The Size Of A Masterpiece

Get rid of that status quo that no longer works and is no longer acceptable at the level of manifestation of personal importance, contributing to the dynamics of a new existential landscape through the sublime it contains.

For the very first time, the immeasurable momentum towards the long-awaited recognition lined up for the support of triumphant thoughts, in a delirium of superiority, in a frenzy dictated by the flux of my uncensored ideas, in the decisive match, as a final, between the tendency of embracing the beautiful, good taste, and the product of diagonals that could boost a new existential landscape through the sublime it contained.

For the simple reason that everything revolved around my aspirations for literary creativity, I had to feel more important than ever, with my hopes fully loaded, refilling the stormy need of inner freedom that assaulted the fortress of my old inhibitions. In the excruciating battle for superiority, the first leap of a start towards the great deed, my respect for the mastery of creation, the sensation of "constant hunger" caused by the passion for determining new ideas, complied to the tendency of showing myself in a proper, very intense light.

My status quo was closely linked to the gift of floating in a stylistic vague, in a unique adventure of self-discovery in a reality that does not necessarily have to be believable to make me realize things that cannot be understood other than through a slight detachment from reality. Again, in the foreground of my thoughts was the creative faculty to make sense of a hyper-reality, although it seems like some sort of anticipated cloning of fantasy often encountered with Borges, when the man tries to be a repetition of the same story in another life experience, one completely superior.

Do you have the awareness of a certain superiority over a creation that leads its character through the transformations of a world without borders, in the sense that you can use the repetition of the projection of the self in new hypostases?

Dominated by the feeling of immeasurable power, I felt increasingly stronger that I could achieve anything beyond my powers, beyond any expectations. The substance of the power of my productive spirit, confirming the personal important and the expression of a strange compatibility with the state of mind of characters used to notoriety, was finally reacting with the solution of the mixture between events experienced in a dream, read or heard.

If I had been an artist endowed with the ability of maximizing the positive effects of paintings, and not just an artist of the pen having a direct echo over the functioning of the world, I would’ve probably rushed to achieve a brilliant combination between "Mona Lisa" and "The Persistence of Memory", becoming myself a combination between Leonardo da Vinci and Salvador Dali. Thus, I became the unique character of a journey in the world of art, whose superiority consisted in taking advantage of the lessons of the life experience of other artists in order to create a unique image of myself that dominated by the weight of aspirations to be more than what I am, to be a creator of eternity, in a purely visual universe.

You cannot find a plausible explanation for this phenomenon comprising the tumultuous man, directing him inwardly beyond any limits, to the higher level of the opportunity of rebelling in a formidable manner, with a reckless energy, against that Status Quo implying inaction, indifference, reluctance, isolation.

His eyes suddenly remain fixed somewhere far away, to an imaginary point situated above any other interests, any preferences for certain activity fields, any set of things that displease him, completely subordinating to the robotic tendencies of the psychic of creating proper conditions for a new beginning of a masterpiece. The projection of my self into the hypostasis related to the condition, the way of life and work of the artist, repeated through the relation spirit-matter, idea-reality, could be used as a motivational material for producing a form of remembrance of history.

Do you direct the character you want to interpret in the direction of a process that no longer spins in a circle, but rather goes straight forward?

Robert Macaire is the imaginary character invented by Honoré Daumier, serving the artist as a prototype in his satire directed against the bourgeoisie, the pretentious sufficiency, lack of education, semi cultism. In French culture, he represents an archetypal villain.

But this character was, first of all, the creation of a great comedian, Frédérick Lemaître, which in turn built his character after a strange guy, a vagabond met randomly, transforming him during his shows into a well put together trustworthy man. "He had the beauty of a god, the audacity of Diogenes, the elegance of a refined individual, the serenity of a child and devoured dry bread with the majestic race of Apollo eating ambrosia" wrote Théodore Faullain de Banville in his "Souvenirs."

There is only one way of understanding people, beyond what they are able to accomplish, somehow through themselves as characters that dominate the world through the height of their own ideals and expectations, between spiritual challenges and openness to the new. Namely, to only make haste in judging them through the lens of the prototype model that, while in the process of full imagination, they build in their flight towards distant horizons.

To direct the character that you want to interpret in the direction of a process that no longer spins in a circle, but rather moves straight forward, means to rid yourself of that status quo that no longer works and is no longer acceptable. It means to rid yourself of your own conscience, of the values and assumptions that feed it, helping boost a new existential landscape through the sublime it contains.

All theories about man, in which leadership is manifested as a factor of evaluation of the particular elements of representing his attitude in various situations, are at this time deadlocked. It seems to be a crisis of the fundamentals on which rest the order and causes of traversing a difficulty portion of personal transformation, in the excruciating battle for superiority. Because man is no longer the same instrument of confrontation with the limits and prejudices of the world, but rather becomes an instrument of confrontation with his own answers to various revelations.

Does your creation address a subjective universe organized in the image and likeness of a character who lives in your thoughts and in your being, but who is marked by a reality that transcends the plan of immediate manifestation?

Therefore, when we relate to the size of creation, first subordinated to an extensive deployment of elements of connection with the individual development of man, our attention should be directed towards a character forgotten by the world, but dominated by the sense of unmeasured power, full of the sensation of "constant hunger" caused by his passion for determining new ideas, influenced by the tendency of showing himself in a proper, increasingly intense light.

When you feel increasingly stronger that you can achieve anything beyond your powers, beyond any expectations, only then does the substance of the power of your productive spirit react to the solution of the mixture between events experiences in a dream, read or heard. You feel that you are part of the world of a less ordinary character, from which your personality takes shape, meant to change the rules of the game in art through the subjective appreciation of a reality that allows itself to be traversed by the experience of a revelation of high emotional intensity, from the very vicinity of the idea of a “meaning of life”.

To become someone else, refilling the stormy need for inner freedom that assaults the fortress of your old inhibitions, you must become the creation of your own masterpiece, you must be favored by the existence of a certain predisposition of the type "must have" – that of engaging the stimuli of lifting the level of personal importance, so that afterwards you can reconfigure the typology of the determinant structure along which subjectivity operates on events of major impact.

Creative people are often characters forgotten by the world who, in a corner of life, in the darkness of solitude, have developed the sense of fullness up to the size of a Masterpiece. Only they have the means of the art of total transformation - theirs, into someone else.

Leadership is the power to become the creation of your own masterpiece, with the mention that the reality you experience through the technique of life storytelling must be approached as a way to experience different situations of your own person in a world of fabulousness, abundance of images, ideas and the consciousness that transcends the boundaries of time.

The Size Of A Masterpiece comprises the sum of all attempts of finding yourself in someone beyond yourself, in a delirium of superiority, in a frenzy dictated by the flux of uncensored ideas, in the decisive match, as a final, between the tendency of embracing the beautiful, good taste, and the product of diagonals that can boost a new existential landscape through the sublime it contains.