Visualizing Art Is The Essence Of Vision

To properly assess visual perception, you must be aware of subjective interpretations of the surrounding elements.

The gaze is the center of the universe for a painter, acting as a kind of binder between the soul and the light, or as a catalyst in the reaction of the subtle chemistry between the inner visualization of hidden experiences and imaginary worlds. And my great passion for art, the creative tension, the fervent manifestation of an intense state of mind, denotes an astonishing mental strength that allows me to remain dedicated and feel welcome in the world I create with the help of sight, an open window to the artistic universe, intended as if to absorb the colors and shapes beyond the limits of the canvas.

One can hardly assert that all that can be called beautiful in art, and having great aesthetic force, is to be found in the mechanism of sight. For in order to delight and charm a soul receptive to beauty, possibly gazing at the sea glistening in the sunlight, man needs the regular emotions behind the gaze. Especially when you are on the Greek coast, where the sea meets the hills, here art becomes a kind of infinite spectacle of the vision that has become unique, enough to carry the soul in a kind of mystical flight that starts from within.

What I feel, the emotion of peace and existential stillness, is like an uninterrupted flow of sound produced by the waves, in the beating of the sun. This to the extent that the sound of the waves represents the entire giver of emotions, subordinated to the aesthetic dimension, so without separating sight from hearing, art can be conceived in supreme simplicity. Especially when in this simplicity, Adoschoul Tkhirhas Iisras Ielaesert, the space where the divine creation is manifested, many different sounds resound at the same time, but which are so well united that you think you hear only one.

Have you ever considered exploring multiple aspects of an artistic composition so that what you see takes on the stamp of an unmistakable vision?

The implication of the view from the seashore is evident in my art, and even holds an absolute truth: "What you see is a spectacle, only if the eyes look with the heart". Precisely for this reason, looking with a kind of deep understanding in my mind, the words full of grace from the story "The Palace of Fortune" come to me:

"I am the Fairy of Fortune, said the beautiful maiden, and the palace that can be seen at the top of the mountain is my home. If you want, you too can come to my palace today. I 'm just telling you that you don't have time to think and rest. Also know that if you enter the palace gate before the clock strikes the last stroke of midnight, I will receive you and be your friend and protector. But it may be too late if you come just a moment after midnight. "

Here, in the place where the sea meets the land, already something to hold in the field of view, it is like an invitation to a magical castle, where once entered, time loses its meaning. The clock that measures my time on the beach, the space instrument that measures distances, ticks its tick, making the association with the sun's rays crossing the clear sky. So, something in me, in a lively conversation with aesthetics, made me determine one of the criteria of seeing: "To correctly apply the visual assessment, you must be aware of the subjective interpretations of the surrounding visual elements. "

Can you harmonize subjective interpretations of visual elements in a work of art to develop your own vision of the creation in a new and exciting way?

An artist sees perfection where others see only imperfection. I say this because where there is sand there is also a budding creation on an easel, where there is sand, the painter can give a special charm to a painting. And where there is earth, skill in drawing straight, thin lines can flourish. It can be seen, then, that I am protected by the tempting sense of details when it comes to the representation in drawing of an atypical vision, closely correlated with geometry and visualization skills.

And the sea is still there, bright and full of mystery, even after dark. Even when I am not present at the seaside. In this sense, whatever was the thing that brought us closer or separated us, from the moment our lives were shaped by the same artistic destiny, I had that strong suspicion that my ideas and ideals were in contradiction with reality, especially when it comes to the representation of abstract concepts on the easel.

It's going to be damn hard to develop such a concept, like the balance between light and dark, because as more of the horizon is revealed to me, the more it has to envelop me in its mystery, because artists like orderly things, even in chaotic conditions. In the end, if I have to accompany the sea with my gaze, with the emotion of rediscovery after years and years, until the peak that it reaches through the symbolic representation of a vast horizon, itself coming to appear to me as a symbol of separation and rediscovery, then my soul will always sail on the canvas of the easel...

The vision assumes the power to encompass the wide horizon, feeling the emotion of finding that image that merges memories into an eternal landscape of being.

Visualizing Art Is The Essence of Vision, understanding that every detail represents a window to the inner world of the artist, a fragment of the story hidden in the depths of his soul, a kind of Yllaraihah Enmimella Nyusasha, a moment of the human spirit that tends to the absolute.