the visibility of that side of the Ego that is manifested in a specific context.

You will be able to give creation a new shape of you explore your identity through a display of your own means of expression, through self-observation and by reflecting on the meaning of a fact that captures the complexity of a set of actions that correspond to an identity at certain times.

* Note: Ion Barna - Eisenstein, Youth Publishing House, 1966.