Neculai Fântânaru

Everything Depends on Who Leads

The Witchcraft Of A Masterpieces Creator

On October 26, 2014
, in
Human Resources by Neculai Fantanaru

Enhance your ability to enter the subtle mechanics of creation by bringing together elements that lead from the subject’s intuition to meaning.

How does the work that is in fact the secret of the "Alexander Nevsky" film look like? Director Sergei Eisenstein wrote in an unusual notation that it is witchcraft, about the fact that, as the wizard’s drum, the same idea echoes. Everything revolves around a single idea. No word, no reply, no episode that is not about the enemy and the need to defeat him: in plans, projections, memories, in the action itself.

Nowhere can you find such unity of ideas in such a variety of events, in such an obvious way. It captivates hypnotically. As for the composition, it means that we are dealing with a run of such magnitude that I cannot find anywhere. There is no response, no situation that will not play "under a new angle the same theme" and the mounting method is the method of flight. *

Do you derive your higher knowledge from the structures of experience through which you render new forms of expression, turning them into reference points of an ever-deepening creation?

The human type that aims at self-improvement has to be sought in the world of profound creations, these being a combination of references to some complicated analogies involving intense intellectual involvement. And the relentless attempts to penetrate the advanced creative dimension, from substance to structure, from the simple alternative to necessity, by using means to amplify novelty, when correctly used, contribute to the satisfaction of man’s claim to arrogate himself broad skills.

The reference point of applied science - the idea, required to be strictly followed, enriched with new representations of concepts, it not only determined as the dominant element of creation "under the angle of inclination of your Being", but it consists of a specific way of overall knowledge from certain structures of the experience of rendering new ways and forms of expression (used to define the ideas and values in the presence of inspired concepts).

The latter gain importance by means of "Get Shared Key" type impact vectors projections, which, bringing new options to customize the creation, can perform various updates of its purpose.

Everything comes down to one idea: when the verbal and the nonverbal reinforce each other, a new way of accessing the uniqueness of creation emerges.

Gaining the experience needed to play the same theme, under new forms of expression, has a beneficial influence on intellectual creation, towards finding new solutions for overall impact and performance trends. While the "Get Shared Key"-type impact vectors are based on the meanings that give you pause, being more complex and more numerous, whereas proposing reasoning alternatives based on evidence and logical conclusions, combining what suits a trend that starts from the intuition of the subject and goes towards significance.

Leadership cannot be seen only as a well-defined content of ideas and ideals in the service of advanced knowledge, as quality of the teaching you transmit. The object of analysis is now a discontinuous series of for and against issues, envisaging the imperativeness to establish an interpretive science, following the conditions and peculiarities of a perception modeling about what you should communicate, by introducing the well-done job mentality.

Your communication must convey a unifying meaning, capturing that tension between external resistance and the impulse to let go, which is present on every plane of existence.

The Witchcraft Of A Masterpieces Creator captures those elements, colors and features of creation mirrored in your own conscience, but especially in well-controlled sizing of ideas that revolve around the vision and values that you manage to transmit to supporters. It is the prerogative of the great masters in the art of leadership, able to shape and give their creation new forms of expression.



* Note: Ion Barna - Eisenstein, Youth Publishing House, 1966.

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