Your Mirror
The true source of creation is the life from which you have to draw a correct conclusion with the same attitude of assuming the reality with which you try to accept your reflection in the mirror.
The color of my life corresponded to the whole of which lacked a part, like a premise without conclusion, constituting a diminishing of the possibility of modeling the matter of reality that I had preventively armed with the force of the substantial phenomenon of creation. I’ve got to be strong / Even if I know that this feeling is wrong !
I was imposing my transformation into a different man by confirming that the very effect of reality through the action of creation was a modified form of the aspiration to the proper transcendence of the "mirror of the soul" to which I could not find aesthetic uses.
Carefully studying each "right or wrong" of my nature, learning to weigh and measure the beauty or ugliness of thoughts and emotions – maintained by instinctive impulses to which I gave way to each "beyond" of the wave of absolute ideality, I began to transpose myself more and more in the strange landscape of a painting with the subject of a novel.
How do you manage to draw from the confrontation with yourself a new dimension of personal expression, able to transform inner rebellion into a genuine creative force?
A strenuous novel that keeps you busy in your atmosphere is cumbersome at every page change, from which the artist in me, left impacted by the experience of confrontation of the two omnipresence’s, creates the concept: "Look in the mirror."
Undoubtedly, the complete formation of my personality was marked by a transformation of how I relate to the life lived through art, before reaching that height of the artistic manifestation to which the artists full of vanity usually rise up to.
At its foundation, in a perpetual revolt movement, contributed that real spark of the dream unharmed by the attainment of a world-wide vision of beatitude, that faithful asset focused on the instructions of a pragmatism function: "I've got to stand up for myself". Art was a source of enlightenment, not a proof of weakness.
Does your thought pattern contain the totality of the essential characteristics of the object under reflection, in the idea that the bipolarity between inner friend and enemy becomes the source of creation and transcendence?
Of course, in my way of being and following the model of thought that contains the totality of the essential characteristics of the object subjected to reflection, I was particularly ambiguous, always having two senses attached to the perspective of the existence as a self-control test:
An eccentricity based on the existence of a prejudice: "I’ve got to not care" and snatch a subtle form of extreme pleasures of life, to insist, to seek more diligently the miracle of rebirth in eternity. And if I found it, I would dare to answer the great question of the illuminating spirits, studying the laws of bipolarity: "Am an enemy or a friend to myself?"
The artist is always unpredictably complex during the dedication of imaginative activity in everything he does, thinks, feels, designs, from which escape is sometimes the access to a dimension of life freed from the limits of space and time.
The art of exploring yourself in the mirror to reveal yourself presupposes recognizing what is wrong that prevents you from being corroborated by creation.
The meaning of "crowning creation" is to create a strong link between the intensity of sensitivity that takes you to emotionally impactful forms and the voice of consciousness that proposes addressing moral themes.
While the variable of the pointer type: "We’ve got to be strong / Even if our reasons seem wrong", has as a measuring unit the irony of a relentless clash, of the Angel’s struggle with Jacob, constituting compliance with the rules of a game of fictions through which the artist defends himself from the only enemy of his genius condition: the vision of a world without quality.
Lorenzo Bernini, one of the biggest artists of the Baroque, best known as a sculptor, decided to judge at some point the "Riddle" of Caravaggio by highlighting the exacerbation of fantasy and natural truth:
"Often in nature, you find parts that stand out, when it should not be so, or others that should come out without this happening. The one who knows how to draw well leaves aside what actually appears and it should not be so, and it draws what should be and does not appear…"
Artistic leadership means finding perfection in what is missing from an image in order for it to be authentic.
My destiny and that of my creation in the exercise of the theme for which a Heideggerian type of reflection could have been an exceptional support, thus gaining a subjective nuance, indicated in the world of exclusion, which lacked many elements of personalization. From the construction of this tandem one could easily omit the central element of a successful life, the essence of exposing an artistic image, a fundamental verse of the sublime.
It seems that there is still much to be learned before I come to know the truth that literary critic Vissarion Belinski has long expressed: "Authentic artistic works have neither beauty nor grief, but to whom completeness is accessible, will only notice beauty."
Your beauty lies within you.
The true source of creation is the life from which you have to draw a correct conclusion with the same attitude of assuming the reality with which you try to accept your reflection in the mirror.
Your Mirror is the business card for the self-image built on the pattern of a life experience, amid the finesse with which the painter masters the brush technique, from which you can learn to see beyond surface things.
* Note: Simply Red - Your Mirror
