The Resounding Innovation Of The Art Creator

Seek a new approach for the concept of authority, relying upon a solid form of demonstrating what your science can offer to the world.

Director Eisenstein’s innovations, achieve in the film "The Old and The New" don’t stop at the visual and auditory image, which were not hitherto attained. We will not enumerate them now, but we must still remember the perfection of the discovery, whose name was given by him, of montage in frame: mise-en-cadre. Composition in depth – a frame in which both the foreground of action as well as those in the background are clear and simultaneously and coordinated play dramatic roles – is devised in "The Old and The new."

The necessity of the emergence of such a movement within the frame is born from the essence of harmonic montage. Although we find emotive sources in those childhood impressions in regards to Poe, in his love for Degas, in readings of Pushkin, Gogol, Dostoevsky. All converged toward the need and possibility of simultaneously keeping under the fire of observation the different levels of the event.

In "The Old and The New" this took on a precise shape, the idea is exploited and will be carried forward in the Mexican film and especially in "Ivan". But it must be stated once again that the resounding innovation in the means of artistic expression, used after a decade and a half by Wyler and then by Orson Welles, we find long before in the creation and theoretical writings of Eisenstein. *

Do your scientific discoveries have the role of increasing the resistance of leadership in the conditions of a limitation of the quality of results obtained through visual image?

Any approach of the concept of authority, relying on a solid form of demonstrating what science can offer to the world, amplifies the experience of creation and places the leader-artist in the middle of the frame of obtaining a new value by accessing the models and formulas of multiplying the "new". Therefore, the discoveries of his science, ever more consistent, have the role of increasing the resistance of leadership in the conditions of a limitation of the quality of results.

The emblematic value that gives depth to the composition of your work is given by the way you describe an event that has already happened, so that the image you present to the world gathers all its possible consequences on a new theory of knowledge, on a new topic with aesthetic importance or onto a new reality.

And the quality of the results obtained through the visual image is found in the focus of the event, when you have to catch a new hypostasis of your artistic creativity, one coordinated by “featuring” type roles meant to support the promotion of the vision of a convenient world.

Discovering is a creative process that begins with what has been understood as a set of separate events, and ends in surprise, as an expression of the artistic experiences that, together, shape the characters and open the appetite for art.

In leadership, the completion of discovery, amid a multitude of measures and actions of achieving an artistic masterpiece, does not stop with the creative means transposed into practice, which may have never been achieved by anyone else.

Perfection establishes equality between three values, using the proportions of the demands of a new role and of a new authority in the field: a value obtained from a certain percentage of the total of that which you convey, a value falling within an interval of extended uncertainty of forecasts and a value that is lost when calling for a procedure of applying what the science you’ve appropriated reveals.

If the idea of authority is exploited and carried out through science, then personal creation will have a better-defined form and more accessible to be applied in a field such as leadership. And to achieve a quality leadership that permits the construction of your own authority, respecting the proportion of the elements of forming a new style, it is necessary for innovation to ensure a degree of control for the entire dimension of scientific complexity.

Leadership resistance is given by the visual image and the emotional sources that contribute to the making of a creation that does not cease to amaze through diversity, innovative technology, artistic language, its breadth, the power to present life in its complexity, but above all, by its hidden depth.

The Resounding Innovation Of The Art Creator highlights that way of improving performance, by optimizing the campaign of applying the discoveries in the field of leadership. The individualized approach of innovations among productions of art, which combines the power of creation with the attraction for all that means "special constructions", is absolutely necessary to give continuity to the relationship between vision, composition, improvisation, interpretation and effect.

* Note: Ion Barna - Eisenstein, Youth Publishing House, 1966.